Do you have proof of directors being nothing but puppets at the MCU?
I never said they were puppets. I was talking personal experience.
Do you have proof of directors being nothing but puppets at the MCU?
LOL.Me reading this topic:
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Glad to see the Wright fanatics/fetishists feel the way forward is to complain about their guy being off the movie.
So what do folks actually want from the movie going forward?
radical change? Pym becomes modern hero? Rudd becomes Pym? Drop the presumed 1960s portion? Minor tweaks? crossover characters?
I had accepted the fact that Pym was going to be the lesser import character in the movie and even that Wasp was going to be his daughter as some presumed, but now what? Delay the movie back to Nov 2015 and do a major re-write?
Predictions?
Hopes?
Suggestions?
so damn tired of hearing about the guy getting the sack.
So one line about the movie and 5 paragraphs back on the subject of mr unemployed genius who is off planning his Kolchak movie.
How about inventing a sarcasm icon for
"Shoot Wright's script with a director without the genius to pull it off!"
A good script doesn't need any particular director to make it good.
If it's so damn quirky that only Wright can make it work then *****can it.
I also love how this convo seems to be in a cycle of....
No the conversation keeps trying to be curtailed by people with generic, ambiguous caveats without real knowledge of what happened.
Ah, I forget, as it's only the anti-Wright crowd that are allowed to make speculations about what happened or about anybody's motivations. And they don't even need to base their conclusions on reports corroborated from multiple sources, they just need to base it on their gut feeling taken from their dislike of changes to the source material.
The studio keeps experiencing that when it gives the directors freedom, and makes them the auteur it gets Avengers, Iron Man 3 and Captain America 2. When it doesn't, it gets Thor, Captain America 1, Iron Man 2, The Incredible Hulk and Thor 2. They do need "autuer prima donnas" like Black, Gunn and Whedon, they need more of those guys involved. If that means they can't do last minute rewrites and renege on the approval they gave creative directors previously, then maybe they're demanding too much flexibility in some cases to get films on par with the best they've done so far. I thought they'd learned by now, but it sounds like they're okay making mediocre movies so long as the universe-spanning story remains as they have forseen it up until 2028 based on their own limited ideas. Too bad. Our loss.
ALL of the directors so far have been under the same hand and the same stipulations. Some are fine with it and some don't like working that way. It's the individuals themselves that is the deciding factor. When all of their films are good-to-great(which as far as I am concerned, they are) I see no way that how they are running things is wrong. Why on Earth would I be on the side of the director in a situation like this? When MS starts making mediocre movies then I'll start worrying but until then I'll give Fiege the benefit of the doubt every time. Now if this were any of the other 3 studios making superhero films then it would be a different story as all they make in mediocrity as far as I am concerned.
I don't think it's quite that simple, even if a director who was as enthusiastic as Wright was comes one board he's going to find himself well behind the eight ball in terms of preparation, hell said director himself might not like the way the script looks. The easiest solution is another TV director, which is probably the way Marvel should be heading regardless.
Maybe Marvel should just hire cool, flexible filmmakers who arent snotty divas. Thats the best way to go.
The best way to fix it is................
find a director who takes the whole thing as a huge challenge. someone who has enough confidence to think they can nail it. someone not apologetic and who will not copy some else's style.
"I gonna hit this out of the park--not 'do my best' "---not actually saying that, but who thinks that way.
Not just enthusiastic as Wright, but enthusiastic about Wright's vision, so that all the prep they need is their crew and the actual physical/logistical preparations, as opposed to any creative stuff or desire for revisions.
Another TV director who is not enthusiastic about Wright's vision will want changes and generally make a maybe okay movie. They will be equally behind the eight ball, but not as invested or interested in the film overall, and would want to make changes.
So it's not simple, but all things being equal, you want someone who reads Wright's script and is like 'yeah, that's it.' Getting someone who doesn't like Wright's script would help no one in any way.
Budget 140M,
176M Domestic, 193M Foreign
I sounds like 200+M profit, but after marketing and foreign distribution cuts, the number actually comes out very modest. It was successful mind you, but the success wasn't nearly as significant as the non-typical Thor, with it's 449M worldwide.
Personally, I'm apt to trust Fiege's judgment 10X more than ANY of the writer's/directors/actors that MS has hired. The studio is the auteur here.