bdsproductions said:
well,it is not THAT great,i enjoyed it thoughouglhy but it's not Batman,it's Tim burton it's a total Tim Burton syle over substance film.also far too unfaithful to the comics.it's good,visually and as a Tim Burton film butit's the second worst as a Batman film.
It was hardly style of substance--they just hid a lot of the substance in the style. It's a modern day German Expressionism film, where you can figure out the character's thoughts and ideas within the visuals (such as Catwoman's costume falling apart in the end, representing her failing sanity at that point in time).
As for being unfaithfull, while there are differences, they're not as abundant as, say, BEGINS.
Quite frankly, they changed The Penguin for the better here. They turned a character that was almost always either a lameass super-villian or a dime-a-dozen crime boss into a flawed prophet/Christ-figure that was literary Batman's "lost orphan" side of him brought to life (same as how Catwoman was the "revenge seeking vigilantie" and Shreck was the "powerful businessman").
When it comes to Catwoman's origins, while details are changed about, the meaning of it is the same. In the pre-crisis origins of the character, Selina Kyle was a stewardiss onboard an airplane that crashed, giving her amnesia. The movie changed it by keeping it within Gotham City, giving her an equally sexist job (as a secretary in a large, male-dominated corperation), and having her fall off a building instead of an airplane.
And I still don't understand the "it's Burton, not Batman" arguement. Batman here is a wealthy businessman named Bruce Wayne who's parents were murdered and because of that, he decides to become a vigilantie known as "The Batman" to fight criminals. That is exactly the same as every other origin out there, and any other differences are either always been there, albiet subtext (Batman being a freak in a regular society), or were part of his character at some point in time (the killing was standard in the first Kane/Finger stories).