bosef982
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Previous to X3, you ahd many Storm fans who were eager for a "more expanded" Storm, lamenting that Storm had "nothing to do" in X1/X2 and she was treated poorly in character. Their wishes were realized when Berry, Ratner, and Co. came out saying of cousre they'd expand Storm.
What is funny? Is that either through incompetency, bad writing, or sheer deception -- they failed miserably. This is humorous, because watch...
In X1, Storm is given a bit of dimension with the Senator Kelly scene -- a scene that really is entirely devoted to her and the themes of the X-Men. She also has a stronger moment when she goes off on Logan, telling him at least she's chosen a side. She's present; she's talking about themes and moving with characters. As most ensembles demand, Logan (the anchor character) plays off Storm well in those scenes.
Now, action wise, per point, Storm:
1) Uses her powers to create a blizzard to rescue Rogue.
2) Creates a lightning bolt to effectively save herself from a Beast that even Logan has trouble wrestling.
3) Creates cloud cover for the X-Men to arrive at Liberty Island.
4) Totally destroys Toad.
5) In a teamwork moment (something everyone accuses Singer's X-Films of not having), Storm helps levitate Logan up to Magneto's machine.
In X2, Storm is a bit more grounded. She's angrier, a more prominent leader. We see her teaching the children; we see her opening up with Nightcrawler in a beautiful moment that shows her vulnerability and how she puts up angry fronts to protect herself; from this point forward, she is practically leading the X-Men -- debriefing them on Stryker's base, leading them inside (notice the one barking out orders when they're in the control room), saving the children, and eventually, entering into Cerebro to save Xavier and all of humanity.
Her action beats are:
1) Blowing down Nightcrawler, about the equivelant to saving Rogue in the previous films.
2) Creating an entire stormbank of Tornadoes while simultanteously steering the X-Jet through them, disabling two hi-tech jetfighters in the process.
3) Creating an electical storm to disable Stryker's communications.
4) Creating a blizzard to freeze Cerebro and save the world.
In X3, STorm becomes a cardboard b*tch. She instantly calls all mutants who do not embrace their gifts cowards, no sympathy to the contrary. She has the gall to tell Rogue that "nothings' wrong with any of us" without even considering the girl's state. Unlike in X2, where she goes from angry to having faith, which was development, Storm goes nowhere in X3. She starts out as a very militant mutant in a way to being that way. Her world is essentially black and white, unlike the previous films. Storm here has no symapthy, none whatsoever, for the girl she grew up with's bout with insanity; she just sthrows her to the wind. She b*tches out Logan no less then 3 times in the film, even after he returns to let them know of Magneto's plan. And that's about it. She has no resolution to an arc that was never started for her.
In terms of 'things done':
1) She flies around and saves Logan in the Danger Room, about the equivelant to her saving Rogue, despite the fact that it looks slightly silly and is really underwhelming.
2) She clears the cloud cover at Alkali Lake so they can see Jean.
3) She spirals around and blows away the Hot Topic Mutants at Jean's House, only to have herself effectively beaten by Callisto afterwards.
4) At Alcatraz, she rains down lightining as the X-Men arrive.
5) She battles Callisto and kills her.
6) Using fog to help aid Colossus, Beast, and Logan attack Magneto
That's it there.
To me, this clearly establishes that not only was Storm handled better (perhaps not to your liking) but certainly better in both X1 and X2, but that in X1 she was given about the same amount to do as in X3 -- and that in X2, althoug "two down" in terms of power usage, her actions were far more awe-inspiring (tornado hurricane or lightining blasts on Alcatraz...) and relevant than in X3.
Looking back on the period before X3, and people who wanted to have a larger Storm role, more nuanced and powerful, these people should heed the warning of being careful what you wish for.
So, I guess I'm wondering, using Storm as a lighining post for this larger idea, how exactly did Ratner IMPROVE upon the alleged flaws of Singer's films?
It's a fair question.
What is funny? Is that either through incompetency, bad writing, or sheer deception -- they failed miserably. This is humorous, because watch...
In X1, Storm is given a bit of dimension with the Senator Kelly scene -- a scene that really is entirely devoted to her and the themes of the X-Men. She also has a stronger moment when she goes off on Logan, telling him at least she's chosen a side. She's present; she's talking about themes and moving with characters. As most ensembles demand, Logan (the anchor character) plays off Storm well in those scenes.
Now, action wise, per point, Storm:
1) Uses her powers to create a blizzard to rescue Rogue.
2) Creates a lightning bolt to effectively save herself from a Beast that even Logan has trouble wrestling.
3) Creates cloud cover for the X-Men to arrive at Liberty Island.
4) Totally destroys Toad.
5) In a teamwork moment (something everyone accuses Singer's X-Films of not having), Storm helps levitate Logan up to Magneto's machine.
In X2, Storm is a bit more grounded. She's angrier, a more prominent leader. We see her teaching the children; we see her opening up with Nightcrawler in a beautiful moment that shows her vulnerability and how she puts up angry fronts to protect herself; from this point forward, she is practically leading the X-Men -- debriefing them on Stryker's base, leading them inside (notice the one barking out orders when they're in the control room), saving the children, and eventually, entering into Cerebro to save Xavier and all of humanity.
Her action beats are:
1) Blowing down Nightcrawler, about the equivelant to saving Rogue in the previous films.
2) Creating an entire stormbank of Tornadoes while simultanteously steering the X-Jet through them, disabling two hi-tech jetfighters in the process.
3) Creating an electical storm to disable Stryker's communications.
4) Creating a blizzard to freeze Cerebro and save the world.
In X3, STorm becomes a cardboard b*tch. She instantly calls all mutants who do not embrace their gifts cowards, no sympathy to the contrary. She has the gall to tell Rogue that "nothings' wrong with any of us" without even considering the girl's state. Unlike in X2, where she goes from angry to having faith, which was development, Storm goes nowhere in X3. She starts out as a very militant mutant in a way to being that way. Her world is essentially black and white, unlike the previous films. Storm here has no symapthy, none whatsoever, for the girl she grew up with's bout with insanity; she just sthrows her to the wind. She b*tches out Logan no less then 3 times in the film, even after he returns to let them know of Magneto's plan. And that's about it. She has no resolution to an arc that was never started for her.
In terms of 'things done':
1) She flies around and saves Logan in the Danger Room, about the equivelant to her saving Rogue, despite the fact that it looks slightly silly and is really underwhelming.
2) She clears the cloud cover at Alkali Lake so they can see Jean.
3) She spirals around and blows away the Hot Topic Mutants at Jean's House, only to have herself effectively beaten by Callisto afterwards.
4) At Alcatraz, she rains down lightining as the X-Men arrive.
5) She battles Callisto and kills her.
6) Using fog to help aid Colossus, Beast, and Logan attack Magneto
That's it there.
To me, this clearly establishes that not only was Storm handled better (perhaps not to your liking) but certainly better in both X1 and X2, but that in X1 she was given about the same amount to do as in X3 -- and that in X2, althoug "two down" in terms of power usage, her actions were far more awe-inspiring (tornado hurricane or lightining blasts on Alcatraz...) and relevant than in X3.
Looking back on the period before X3, and people who wanted to have a larger Storm role, more nuanced and powerful, these people should heed the warning of being careful what you wish for.
So, I guess I'm wondering, using Storm as a lighining post for this larger idea, how exactly did Ratner IMPROVE upon the alleged flaws of Singer's films?
It's a fair question.