It's not like Gunn doesn't have experience with such things before:
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Showed my father the trailer for the first time when he just visited. The very first words out of his mouth were "..he looks exactly like Christopher Reeve".![]()
he's probably frustrated that the woman he's madly in love with is also questioning his actions (even tho she's just doing her job).
it's the problem when you mix work life with your personal life
these kind of arguments have happened with my wife and i.
where you're trying to get your significant other to understand your point of view, but they question you, then you both get so worked up, you both start talking over each other in your LOUD VOICES.
if @Black Narcissus were my neighbor, he would've called the police on me a couple times by now...!
警察!警察!jing cha! jing cha!
....im pretty sure they are always creditedI haven't followed the legal cases regarding the Siegal and Shuster families versus Warner Bros ownership. But either way, I think Jerry Siegel and Joe Shuster deserve credit.
I've heard this a few times now, and what I love about this, is that outside of the basic "square jaw, black hair" look, his features are no where close to Reeve's. His eyes are very different, his nose and mouth are both wildly different. It's just that he exudes such strong Supes vibes that people's minds instantly go to Reeve, which I think is just awesome.Showed my father the trailer for the first time when he just visited. The very first words out of his mouth were "..he looks exactly like Christopher Reeve".![]()
David and Rachel were incredible individually. But when we brought them together, there was an electricity in the room that was palpable. And part of it is, yeah, part of it’s the steaminess, the sexiness of it. But part of it’s just the way they bounce off of each other. And the way that, you know, old ’40s movie stars do. You know, kind of like how Clark Gable and Claudette Colbert played off each other in It Happened One Night. So it’s a really miraculous energy between the two of them.
I haven't followed the legal cases regarding the Siegal and Shuster families versus Warner Bros ownership. But either way, I think Jerry Siegel and Joe Shuster deserve credit.
LET THE ANGER FLOW THROUGH YOU!
Too much caping for the evil corporations.I have no issue. Siegel and Shuster got ****ed and any opportunity to punish the company for it is good karma. Regardless of the estates cynical motives. The superhero genre is built on a lot of ugly original sins.
It's interesting that you point this out, as I was having vaguely similar thoughts on the subject. Growing up, my perception of Superman was most likely informed by two main sources: the Donner and Lester Superman movies and a drawing of Superman that seemed to be everywhere at the time, from coloring books to the front of my lunchbox. As much as I loved the Donner and Lester films, I could easily see that Reeve's Superman was different from the aforementioned drawing, which sort of became my ideal Superman look. I'm not saying that's the way it should be or anything, mind you, but that's just how I saw things as a kid. Anyhow, I later discovered that the seemingly ubiquitous drawing in question was illustrated by none other than Jose Luis Garcia-Lopez.I've heard this a few times now, and what I love about this, is that outside of the basic "square jaw, black hair" look, his features are no where close to Reeve's. His eyes are very different, his nose and mouth are both wildly different. It's just that he exudes such strong Supes vibes that people's minds instantly go to Reeve, which I think is just awesome.
There's never been a time they have not been credited. They get more than enough credit and respect. If this ends up going through and I can't watch this movie in my own country I'm gonna go ape. Just money hungry vultures these people. Bugger off.
This is not about credit. Siegel and Shuster spent most of their lives in poverty despite creating something that made DC and then Warner Bros. billions.I have no issue. Siegel and Shuster got ****ed and any opportunity to punish the company for it is good karma. Regardless of the estates cynical motives. The superhero genre is built on a lot of ugly original sins.
I've heard this a few times now, and what I love about this, is that outside of the basic "square jaw, black hair" look, his features are no where close to Reeve's. His eyes are very different, his nose and mouth are both wildly different. It's just that he exudes such strong Supes vibes that people's minds instantly go to Reeve, which I think is just awesome.
This is not about credit. Siegel and Shuster spent most of their lives in poverty despite creating something that made DC and then Warner Bros. billions.
They deserve major royalties and a big settlement, but these lawsuits are not about that. The heirs had a really good lawyer in the 90s who got them a great settlement including a $3 million lump sum, 10% royalty forever, a $500,000 annual pension, and payment of all medical expenses.
Problem is this shyster Toberoff convinced them them to tear it up over some lump sum payment of $15 million from his buddy Ari Emanuel and assignment of all of their rights to Toberoff and Emanuel. Basically, Toberoff convinced them to tear up a great royalty deal for more exploitation.
Warner Bros should have to pay the piper for decades of exploitation but these lawsuits are just about more exploitation sadly. The sort of deals the heirs made with Toberoff are illegal here in Canada as a violation of his fiduciary duty to act in the best interest of his clients.
It's interesting that you point this out, as I was having vaguely similar thoughts on the subject. Growing up, my perception of Superman was most likely informed by two main sources: the Donner and Lester Superman movies and a drawing of Superman that seemed to be everywhere at the time, from coloring books to the front of my lunchbox. As much as I loved the Donner and Lester films, I could easily see that Reeve's Superman was different from the aforementioned drawing, which sort of became my ideal Superman look. I'm not saying that's the way it should be or anything, mind you, but that's just how I saw things as a kid. Anyhow, I later discovered that the seemingly ubiquitous drawing in question was illustrated by none other than Jose Luis Garcia-Lopez.
Fast forward to the present day. When I look at David, this is the version of Superman I see the most.
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Like many Superman artists, Jose has generally depicted the character with a straight nose; however, it's noticeably wider—like David's. The lip formation is also fuller than in other popular or mainstream illustrations—like David's. The biggest difference. I'd say, is the brows.
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