X-Maniac
Storm In A Teacup
- Joined
- Nov 26, 2003
- Messages
- 15,210
- Reaction score
- 631
- Points
- 103
Honestly? I don't know how he went into it. My hope would be that he went into it wanting to tell a story he believed in and related to.
Yes, possibly so. But risky to ignore the comics and to take the Donnerverse and yet do things that Donner's Superman wouldn't do. I think the end result - the odd editing, removal of Krypton sequence, quotes from Bosworth that 'they didn't know what they wanted' during the filming of the various sea rescue sequences, the preview screening for family and friends - indicate that Singer had lost his way during the filming of this mammoth project. It just doesn't hang together like it should.
Isn't that what an Elseworld ultimately is though? They HAVE no part of the main picture. They exist outside of the normal comic continuity.
Well, you can have an Elseworld taking an existing world off at a totally new tangent, and you can have a total reimagining. There are various levels, depending where you veer off! The earlier you veer off from established continuity, the more the Elseworld. If Kal-El's ship lands on another inhabited world, that is more Elseworld than if Clark is still on Earth but became a policeman rather than a reporter.
I think the basic ideas in SR are okay. Superman going away to Krypton is a very interesting notion, and a chance (from a sci-fi/fantasy point of view) to see something with a wow factor. Lex's land scheme is somewhat repetitive - Lexcorp would have been better - but by no means awful. Jason is problematic considering people might consider him a product of the love scene in SR about which Lois has no memory - her realisation of it being Superman's child would indeed be a shock! One assumes either the amnesia wore off, or the child was conceived on another occasion.
In my view, I feel the execution of the story is where it went a bit wonky. I don't mean visual/cinematographic stuff (though it was rather dark and muted in the lighting), I mean the structuring of what was on screen.
This is arguable, I think. Superman in the Donner-verse certainly wasn't a saint.
Indeed, though he was acting by the fantasy rules of that era, 30 years ago, when the status quo was almost always re-established at the end of fantasy material. I've no problem with SR NOT using this old formula to undo everything at the end. Actions have consequences. And the consequences seemed reasonable, but some of the actions didn't! Notably, his not saying goodbye and the whole foggy backstory of the relationship/pregnancy etc.
I think it could have gone either way. The Donner and Reeve stuff really set the bar high for a lot of people, more so than Batman and its resulting films. That coupled with Smallville on television, I think Singer fell into a "damned if you do, damned if you don't" situation. The way I see it, despite the look of the farm, the theme song and the use of the FOS, Singer's movie isn't too much like Donner's. The set design is very different. Spacey isn't nearly as campy as Hackman. The overall look and feel are completely different. It definitely borrows a lot of elements from Donner, don't get me wrong, but I see it as a different beast from it. But you're right, because of those few similarities, people were bound to relate it to Donner.
I think there were more Donner similarities than you name. An air rescue sequence after which he says flying is the safest way to travel, a rooftop rendezvous, a Lex land scheme. The look of the farm is insignificant, the theme song seems to be viewed as an essential part of the Superman legend (though I thought it immediately dated the film).
Smallville proves that Elseworld can work well. I think a little less Donner would have been better in SR.
True. But you also get no immediate drama of when he returns. It's too pat, no dramatic catalyst. It also starts shortens your characters potential character arc. Firs thing they teach you in screenwriting is to "raise the stakes".
There would still be mystery and uncertainty, and a lot more emotion, if he had said goodbye and that he didn't know when, or even if, he would be back. He might have stayed at Krypton for a long time, he might have been killed by its radioactive remains, his ship might have failed and been unable to bring him home.
I know what you are saying about the drama...but they did film a Krypton exploration sequence and planned to show Lex sending Superman there, and there was originally a newspaper sequence with various stories questioning where Superman had gone, so they did consider a stronger backstory that makes more sense. Although not as much sense as Superman saying goodbye. I think what was shown ends up pushing the focus off Superman (the main focus is on Lex at first) and making him seem cold and selfish.
If you prefer that drama of him leaving silently for Krypton, vanishing without a word, then fine. How soon before Lois realised he was gone?
That's what I'm saying about letting something that occurs in the exposition to completely color and taint the rest of the story. Because at no point is he even portrayed to be aloof. I mean, let's take the most obvious metaphor. He goes above the earth, which would be an obvious indicator of "aloofness", and what does he do? Immediately flies back down to help one of the people he is "above". I don't see him as aloof at all in any of these sequences. I see him as this person who flies above us, ready to be amongst us to save us from ourselves at any point. At the same time, I see him a person who isn't quite human and yet tries his hardest to protect us and live among us.
I can get all that, yes; and he didn't seem aloof when hovering above earth, because he was watching over it and he did fly down to help. But he is aloof in the prologue when he silently vanishes - that's the set-up for the movie. And he does seem removed from happiness and involvement through the movie. He is somewhat at peace at the very end, but at the same time, also more removed than ever.
Do you relate to someone who is so perpetually alienated and alone? Don't you want to feel some happiness, to see him experience some of that?
I can see that. Life is convenient when you want it to be. My best friend dated and slept with a person exactly like her ex a month after they broke up. It was eerie. And this has happened more times with other people, me included, then I can count.
I think the empathy part, though, was to get us into the Lois character. Or at least, that's how I took it. I was glad they did that. They didn't make Richard to be a jerk or terrible to her. It made it an honest situation where Lois was with a nice guy.
The problem was that Richard's humanity and dependability ends up contrasting with Superman, so that Richard seems more likable.
Not necessarily. What I think would have been more effective is if Luthor was completely behind the finding of Krypton. He could have doctored the information to make it seem like there might be survivors or something.
I agree.
You're putting me on the spot here. I see it going back to a laid back atmosphere I think. No "relationship/sexual tension" baggage with Lois. I think they can go to a friendly competition at the Planet. Possibly develop a deep friendship, deeper than before, because there isn't the "relationship" thing hanging over their head. I think it opens up more possibilities for Jimmy, since more screentime can be devoted to him. I also think they can use the time to really build on a good villain. I think it will be refreshing to have a movie that doesn't have to rely on a relationship to carry the emotional weight through the film.
Right, but laidback doesn't sound too exciting to me - there will need to be drama and conflict from somewhere. And we definitely need to see a better Clark, moving towards the Dean Cain portrayal where it was understandable that he could hold down a job as a reporter on a large city newspaper.
I agree. I think this was kind of a bridge from the Donner Lex into Singer's Lex. Because after that, you notice that Lex no longer wears the wig (except for the museum heist) or is as campy.
Right. For me though, it didn't work.
I don't see why Lois and Jimmy can't provide his moral support/guidance. The one thing that really changes is the romance aspect, but as I said above, I don't think it's necessary (and frankly I'm getting sick of romance stories being shoehorned into most movies). Like I said, when you take the romance out of the equation, you automatically make it easier for a better, deeper friendship to develop between Clark and Lois.
Lois and Jimmy can provide support for Clark. But surely we need some kind of infrastructure around Superman too. The only existing option is a stronger role for Martha. I think we need more than that.
And YOU are not?! LOL, everybody is biased! Haters and Lovers.



LOL!

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