Marvel Spider
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Here's an Electro "movie-fied" sketch I did yesterday:

I don't even think they should waste time on an Electro's origin. I'm here, I have powers, let's all deal with it and move on.
I feel this shouldn't be about sympathetic or not. Webb should be able to reach a grey area.
I can definitely see Webb go that route. Especially if those lightning bolts in the mid credits scene were by Electro and not just regular thunder.
What would be interesting is if Electro even were around before the origin of Spider-Man. I know I said before that Electro shouldn't be involved in Peter's history, but what if Electro had anything to do with the plane crash? Sure, that'd mean that he must be around 35-40 years old or something and that might not fit very well with how Electro is drawn in the comics. But that's always a possibility. I'd prefer a younger, 28-30 years old Dillon though.
But I've always liked the idea of Spider-Man not being the first super being. It feels weird somehow to have the hero be created and THEN out of a sudden super villains start to pop out, as if the hero was the trigger. Feels like too much of a coincidence.
Maybe Electro was around before Peter became Spidey but he never used his full potential and therefore wasn't well known until now? Maybe he's worked for Osborn for some time to do the dirty work?
EDIT: Or maybe 35 would be a good fit for Electro. If it wasn't for him already being Magneto, I can totally see Fassbender in this role
Electro's past includes an overprotective mother. The writers can build on that by having Maxi Dillon feel smothered by society just as he was smothered by his mother. He could be working on some machine for OsCorp when something goes wrong.
While unconscious, he dreasm about being back under the all-seeing eye of his mother. In a Tell-Tale Heart sort of moment, he resists her and fries her with bolts of electricity. Then he regains consciousness with his new powers. From there they could spin Electro as someone who wants to free the city's downtrodden from oppressive authority figures; Norman, the Police, etc. etc. They could use Electro's slip into insanity to show the extent of OsCorp's grip on New York city.
Electro's past includes an overprotective mother. The writers can build on that by having Maxi Dillon feel smothered by society just as he was smothered by his mother. He could be working on some machine for OsCorp when something goes wrong.
While unconscious, he dreasm about being back under the all-seeing eye of his mother. In a Tell-Tale Heart sort of moment, he resists her and fries her with bolts of electricity. Then he regains consciousness with his new powers. From there they could spin Electro as someone who wants to free the city's downtrodden from oppressive authority figures; Norman, the Police, etc. etc. They could use Electro's slip into insanity to show the extent of OsCorp's grip on New York city.
What if Electro turns out to be an Intro-villain?
Sorry, but this will never happen no matter who's directing. Someone who can fly, shoot 10,000 volts of electricity, move cars around like jigsaw puzzles and vaporize someone into crust--can't just walk on screen with no back story of an origin.I can definitely see Webb go that route. Especially if those lightning bolts in the mid credits scene were by Electro and not just regular thunder.
or overprotective mother + Bullied at school i would love them to go like Andrew from Chronicle , btw your Avatar is creepy
©KAW;24464885 said:Sorry, but this will never happen no matter who's directing. Someone who can fly, shoot 10,000 volts of electricity, move cars around like jigsaw puzzles and vaporize someone into crust--can't just walk on screen with no back story of an origin.![]()
My god, that would be brilliant.
It would also provide a great counterpoint to Peter's relationship with his loving and caring Aunt and Uncle. Max Dillon felt stifled by his mother's upbringing, while Peter comes to grips with and understands why his parents had to let him go. Maybe they befriend one another near the beginning because of their similar upbringings. Max probably even resents Peter's parents giving him up.
However, when Max gains his powers, he comes into conflict with Peter because he doesn't understand why he would protect the city, even when it hasn't done him any favors, just like him. Max only sees the oppressive heel that put him down all those years, while Peter still sees the good in people. This brings them into conflict near the end of the film.
It would metaphorically be the city's best (Spider-Man) fighting against it's worst. (Electro)
©KAW;24464885 said:Sorry, but this will never happen no matter who's directing. Someone who can fly, shoot 10,000 volts of electricity, move cars around like jigsaw puzzles and vaporize someone into crust--can't just walk on screen with no back story of an origin.![]()
I like the angle of the villain trying to do whats right for the masses but not thinking about the consequences of their radical procedure. Gives the villain more depth.
I see where you're coming from, and I can get behind it, but I prefer to have as few of Spideys villains be his age or be connected to him. A few villains can get away with it, but not Electro. I can accept him being around his age, a year older or younger, but him being friends will just ring of Raimi movies, which is something I hated about those movies villains.My god, that would be brilliant.
It would also provide a great counterpoint to Peter's relationship with his loving and caring Aunt and Uncle. Max Dillon felt stifled by his mother's upbringing, while Peter comes to grips with and understands why his parents had to let him go. Maybe they befriend one another near the beginning because of their similar upbringings. Max probably even resents Peter's parents giving him up.
However, when Max gains his powers, he comes into conflict with Peter because he doesn't understand why he would protect the city, even when it hasn't done him any favors, just like him. Max only sees the oppressive heel that put him down all those years, while Peter still sees the good in people. This brings them into conflict near the end of the film.
It would metaphorically be the city's best (Spider-Man) fighting against it's worst. (Electro)
I like the angle of the villain trying to do whats right for the masses but not thinking about the consequences of their radical procedure. Gives the villain more depth.
The fans want to see their favorite villains, not robots of their favorite villains. And That's not how you'd use Mysterio. He's special effects, you can do tons of interesting things with that. If you want to go the SSM route, have him team up with Chameleon to defame and eventually frame Spider-Man and then try to sell Mysterio as a hero with acts that they set up and commit.
My god, that would be brilliant.
It would also provide a great counterpoint to Peter's relationship with his loving and caring Aunt and Uncle. Max Dillon felt stifled by his mother's upbringing, while Peter comes to grips with and understands why his parents had to let him go. Maybe they befriend one another near the beginning because of their similar upbringings. Max probably even resents Peter's parents giving him up.
However, when Max gains his powers, he comes into conflict with Peter because he doesn't understand why he would protect the city, even when it hasn't done him any favors, just like him. Max only sees the oppressive heel that put him down all those years, while Peter still sees the good in people. This brings them into conflict near the end of the film.
It would metaphorically be the city's best (Spider-Man) fighting against it's worst. (Electro)