I don't think that's decided yet, but apparently he's contractually forced to do two movies, the same way that Hugo Weaving is obliged to come back for another Marvel movie, even though he doesn't want to.What two movies?
Maybe because he was turning back into human,we see his human form in the sewer in that deleted scene
I am not making excuses,that how I actually felt when I first saw the scene
Thats because he was turning back
Why does he visit the school if he didnt want to kill Peter in the first place,what does words like 'You wont come in between my plans anymore,Peter Parker' means?
And how do you know the ones removed in Sm3 made more sense?
And you are missing the point,you made it seem like director dont generally film alternate scene
A lot of them do,they decide later what to put into the movie,they mostly make the correct choice,maybe Raimi made the wrong choice? and it had nothing to do with Arad
Maybe but that doesnt prove that Arad had to do anything with it
They wouldnt remove such a major scene if they wanted to shave time off
The scene doesnt hint strongly at a changed origin and if thats the case,why was the bathroom scene removed aswell? Especially after showing it at the comic con
Still better than 'Hey that scene was ****,I bet Arad had something to with it'
It wasnt fine,it was a ****** script.
**** Avi, he'll be blowing every single Spidey flick once they're filming, just like Spider-Man 3... Avi wanted Venom-- Sam wanted Vulture and Sandman
No I am not
A director with one film or two is still inexperienced.No one will deny that
Still doesnt hint strongly towards a Ang Lee type origin,atleast not enough to get Fanbois heated up
I never denied any of that
Just disproving your theory that not showing him dead would please the Indian Audience
And imo there is very little probability that he will get a role in TASM#2 or #3
Just because he forced Venom in SM3 doesnt mean that he is responsible for every thing wrong in Spider-man films in the future
Doesnt change the fact that he meant to kill Peter and only ran away because he was converting back,you cant interpret new things because a scene was deletedBut that doesn't matter now since it was a deleted scene as much as Dr. Ratha ISN'T dead since he died only in a deleted scene.
Havent seen that scene yetBut that is a HUGE excuse. And now we've even seen a deleted scene of Lizard in the bathroom where he DOESN'T eat those two girls.
Forget about turning back,What does those words mean to you other than his intention to kill him?And...he's only turning back in the deleted scene, not with the theatrical cut we saw.
We can say it worked perfectly fine in SM1 and SM2And not once have I ever said directors don't film alternate scenes, only that the case with alternate scenes, the films for Spider-Man have had the worst luck in that case. Too much of a coincidence now to say it's the director's fault.
Just because he convinced Raimi to use Venom doesnt mean that he is now responsible for everything wrongThe proof we do know is that Avi Arad has always been a pushy producer with Sam Raimi. So it definitely does linger that Arad does have the power in changing scenes/taking them out/etc.
Maybe it does but it doesnt give any weight to the Avi-did-it theory aswellThe line from Dr. Ratha greatly alludes to Richard having tested on Peter, but speaking of the bathroom scene...Lizard isn't even eating those two girls in that scene anymore. So that once again destroys the censor board theory, now doesn't it?
He never removed/replaced any scenes in SM3And when we've known the past with Spider-Man 3, then we know what Avi Arad could have done.
One scene wont change the movie so much.Okay it completes Rahta's arcActually, no, it wasn't. It was a fine script and only the theatrical cut makes it seem like the script is utter garbage.
So controlling Schumacher never worked and they try to do it again by hiring a rookie director? Isnt that stupidity on WB's partI'm not denying that, but your logic is flawed. You're comparing apples and oranges. Warner Bros just used Joel Schumacher as a puppet and got burned when their movie Batman and Robin destroyed their franchize. Not only were there efforts of control not critically rewarded but the movie was an enormous flop. Sony on the other hand had the most successful film of the franchise and was forced to cancel the sequel because they had difficulty with the director. It points much more in the direction that they wanted someone they could control, not the mention the confusion over whether he'd return or not.
Dont compare them to each other,we are talking about millions of dollars at skate and both the studios hired rookie directorsPlus a production takes 2-3 years. Thats a hell of a lot more experience than just one production and some music videos. Still not a lot, but undeniably more.
Oh..kayThat wasn't my theory, I said that they didn't kill him so they could bring him back and use his name in the foreign market again. It had nothing to do with displeasing the indian audience, just marketing.
I think some people are confused about what the Producers role actually is, believe it or not the director isn't the one in charge of making decisions, they have to pass it by the producer if anything needs changing. Director's have creative input, and only rarely have any more (like Christopher Nolan for example) Producers though, they have final say on everything, so if they don't like it they can change it. So even if Avad wasn't responsible for saying 'put that scene in and take this one out' etc. he still gave the ok for the movie WITH them scenes in.
So controlling Schumacher never worked and they try to do it again by hiring a rookie director? Isnt that stupidity on WB's part
Dont compare them to each other,we are talking about millions of dollars at skate and both the studios hired rookie directors
TBH I wasnt particularly thrilled when Webb was hired,neither am I that happy to see him back.But Sony's decision makes sense from their point of view,they wanted a different Spider-man movie from what we already saw,they wanted a characted oriented movie and were impressed on how Webb handled characters in 500 days.. and thus hired
You are making it seem like they just went for a rookie director without thinking at all and they only wanted control.They did use their brains.Webb could have turned into a Nolan type success and he still has the chance with #2
Oh..kay
But I dont think he'll be used again
Doesnt change the fact that he meant to kill Peter and only ran away because he was converting back,you cant interpret new things because a scene was deleted
This scene proves my point
http://www.youtube.com/watch?v=C5pyGkfx1lU
Havent seen that scene yet
Forget about turning back,What does those words mean to you other than his intention to kill him?
We can say it worked perfectly fine in SM1 and SM2
And no,there are plenty of times in movies that I see the alternate/deleted scenes and then think to myself that they would have been better put in.I dont go 'I bet the producer had something to do with it'
Just because he convinced Raimi to use Venom doesnt mean that he is now responsible for everything wrong
Maybe it does but it doesnt give any weight to the Avi-did-it theory aswell
He never removed/replaced any scenes in SM3
Why cant you except the fact that Raimi miscalculated?
One scene wont change the movie so much.Okay it completes Rahta's arc
What about the other dozen things wrong?
©KAW;24511859 said:Both Raimi and Avi Arad are horrible at what they do, so you're both right.
Well I dont think Sony controlled or tried to control Webb,he wouldnt have been back if that was the caseNo because hiring a rookie director doesn't mean, what I said which you ignored, was that the circumstances are different. For WB controlling their director failed so they gave their next one more freedom, where as for Sony control has been the main issue and so far it's been profitable.
Forget about SM3 and SM4.YOU'RE THE ONE COMPARING THEM. If you look at the production on SM3 and SM4
Its the other way around pal,I chose to base my opinions on facts why you are basing them on past moviesyou'll see a great need for control from arad, then if you look at how badly this movie was editted, you'll see that hasn't changed. You're believing too much of what you hear instead of looking at the facts.
Do you have anything to support your theory that Lizard didnt want to kill Spidey?And that doesn't change the fact that it is a deleted scene and doesn't matter to anything in the final cut since Dr. Ratha isn't even dead now.
As I said before,they have wierd rulesYou should since it blows the censor board theory out of the water.
Because Spider-man didnt let himMeaningless words when Lizard simply didn't kill Spider-Man.
The lift scene,which was absolutely ridiculousWhat alternate scenes do we know of from these films?
'Film' not 'Films'But one wouldn't even say that about the producers unless they've ****ed any films up before
Just because many people believe something doesnt mean its trueI'm not going to try to convince you anymore, but there are many and many people that realize what Avi Arad has done and what he possibly did with TAS-M.
So if producing 4 movies making close to 4 billion with Good reception isnt what you call a great producer than I dont know what doesOnce more, you're the only one who thinks Arad had nothing to do with it.Why can't you accept that Avi Arad isn't such a great producer as you think he is?
Do you have anything to support your theory that Lizard didnt want to kill Spidey?
As I said before,they have wierd rules
Because Spider-man didnt let him
The lift scene,which was absolutely ridiculous
'Film' not 'Films'
Just because many people believe something doesnt mean its true
So if producing 4 movies making close to 4 billion with Good reception isnt what you call a great producer than I dont know what does
I said it and I'll say it again
I want a villain with no possible connection to Peter Parker. TDK Joker has absolutely no connection to Bruce Wayne, and look how that movie turned out
Well I dont think Sony controlled or tried to control Webb,he wouldnt have been back if that was the case
Forget about SM3 and SM4.
SM3 was **** and Raimi was also responsible for it,you guys make it seem like he had no fault.
SM3 cost 260M at that time,which is 310M in todays money,which means SM4 would have easily cost about 330M-350M(In today's money) which is 100M more than TASM's budget.
Sony avoided their Batman and Robin after their Batman Forever and saved up 100M just like that.Raimi wanted to go with the Vultress(Which was some wierd combination of Black Cat and The Vulture)!! Did you expect Sony to agree with that ****?Giving Freedom is one thing but you have to put your foot down when the director is using ridiculous ideas
Its the other way around pal,I chose to base my opinions on facts why you are basing them on past movies
I said it and I'll say it again
I want a villain with no possible connection to Peter Parker. TDK Joker has absolutely no connection to Bruce Wayne, and look how that movie turned out
When did that happen? What that has to do with what he said? How do you know he almost wasn't back because of Sony?Given that he almost wasn't back I don't see how this supports what you're saying.
How do you know the script was allowed and already complete?You have no idea what you're talking about. For one thing it was Arad who forced Sam to include Venom into his already greenlight and completed script and the new one wasn't even finished completely until late in filming. So whos more to blame?
Then what was his purpose of those words he said and him visiting the schoolYes, the movie itself where Lizard ran away.
When you admit you are blaming Arad needlesslyJust admit your censor board idea is wrong.
He put up a good fight,its the other way around,Peter didnt want to hurt him.Getting tossed around like a ragdoll is not letting him?
The Lift scene in SM2 where that man with dog offered him a cardWhat lift scene?
So you are comparing the reception of Transformers with Spider-man movies?And Michael Bay made three TF films that have good reception with the GA. Your point? Doesn't matter if Arad has made some films with good reception. He still made mistakes and we know what these mistakes are.
Again you are imagining thingsGiven that he almost wasn't back I don't see how this supports what you're saying.
And Venom was the only thing wrong with SM3?You have no idea what you're talking about. For one thing it was Arad who forced Sam to include Venom into his already greenlight and completed script and the new one wasn't even finished completely until late in filming. So whos more to blame?
Ridiculous.Vultress is even more idiotic than Vulture,I dont see where is the compromiseSecond of all "Raimi wanted to go with the Vulturess", no Arad told him he wouldn't let him use the Vulture or the Lizard because "he couldn't market the vulture and the lizard looks too strange" so they compromised and had the vulturess.
And in hindsight it turned out to be a good decisionThe studio didn't avoid their "Batman and Robin" they intended on producing it, but they couldn't agree on a script because it was bad. So rather than let Sam do what he wanted he decided to leave.
And he didnt play anyone's role in TASM's caseArads job is to be an accountant and to let the directors do their creative thing, rather than try to play both roles.
I guess he the first director to make a bad film?Oh and if Arad is so great, why in the hell did we get Ghost Rider 2?
Like you have any idea about itEDIT: Not to mention it sounds like you have absolutely no idea about the backstory behind Spider-Man 3.
There's one thing that doesn't allow the Spider-Man universe to expand like other superheroes. He is always in New York, that's his home, where he can swing among taller buildings. There's a certain amount of things you can do with that, same goes with the villains. Everyone of them has a relation and a connection to Peter somehow. They had to create the backstory of his parents to try something different, cause there are not so many posibilites left. You know what I mean? The franchise feels like stuck, they need to incorporate new elements or the sequels will start to feel a lot like Raimi's.
Kraven could be a good way to inject this series with something different from the world of Spider-Man. Same goes with Mysterio (still my number one choice), where logic doesn't fully apply and you can do a lot of new things with Spider-Man, away from the tired city-setting.