I dont really like how Nevermore is basically normal acting people but they just have powers. Wednesday shouldn't be THAT MUCH of an outcast compared to them that it even puts her at odds with the headmistress. There's pastels!
I'm kind of surprised that since Burton directs the first 4 episodes it doesnt really have that Burton feel to it?
Wednesday is definitely the highlight of the show and feels the most Addams of all the Addams.
I've only seen the first two episodes so far, and I share the same thoughts.
As far as the writing goes, there're some really strange choices; Wednesday being the outcast even in her family
(is it necessary ?), that "visions" plotline that seems a bit out of place
(at least to me and my references for the licence), and, as you said, Nevermore being a school for special children where, in the end, things still seem more or less... normal. About that, in comparison, the pilot for the original 60's series was extremely more effective at introducing us to the Addams house as a strange but delightful place of macabre absurdity in less than five minutes.
I can't say things are bad here either, it flows well, but if I'm taken out of the plot to questionning its design then it means something isn't really working for me.
When it comes to Tim Burton's direction, I'll be honest, if I didn't know he was directing the series, I'd never guess. These first couple of episodes definitely has that generic feel of those very "teenage" series I see the trailers for on autoplay when I go on Netflix.
I just rewatched
Beetlejuice and
Mars Attack! this weekend, and while it's true that Burton has been moving his filmmaking toward something less crazy for a long time now, damn, this is still
The Adams Family in his hands! Why does everything look so visually soft and shy?
Overall, I still have a good time as the series is easy to watch, thanks to Jean Ortega who's perfect in the lead role. But even if it's still too early for me to condemn the whole thing, I would say that given the initial premise of not only offering a new adaptation of this license, but also placing it in the hands of this particular director, I can't help but feel that the series doesn't even try to reach its potential on either level...