The Dark Knight What was the WEAKEST portrayal of a comic character in TDK

You'll have to choose....

  • Joker

  • Bruce Wayne/Batman

  • Harvey Dent/Two-Face

  • James Gordon

  • Lucius Fox

  • Alfred Pennyworth

  • Jonathan Crane/Scarecrow


Results are only viewable after voting.
"because you were the best of us!!!!"

"someone as gooooooooooooooood as you..."



Ughh i cringe when i hear some of the dialogue that was spoken towards the end.

They need to tone down the dialogue on Batman in the next one, Batman shouldn't be making these morally right, or trying to be uplifting.

It wasn't just that line you mentioned, but as well as the line he says to Joker " What that deep down not everyone is as uglyyyy as youuuuuu" and a couple others.

Man i am sorry but you could have made a case that Chrstian Bales Batman was almost Razzie worthy, it wasn't good.

Bales Batman needs to come strong in the final film, cuse he won't have Heath Ledgers Joker or Aaron Eckhardts Dent/Two Face to save his ass.
 
In Batman's earliest incarnation there was never an issue made about the police (in fact the comic made the point that Batman indeed walked a fine line between vigilante a criminal -- may have been no better than those he fought). Why didn't he become a judge? That's a great question that has literally no place in a superhero movie. It's kind of like asking "why don't people act sane and rational in comics"? Why doesn't Superman just take what he wants, f*** a whole lot of women, and become excessively wealthy like all superhero analogues do in The Boys? That's all part of the suspension of disbelief. Certain actions these heroes take simply don't line up with what we know is typical for the real world, otherwise they wouldn't be superheroes.

Comic book people doesn't act rational because real world people don't either. Comics exaggerate but are based on real world.

And the issue of why Batman didn't become a cop or judge has been addressed. In one origin re-telling from the 70's he was studying to become a lawyer. In one class a teacher is giving an example and Bruce gives his opinion. His teacher tells him he's wrong according to the laws. Bruce then finds out that justice and law are different things.

In B89 is clear that authorities are not enough to stop crime.

Reasons have been given as to why Bruce becomes Batman and not just another regular type of crime fighter.

Also issues like the one you mentioned about why Superman doesn't profit of his super-powers. In his case, his upbringing. In Spiderman's case, he tried and then as a conseuqence his uncle was killed.

So those great question have literally a place in comic books.

Projection: Batman projects his anger over his parents onto all criminals, as if everyone he fights is just an avatar of Joe Chill/unnamed assailant who killed his parents.

But we've seen - BB, Batm,an Year Two - how revenge was taken from him. And then he understand Batman can/must be more than that.

In Batman Year One you get the first mentions of Gotham having a corrupt police force. That's not something that is found in every telling of his origin, and has little, if anything to do with him becoming Batman. In The Man Who Falls the police, namely the FBI is not corrupt at all, and Bruce tries to join them, but ultimately becomes bored and unsatisfied with how they deliver justice. Most incarnations of Batman have him espousing a very myopic view of justice. In fact, the whole premise of Batman Year One pretty much perverts the purpose of having police. Comics do this regularly because the form crime takes in comic books is no more true to life than the heroes who fight it.

Yes, some Batman comics are about authorities corruption and some others are not.

Well it's not really a logical decision now is it. Bruce hardly wears the costume to fight super-criminals, considering the first time he wore it no such animal existed.

It has been having some inner logic for a long time now and it's been well explained. The bat-through-the-window device is well documented to ignore.

It's not a logical decision, it's a storytelling decision. Why doesn't Gordon just shoot the Joker in the back of the head in The Dark Knight? Even by the internal logic of the film that doesn't make sense?

In many comics Gordon and Batman have stated that killing the man is not the option they want. TKJ for example; Gordon forces Batman to show Joker they can aprehend him by the book. There's nothing illogical about that.

Moreover by internal logic, Scarecrow wasn't impervious to a taser, didn't have any impressive combat skills either. Rachel Dawes on the other hand was shown capable of defending herself, and considering what Scarecrow had done to her earlier it was karmic for her character to be the one to defeat him. By internal logic the scene makes perfect sense. You keep arguing that because Scarecrow IYO is a good comic character he deserved more.

John Doe in Se7en or Kayser Soze in The Usual Suspects weren't a physical threat but they were good characters that kept the authorities having an awful time.

Yeah, nobody thought of having a girl tasing getting their faces tased. That would have been a disservice. Hell, even Ledger's Joker could have been face-tasered but that sounds an awful idea.

Now in comics Scarecrow HAS BEEN a physical threat to Batman.

You're really just using straw man, his performance was much better than you're giving it credit for. I'm sure he just offers sexual favors in exchange for his roles in Inception and Batman, yup that's it :rolleyes:

No. I was just offering an alternative theory. Nolan can call him all he wants but as Crane, Murphy was merely ok.

Not every character in The Godfather is a "good" character, some just exist to move the plot along. You'd hope that the characters more intergral to the plot were more interesting than him, that in part was a problem with The Dark Knight: that the supporting cast was more important than the supposed main character. Scarecrow was good for the purpose he served, but he wasn't the main villain. What's so hard to understand:huh:

Nope. Even the irrelevant characters of The Godfather were good. Well acted and they were well fleshed out. Device or not.

But no gangster, as irrelevant as it could be, died or was defeated in a comedic way like Scarecrow was.

Again, you keep insisting Scarecrow is this "good character" that was "harmed" by his use in these films. I simply don't agree. He's a C-Lister at best, and he's not a novel character in the slightest. He's usually not anything more than filler in the comics either. He probably benefitted from that movie, as people wouldn't have given two sh**s about him before he appeared onscreen. I suppose you could make Scarecrow an epic villain, make him a main villain, like he was intended to be in previous unproduced Bat-movies, but at the same time he works well as a ancillary character. Much like Victor Zsasz. Were you disappointed with his use in the Nolanverse? Or do you accept since he was not the lead and simply a cameo he didn't need some epic sendoff?

Scarecrow has been able to fight Batman successfully, so he might not have Joker's popularity but he's worthy enough of more than a comedic beating from a girl. He's not the unnamed gangster #4 that's sending off the movie by one single bat-punching.

Again, completely disagree. I like to see obscure characters used, and used appropriately. Batman Begins benefited from having tertiary villains for Batman to fight, otherwise it would've just been a dragged out build up to the third act. Scarecrow helps give Batman a colorful villain to deal with before Ra's Al Ghul arrives. Knightfall did the same thing. Made Bruce run through a guantlet of villains, even lame characters like Crazy Quilt, before he reached the title villain; Bane.

Scarecrow could have done the same thing and keep his dignity as a character all the same. I mean, even Batman himself gassing him back or tasering him would have been acceptable.

You could say this about the Penguin too, but at the end of the day he's typically not Batman's great threat, and the incarnations of Scarecrow you're referring too would simply not work in Nolan's films.

That's why Burton made Penguin a worthy villiain that meant a true danger for the city. But then it's when you say 'No. That's a lame character and that's the way he should always be.'

No, I just like the way Nolan used him. Why does Nolan have to treat everyone the same way?

Because having only good characters in your movie not wasting their potentials for a misplaced comedy moment is never a bad idea.

It would be pretty stupid to have Scarecrow upstage the main act villain now wouldn't it?

No, it wouldn't. Why? I mean, it's better to have Ra's since he's more deeply attached to Batman, but Scarecrow directing the whole city fear gassing wouldn't have been stupid. I think of that BTAS episode where he did it from a zeppelin. It was far from stupid.

Now, not having him taking over the climax of the movie and having him face-tasered by an average girl are not the only two possible alternatives, I'm sure you know. Otherwise, Two-Face should have slipped on a banana peel so Joker could have been the main villiain.

Scarecrow certainly fit in well with the movie's theme of "fear", meshed well with the Arkham setting, and was an important aspect in setting up the third act.

He did. That's doesn't force him to be a lame character.
 
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Batmansad.gif

LOL!!!!

Ah, we know how the Marvel New York has seen different villiains in cahoots fighting each other because of their massive egos.

Marvel's New York? Where in the Spider-Man movies is it stated they've seen lots of these super villains working together?

Or maybe both of them wanted to rob the bank and Octopus just wanted to take Spiderman's thunder and do it by himself.

So they start kicking the crap out of each other, and then Ock takes a hostage, all in the name of just wanting the glory of being the sole bank robber?

Payaso, even you don't buy that :cwink:

All Jameson knows is that someone is telling him the suit was in the garbage. From what Jameson knows the suit can be fake and the garbage bin story as fake as the suit.

And again, even if that was the case, it wouldn't make a blind bit of difference, just like his slandering Spider-Man stories don't make any difference even when the whole city loves Spider-Man.

Jameson wouldn't buy that, even if for the sake of his own money.

What do you mean he wouldn't? He did. The comic book panel is two pages back in this thread. This is based on actual Spidey stories from the comics.

They need to tone down the dialogue on Batman in the next one, Batman shouldn't be making these morally right, or trying to be uplifting.

Batman shouldn't be saying moral things, or try to be uplifting?


JokerTKJTDK-1.jpg


Moral1.jpg


Moral2.jpg


JokerSarah7.jpg



And they're just one of MANY examples of Batman being uplifting and moral. Or giving moral lectures to other people. Just ask and I can provide you with more scans ;)
 
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Marvel's New York? Where in the Spider-Man movies is it stated they've seen lots of these super villains working together?

Venom and Sandman?
Even Spiderman and Harry's Goblin alliance was weird.

After the sudden apparition of these weird super-beings, many things and rumours can be created about them.

So they start kicking the crap out of each other, and then Ock takes a hostage, all in the name of just wanting the glory of being the sole bank robber?

Payaso, even you don't buy that :cwink:

When someone feels like wearing a blue and red costume with a sybmbol and a mask to hide his face you can start speculating about his ego and purposes.

So you see, I don't need to buy it, as many people in the Spider-universe believe all kinds of weird things when Spiderman just appeared for the first time, in that SM1 sequence with different people talking about him.
 
Venom and Sandman?
Even Spiderman and Harry's Goblin alliance was weird.

Dude, that was in Spider-Man 3. You know after Spider-Man 2 :oldrazz:

After the sudden apparition of these weird super-beings, many things and rumours can be created about them.

I'd hardly call it sudden. Spider-Man 2 is set two years after the first movie.

When someone feels like wearing a blue and red costume with a sybmbol and a mask to hide his face you can start speculating about his ego and purposes.

So you see, I don't need to buy it, as many people in the Spider-universe believe all kinds of weird things when Spiderman just appeared for the first time, in that SM1 sequence with different people talking about him.

Yes, but in the Spider-Man 1 sequence he was brand new to New York. As in literally just started showing his face. Nobody really knew what he was about yet. By Spider-Man 2, you've got people casually shouting "Way to go, Spidey" and "Go Spidey" etc at him when he's seen out and about doing heroic stuff.

By Spider-Man 3, they're throwing a Spider-Man day festival for him.
 
Dude, that was in Spider-Man 3. You know after Spider-Man 2 :oldrazz:

Look, I don't know what's with you and the mocking faces but I'm not after that kind of tactics. I'm just exposing how weird was that Jameson gave money without any further proof.
 
Look, I don't know what's with you and the mocking faces but I'm not after that kind of tactics. I'm just exposing how weird was that Jameson gave money without any further proof.

Yikes, Payaso lighten up. I wasn't mocking you. Sorry if it came across like that. You know I have the highest respect for you. I was just kidding around that's why I added the smiley. Your example of a villain team up in Spidey came after the movie we're discussing which is why I thought it was funny you used that as an example.

I'm not trying to paint Jameson as some great newspaper man because he's obviously not with all the biased unsubstantiated stories he prints of Spider-Man all the time. He uses his newspaper as a sounding board for his hate and prejudice against Spider-Man. Forking out $100 for a Spider-Man costume is not exactly breaking the bank. Especially for someone like him.
 
And they're just one of MANY examples of Batman being uplifting and moral. Or giving moral lectures to other people. Just ask and I can provide you with more scans ;)
Sadly these scans also highlight how horrifying comic dialogue is by and large. Even in some of comics most heralded works of fiction dialogue is simply not something comic movies need to be emulating. Frankly most of the moral statements made by comic characters come off like they are breaking the fourth wall, they're not examples of good writing.
 
Sadly these scans also highlight how horrifying comic dialogue is by and large. Even in some of comics most heralded works of fiction dialogue is simply not something comic movies need to be emulating. Frankly most of the moral statements made by comic characters come off like they are breaking the fourth wall, they're not examples of good writing.

Oh but I think they are good writing. Very good writing. Each scan is from a classic and popular Batman story. I think they are excellent examples of good writing, and the fact they continue to use it after all these decades, not only in comic books but in comic book movies, only re-affirms my belief of that. Characters should make moral statements, especially in tales surrounded by immoral characters. Long may it continue. Otherwise they wouldn't be the comics we all know and love.
 
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Erm, not ALL comics are good or memorable. By laws of probability, if you make five hundred issues of a comic, at least fifty of them may have missed the mark.

Yes, I have seen the example of Batman making a moral speech in some comic book. I see it, and I don't like it and view it as cheesy and a detriment to the character.

Superman makes speeches, not Batman.

I'll put it like this. If Batman makes speeches, why can't he just walk around so everyone can see him and be a statesman? Why the need to hide in the shadows? Conceal himself? Act like...a bat?

Those that conceal themselves and use stealth dont make...speeches.

When last was Superman sneaking in the shadows or living in a cave?
 
truth your not talkin senseh. The amount of talking he does has nothin to do with his mystique or stayin in a cave or usin stealth to make attacks. I could rhyme ya off dozens of scenes off the top of my head where he spewed loads of dialogue in BTAS. Batman aint tryin to "conceal" himself in these scenes and thats the "truth". Or are ya seriously tryin to say all those writers dont understand Batman?
 
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I could rhyme ya off dozens of scenes off the top of my head where he spewed loads of dialogue in BTAS.

Yep. I was watching one of my favorites the other day from the episode, I am the Night:

"I chose this life. I used the night. I became the night. Sooner or later I'll go down. It might be the Joker or Two Face, or just some punk who gets lucky. My decision, no regrets. But I can't let anyone else pay for my mistakes. How long before I let someone else I care about down? Leslie, Alfred...You? When all is said and done how much good have I actually done? They sell t-shirts of me. I've become a cliche. More good for the tourist trade than the streets. When you look too long into the abyss, the abyss looks back through you. Maybe it's time for Batman to return to the night that spawned him before anyone else gets hurt"

I love this episode. One of the best. I also really love Batman's monologue to Jason Todd at the end of the Under the Red Hood animated movie about why he won't kill the Joker.
 
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I just think it is a contradiction here.

A character who operates in a cave, lurks in the shadows and in darkness...making speeches?

Don't get it
 
Oh but I think they are good writing. Very good writing. Each scan is from a classic and popular Batman story. I think they are excellent examples of good writing, and the fact they continue to use it after all these decades, not only in comic books but in comic book movies, only re-affirms my belief of that. Characters should make moral statements, especially in tales surrounded by immoral characters. Long may it continue. Otherwise they wouldn't be the comics we all know and love.
But they shouldn't:huh:. Comics are a medium which lack the ability to display body language, facial expressions and actual, moving people in the way that live action movies (and, I suppose, very good cgi) can. I don't disagree that those are not classic comics, I disagree that classic comic dialogue should be used as a basis for film dialogue. You want Chris Claremont to script the Phoenix Saga movie? Have you seriously read his dialogue aloud!?!?! Comic book characters need a hefty bit of exposition and cornball dialogue because it helps convey the emotions that 2D static drawings simply cannot convey. For example, if Punisher is about to shoot someone Daredevil may shout "STOP! Don't", and then after Punisher leaves Daredevil may have this external reflection on the event. In a movie this is completely unnecessary and can be taken care of by body language, or simply by the actor himself throughout the course of the film. In movies the general rule is "show me, don't tell me", in comics you get a lot more "tell me". I don't need Batman making moral statements, because all this should be evident by the heroes actions.
I could rhyme ya off dozens of scenes off the top of my head where he spewed loads of dialogue in BTAS.
I imagine you would, it's a cartoon. In live action, particular since it's aimed at an older audience, you don't want your main character getting too preachy because it's a great way to take someone out of the moment. Cops don't make grand speeches, most people don't make grand speeches in every day dialogue, so it's kind of inappropriate for a movie, and should be used sparingly for impact. It's very tricky to fit such things organically into dialogue and Batman wouldn't spew his inner most thoughts to just anyone - even though he gets away with it all the time in the comics.
 
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I don't think there was any really weak character portrayals in the movie. Some were just better than others. I think Batman, Gordon, Joker, and Dent were the best. I guess you could say Scarecrow was the weakest because he was only used for a few minutes and got beaten.

On the topic of dialogue I think the comic booky dialogue works in comic book movies. I mean we're in a fantasy world where we see characters you don't see in regular movies. Their dialogue fits with the characters I think. Cops don't make grand speeches, yeah well Cops don't work with vigilantes in bat suits either. Stop trying to apply real life to comic book movies.
 
I don't think there was any really weak character portrayals in the movie. Some were just better than others. I think Batman, Gordon, Joker, and Dent were the best. I guess you could say Scarecrow was the weakest because he was only used for a few minutes and got beaten.

On the topic of dialogue I think the comic booky dialogue works in comic book movies. I mean we're in a fantasy world where we see characters you don't see in regular movies. Their dialogue fits with the characters I think. Cops don't make grand speeches, yeah well Cops don't work with vigilantes in bat suits either. Stop trying to apply real life to comic book movies.
Doesn't matter, it's the nature of the medium. You don't want a character deliberately slowly down a scene every five seconds so he can evacute all his thoughts onto the audience. Nolan understands this, most of the time. This is okay when you divide the story up into panels, when the characters aren't in a constant state of movement, and when you're limited by how much emotion you can convey with a single picture. Movies are played by actors who are, in fact, real people, so it's clunky to have them speaking as though they are not.
JokerTKJTDK-1.jpg

Prime example above. Why would Batman rush in and explain what just happened to a person who witnessed it? Moreover, how could he spew out that much dialogue in what must amount to 10 seconds tops of action? People don't talk and fight at the same time.
 
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I just think it is a contradiction here.

A character who operates in a cave, lurks in the shadows and in darkness...making speeches?

Don't get it

If you really believe that then they've been contradicting themselves for decades. Batman must be a chore for you to read ;)

But they shouldn't:huh:

Yes, they should. It's proven to work and appeal to the masses.

Comics are a medium which lack the ability to display body language, facial expressions and actual, moving people in the way that live action movies (and, I suppose, very good cgi) can.

Of course they can do all of that. Easily. You ever hear of the phrase a picture paints a thousand words?

I don't disagree that those are not classic comics, I disagree that classic comic dialogue should be used as a basis for film dialogue. You want Chris Claremont to script the Phoenix Saga movie? Have you seriously read his dialogue aloud!?!?! Comic book characters need a hefty bit of exposition and cornball dialogue because it helps convey the emotions that 2D static drawings simply cannot convey.

I don't agree at all. In fact simple imagery can often convey more than words ever can. You call comic books 2D static drawings, then you are severely selling short the art and power of the comic book.

For example, if Punisher is about to shoot someone Daredevil may shout "STOP! Don't", and then after Punisher leaves Daredevil may have this external reflection on the event. In a movie this is completely unnecessary and can be taken care of by body language, or simply by the actor himself throughout the course of the film.

To quote the great Stan Lee, "I deliberately added as many thought balloons into the comics as I could because the comic book has the advantage of getting inside the character's head in a way movies and TV never can".

I don't need Batman making moral statements, because all this should be evident by the heroes actions.

That's ridiculous. That is no excuse not to hear Batman's morals and beliefs on what he does. Or any other character for that matter.

I imagine you would, it's a cartoon. In live action, particular since it's aimed at an older audience, you don't want your main character getting too preachy because it's a great way to take someone out of the moment. Cops don't make grand speeches, most people don't make grand speeches in every day dialogue, so it's kind of inappropriate for a movie, and should be used sparingly for impact. It's very tricky to fit such things organically into dialogue and Batman wouldn't spew his inner most thoughts to just anyone - even though he gets away with it all the time in the comics.

Batman is aimed at both older and younger audiences. Tons of adults watched the Batman Animated Series. There's themes in those cartoons as well as dialogue that only a mature person would get and understand. It's widely considered one of the greatest animated shows of all time, and never ever was it aimed solely at kids. It was supposed to appeal to people of all ages.

Even the spin off movies like Mask of the Phantasm are filled with elements that only mature viewers would really understand and appreciate. In fact I wouldn't even say MOTP is aimed at kids at all.

BTAS pulled off Batman giving monologues and speeches beautifully just like Nolan did. It works in a live action format. If it didn't, then there would have been a backlash against it a long time ago.

I don't think there was any really weak character portrayals in the movie. Some were just better than others. I think Batman, Gordon, Joker, and Dent were the best. I guess you could say Scarecrow was the weakest because he was only used for a few minutes and got beaten.

On the topic of dialogue I think the comic booky dialogue works in comic book movies. I mean we're in a fantasy world where we see characters you don't see in regular movies. Their dialogue fits with the characters I think. Cops don't make grand speeches, yeah well Cops don't work with vigilantes in bat suits either. Stop trying to apply real life to comic book movies.

Exactly. Thank you :up:
 
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Yes, they should. It's proven to work and appeal to the masses.
No....It's proven to work for comic fans, and comics aren't the bastion of good literature. Oh, by the by, have you noticed comics are now abandoning the dialogue you're defending. Bendis and Millar essentially pioneered cinematic dialogue in comic books.
Of course they can do all of that. Easily. You ever hear of the phrase a picture paints a thousand words?
Don't be deliberately dense, and the phrase is worth a thousand words, and has nothing to do with anything that we're talking about. Comic characters don't move, real people do.
I don't agree at all. In fact simple imagery can often convey more than words ever can.
...but not more than real people, which is what we're talking about.
You call comic books 2D static drawings, then you are severely selling short the art and power of the comic book.
That's what it is though.
To quote the great Stan Lee, "I deliberately added as many thought balloons into the comics as I could because the comic book has the advantage of getting inside the character's head in a way movies and TV never can".
To quote me "if you ever hired Stan Lee to write a script for you, may God have mercy on your soul". Stan Lee may be creative, but he literally has no idea how people talk. Yes, when I'm lifting something in the gym I say "A little more, I almost got it, there!" (by the way, Stan Lee would've written much more there".
That's ridiculous. That is no excuse not to hear Batman's morals and beliefs on what he does. Or any other character for that matter.
Nolan boiled down Batman to a few key words and a few one liners, at this point, he disagrees with what you're saying. Movie dialogue functions on a different level than comics, period. Moral stump speeches have their place, but since Batman isn't a politician, or someone known for public speaking, it's rather inappropriate to have him carry on like one.
Batman is aimed at both older and younger audiences. Tons of adults watched the Batman Animated Series. There's themes in those cartoons as well as dialogue that only a mature person would get and understand. It's widely considered one of the greatest animated shows of all time, and never ever was it aimed solely at kids. It was supposed to appeal to kids of all ages.

Even the spin off movies like Mask of the Phantasm are filled with elements that only mature viewers would really understand and appreciate. In fact I wouldn't even say MOTP is aimed at kids at all.
You wouldn't?!? Why did they make a toyline then. CSI doesn't have a toyline. Batman The Animated Series was an intelligent children's cartoon, but that's all it was. If you think it did anything remotely special for a television show in general I honestly don't know what to tell you. "Mature" and "aimed at adults/young adults" are two different things.
BTAS pulled off Batman giving monologues and speeches beautifully just like Nolan did. It works in a live action format. If it didn't, then there would have been a backlash against it a long time ago.
Nolan didn't have an abundance of long speeches, and when he did, it came off awkward. If you really think comic dialogue is good dialogue, I honestly wouldn't be surprised if you sit around and talk to yourself.
 
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CBM monologues and stuff don't really bother me, like aunt may's speech and the whole "we can choose to do what is right..and what is easy" and the ending monlogue of tdk doesnt bother me....honestly the only movie in which im like pissed about it is batman begins because the damn word fear was used like every eight seconds
 
No....It's proven to work for comic fans, and comics aren't the bastion of good literature.

Yes, because the hundreds of millions these comic book movies make is based solely off comic book fans, not to mention the huge critical acclaim for the likes of the monologue filled Spider-Man 1 and 2, and Begins and TDK.

Oh, by the by, have you noticed comics are now abandoning the dialogue you're defending. Bendis and Millar essentially pioneered cinematic dialogue in comic books.

Are they now? After all these years they're only doing it now? Then it is obviously their own creative choice.

Don't be deliberately dense

Then don't be deliberately ignorant.

and the phrase is worth a thousand words, and has nothing to do with anything that we're talking about. Comic characters don't move, real people do.

It has everything to do with what we're talking about. Movement has nothing to do with it. A facial expression, a body pose, the look in someone's eyes. All this imagery can convey emotions without any words. In movies or comics.

but not more than real people, which is what we're talking about.

Not me. I'm talking about imagery in general. Live action and comics. And live action imagery can be equally as powerful as a comic book one.

That's what it is though.

Maybe to you.

To quote me "if you ever hired Stan Lee to write a script for you, may God have mercy on your soul". Stan Lee may be creative, but he literally has no idea how people talk. Yes, when I'm lifting something in the gym I say "A little more, I almost got it, there!" (by the way, Stan Lee would've written much more there".

I don't care what your opinion of Stan Lee is. I'm telling you the mentality comic book writers have for putting in all these thought balloons and exposition boxes in comics. It can get into the heads of characters in a way movies cannot.

Nolan boiled down Batman to a few key words and a few one liners, at this point, he disagrees with what you're saying.

Does he now? So for example Bruce's whole monologue in the plane scene in Begins about what he has to become in order to fight criminals was Batman being boiled down to a few lines?

Pull the other one, it rings.

Movie dialogue functions on a different level than comics, period. Moral stump speeches have their place, but since Batman isn't a politician, or someone known for public speaking, it's rather inappropriate to have him carry on like one.

And yet decades of comic books completely refute your claim. It's not an opinion, you're just flat out wrong about that. Aunt May is not a politician or public speaker either, but her hero speech is a big favorite in the movie.

Characters don't have to be public speakers to speak about their beliefs and feelings. Your view is so black and white that you don't seem to able to see that.

You wouldn't?!? Why did they make a toyline then. CSI doesn't have a toyline.

Stop being deliberately ignorant. It's Batman. No matter what he is a marketable character and has been long before the animated series came along. Batman Returns got a huge backlash for being too unsuitable for children and that still had a toy line, too, because it's Batman.

Nolan didn't have an abundance of long speeches, and when he did, it came off awkward.

That's subjective.
 
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CBM monologues and stuff don't really bother me, like aunt may's speech and the whole "we can choose to do what is right..and what is easy" and the ending monlogue of tdk doesnt bother me....honestly the only movie in which im like pissed about it is batman begins because the damn word fear was used like every eight seconds
The Dark Knight was a vast improvement as far as dialogue is concerned. Although didn't Goyer write the first one? Then only wrote the story for the second one? If so, yeah, that'd be why. Goyer's dialogue is atrocious.
 
Yes, because the hundreds of millions these comic book movies make is based solely off comic book fans, not to mention the huge critical acclaim for the likes of the monologue filled Spider-Man 1 and 2, and Begins and TDK.
Yet not a single one of these movies won or was nominated for an Oscar for their screenplays:huh: Why would that be:huh:
Are they now? After all these years they're only doing it now? Then it is obviously their own creative choice.
Yes, it is their creative choice, ultimately because the fans of comic books are getting older and they are not able to capture young readers in the same age bracket they used to. Remember, it used to be rare to be under the age of seven and not be into comics. So much so that the "comics code" was invented to protect this very large demographic of readers. The older audience is not going to sit there and read comics where superheroes pander black and white morals to them anymore since it's a young teen audience now.
It has everything to do with what we're talking about. Movement has nothing to do with it. A facial expression, a body pose, the look in someone's eyes. All this imagery can convey emotions without any words. In movies or comics.
Yes it does:huh:. Writers or non-illustrated books describe scenes and settings because they don't have pictures to do so. Comic book writers have the aid of pictures but not of movement, so they often use characters to describe the action: such as "Must...get...batarang....". Any movie would just bypass this and show Batman trying to get his batarang.
Not me. I'm talking about imagery in general. Live action and comics. And live action imagery can be equally as powerful as a comic book one.
Sure, but it's a different medium therefore the same rules don't apply. You simply don't write a movie like you write a comic. Look at how much of a struggle it is to adapt comics into movies? They don't make those changes (mostly) on whims, they make them because there are a lot of things comics simply allow that movies don't. Bale doesn't wear tactical armor because it's "realistic", he wears it because spandex looks ridiculous.
I don't care what your opinion of Stan Lee is. I'm telling you the mentality comic book writers have for putting in all these thought balloons and exposition boxes in comics. It can get into the heads of characters in a way movies cannot.
You never watched The Wonder Years did you? Movies and TV do voice overs often, but they simply are not the best way to express character emotions, and they are a writing shortcut. The beauty of movies are that Batman can be sad without saying "I'm sad", in fact he can be saying happy things and everyone will still know he's "sad" without the aid of dialogue.
Does he now? So for example Bruce's whole monologue in the plane scene in Begins about what he has to become in order to fight criminals was Batman being boiled down to a few lines?
That was incredibly awkward, again. The Dark Knight toned it down A LOT. That's all Goyer though, not Nolan.
And yet decades of comic books completely refute your claim.
Why? Transformers G1 has endured for almost thirty years, and that cartoon sucks? Decades of comics only show, really, that the characters were marketable, not that the writing was good. They're hardly that popular either, most people couldn't name any particular issues, many think the cartoons came before the comics and many more are unaware of how old these characters are. Comics are not that popular.
It's not an opinion, you're just flat out wrong about that. Aunt May is not a politician or public speaker either, but her hero speech is a big favorite in the movie.
By who? Comic nerds? I suspect it would be. Marvel doesn't make money because of Aunt May T-shirts.
Characters don't have to be public speakers to speak about their beliefs and feelings. Your view is so black and white that you don't seem to able to see that.
No, but it helps to keep dialogue appropriate for the character. The dialogue you posted, most of it, would just be stupid in a movie.
 
Optimus, in the spirit of harmony, and I just can't be bothered anymore defending comic book movies using comic booky dialogue to you anymore, I'm going to bow out of this one. If I reply to you I know I'm just going to start repeating myself again.

So much love to you, but calling it day on this particular one.
 
CBM monologues and stuff don't really bother me, like aunt may's speech and the whole "we can choose to do what is right..and what is easy" and the ending monlogue of tdk doesnt bother me....honestly the only movie in which im like pissed about it is batman begins because the damn word fear was used like every eight seconds

Yeah, the use of fear all time was annoying. But even there it wasn't so much the using of comic book speeches, but the repetitive use of the same word over and over which even comic books don't do.

It was like Nolan and Goyer were afraid we'd forget what the theme was so they kept reminding us every two minutes.
 
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