It brings back a triplet of forgotten Spider-Man D-List villains in Chance, White Rabbit and Scorcher. It features Peter Parker doing kung-fu, a six-armed Shocker and, SPOILERS (for those who haven't seen Marvel's cover for issue #670 that's been online and in Previews for weeks), mayor J. Jonah Jameson gaining spider-powers. Most of all, this arc - SPIDER-ISLAND - manages to do several key things well. It manages to provide the sort of epic action and over-the-top storyline that one expects of a crossover event without neglecting characters, a sense of humor, and above all, long term subplots that began before. It may not be Eisner Award brilliance and there have probably been better AMAZING SPIDER-MAN comics sold to the public, but it's better than FEAR ITSELF and has upped the ante for Spider-Events in the present and future.
SPIDER-ISLAND is nearing it's mid-point by this stage; while the story itself may be eight chapters including prologue and epilogue, they will be released over six months due to the rate of ASM's release. And as proper for the second act of a story, things are chugging along at a quick pace. Thousands of New Yorkers, including supporting cast members like Carlie Cooper (Peter's lover), villains (like Kingpin and those mentioned above) and superheroes (like Herc, Shang-Chi, Spider-Girl, and Hawkeye) have been infected with a virus via genetically altered bed-bugs which gave them Spider-Man like powers. Mayor Jameson, the Avengers, and Mr. Fantastic have all joined forces (sort of) to quarantine the virus on Manhattan Island and figure out a cure. While Mr. Fantastic has a vaccine for uninfected humans, and mutants and other superhumans seem to be safe, the virus has mutated and is now airborne. The villain at the core of the infestation is the Jackal, of CLONE SAGA fame, whose flash-mob of criminal Spidey impostors were either distraction or amusement. As revealed later in the issue, empowering thousands of New Yorkers was just phase one of the infestation, and Jackal's true purpose, and master, stands revealed. The character in question was an easy guess for many hardcore ASM fans, but that doesn't make it less interesting - in fact, many stories could stand to follow more logical and predictable conclusions rather than going for chaotic surprises. The character in question is relatively new - created in 2004 with only six issues to her credit by Paul Jenkins and Michael Ryan in what was then the second volume of SPECTACULAR SPIDER-MAN. However, if Brian Bendis can amplify another new villain, the Hood, in endless Avengers comics, why shouldn't Slott have his own go? It also makes VENOM #6 make more sense; as an FYI, VENOM seems to be the only SPIDER-ISLAND tie-in that is of critical importance to the general arc. The rest may be fun or feature obscure characters, but are more skippable for those who just want the key bits.
More importantly, every issue seems to address some criticisms or nit-picks that could have been mentioned from prior ones. Why didn't Peter Parker simply rebuild his "spider-sense destroyer" gadget from the second arc of BIG TIME? Because Reed and the Horizon Lab techs he works with have reconfigured it for him. Why is Peter Parker looking like a rookie at a time when his experience should be critical? He looks like less of one here. More importantly, Peter is FINALLY addressing the angle of letting Carlie in on his secret, since she is very close to knowing anyway. All that bars her from that knowledge is literally a magic spell which protects it via Dr. Strange and former editor-in-chief Joe Quesada (via last year's ONE MOMENT IN TIME story). While having a magic spell prevent anyone from learning Spidey's identity unwillingly regardless of who or how is a major handcuff to suspense, it wasn't something Slott created, but is something he is at least working with, and around, as a character dilemma for Peter. While it might seem that Spidey is hesitant to let Carlie fully into "his world" out of a need to protect her, one wonders if it isn't simply his own hang-ups. In a prior issue, MJ claimed that if Peter wasn't willing to share that secret, he didn't really love Carlie, and that could be true. Carlie Cooper herself remains a figure mired in controversy among fans, as she's Peter's first major love interest since the marriage to MJ was "annulled". Some feel she's a hodgepodge of attributes from Gwen Stacy tweaked for modern times. Others feel she's a "Mary Sue" editorial pet character being shoved at fans like a runaway freight train. Others - present writer included - feel she is written as such a "perfect girlfriend" that she seems boring. While Peter shows off more of his skills and expertise here, Carlie naturally has her moments to shine, at least with her deductive reasoning or her status as an NYPD officer with a badge to flash. And while it is great to see Spidey tag-teaming with a strong heroine, it does get hard to take her seriously as a CSI when she's wearing low-rider jeans which must need spider-clinging powers to stay on her at all times. How low are those jeans? The Spider-Tattoo which is supposed to be just an inch or so north of "home base" is visible over the belt. Having female characters be both super-genius and super-model is typical in fiction, but is her "exposed belly power" a bridge too far? At the very least, the subplot of MJ feeling envious that she's been left out of the Spider-Power tango is cute. While some could argue letting Carlie in on Spidey's secret would make her MORE of a "Mary Sue", I do think it would allow their relationship to progress as a crime-fighting couple for however long as editor Stephan Wacker is willing to pretend Spidey will be allowed to commit long term. Everyone knows Marvel would rather go bankrupt again than marry the web-slinger off a second time; at least let some of his aimless relationships be fresh, and an angle where he has a lover he can fight crime with who isn't a reformed burglar (Black Cat, circa the 80's) is at least something he couldn't do with MJ. Anti-Venom cures more people by stabbing them with tendrils, while Madam Web finally faints so she can stop mumbling exposition; goodness all around.