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I think the best way to trigger the emotion arc in a Superman story, is to have Lois find out that Clark & Superman are one in the same by accident.
As long as he doesn't trip over a pink bear rug again I can go along with that![]()
Yeah, that, and S2's scene, and the implication in SR, I don't like those too.Yea, and in Superman: Doomsday it's insinuated that Supes and Lois are bumping uglies and he hasn't revealed himself as Clark to her yet and to my understanding they are not married.![]()
Yeah...that doesn't work.![]()
As long as he doesn't trip over a pink bear rug again I can go along with that![]()
Yeah, that, and S2's scene, and the implication in SR, I don't like those too.
But I don't know, after SR, which follows Donner's universe, it seems that Superman in almost every other media tend to follow these:
- Martha only, no Jonathan (Smallvile, LOSH toon, Supes: Doomsday).
- Err... that "bumping uglies" stuff... (implied in Supes: Doomsday).
Come on, at least bring back Jonathan!![]()
That was all Lester's wasn't it?
I think so yeah Donner had the Lois shooting Clark with blanks scene that was used in the Superman 2onner cut
it's not all it's made out to be
Never thought I would argue with "El payaso". I think my issues with SR related with the the sadness is because my first contact with Superman were the comic books and you rarely see that kind of sadness. Now, since SR is close to the Donner movies it should have the same kind of mood, it doesn't. IMO.
But don't worry my friend, you will never be on my ignore list. You are one of my favorite people on the hype.![]()
I see nothing immoral in sex before marriage, therefore, why should Supes?oh, so that makes it OK for Superman to completely give up his morals, just because the world thinks it's OK for people to have unprotected sex...
his morals is what makes him Superman. You take away his morals, then he's just a vigilante from another world.
it's not all it's made out to be
Ah, same here man. And because it's like that and because it is based on Donner movies is that I can appreciate the twist towards realism. While for Donner it was easy to drown the tragedy of STM and SII in time-reversing and amnesia kisses last minute devices is why I admire that Singer went with the tragedy until the end.
And both the time-revesing and the amnesia kiss are quite some cheap narrative devices to use. Both of them magically appear in the last second merely to solve a specific problem; they were never intended to be part of the story. Superman wasn't fast enough to catch two missiles and suddenly BAM he is fast enough to reverse time. What to say about the amnesia kiss which has never before (and after) been part of the Superman's super-powers. Both things simply appear to undo the problem that is done.
In SR, Superman doesn't get the girl and certainly the scenario with Jason and Richard is not easy to solve at all. Just like in real life where last minute good things don't happen when you need them. If for the Donner-approach, Superman would have been reversing time or some kind of cheap thing so he never went to Krypton and Lois never met Richard and Jason was never born. Ugly.
Worry not. You're not the hater I use to fight.
Oh and lol @ your signature![]()
Lester's cut is OK at best, but the International Cut is perfectionBut I suppose its better than Lester's.
Lester's Cut > Donner's Cut
I disagree... I thought the ending to the Lester cut was great
I disagree. The way Lois finds out Superman is Clark is infinitely better in Donner's Cut, plus Superman being able to communicate to Jor-El one last time carried more emotion in that one scene than the entire Lester cut. We actually get an explanation on how Superman is able to get his powers back. Also, we have no fruit roll up S shield in Donner's Cut along with a lot of other silly scenes cut out. However, the endings for both movies are awful.
no, I meant the very endThe amnesia kiss? Because that is what I was referring to, I should have been clearer.