I Am The Knight
Voilá!
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That's what she said.
Why? The two have nothing to do with each other. If anything, it simply means said director does not deserve credit for being a good writer. Directing is a whole different ball-game and often takes more responsibility especially when it comes to film.
That's what everyone has been saying about Watchmen for 20 years. It's the un-filmable graphic novel.
But Batman Forever and Batman & Robin were in continuity with Batman and Batman Returns. Batman is always going to be a movie FRANCHISE, not a movie character. You simply don't make a single Batman movie with no thoughts on how to continue. If its not in continuity with Nolan's Bat Franchise, or with any other Bat Franchise, it won't be made. Its a waste of the character's potential from a Film Producer's point of view. Now we can talk about dream scenarios and what should happen in a perfect world - but thats all it would be, a dream.
questionOf course he's gonna stick close to the source. The adaptations he is making are from the story itself. It is not a reinvention of a character or world. It IS the story.
i understand that all i was saying is that dialogue\screenplay wise reading straight out of a comic doesnt work IMO
It is no different when Hollywood adapts books or short stories into film. For Snyder, the source is worthy of being made into a film with little to no alterations to the story. And that is fine.
you think its fine my opinion is that it isnt, it feels unnatural to me even when i saw Henry V for example, when they read the play aloud it doesnt feel like a movie it feels like a play. Thats how i felt about 300, again watchmen might work but i strongly believe TDKR wont work in this manner just my opinion. TDKR not only dialogue wise needs to be changed but i also feel some story alterations are neccesairy but thats a different story.
99.999% of the book to film adaptations are trimmed and or rewritten to produce a film, only Shakespeare (plays) and 300 now watchemen are read directly if that.
Jumping mediums from literature to cinema is a pretty big move in and of itself. Even with minor changes, the director has a very heavy plate on his hands in simply bringing the narrative and visuals to life in a coherent and engrossing manner. It is not a layman process, or a simple copy & paste job. Far from it.
im not saying its easy, but i just dont think it will work for TDKR, it may for watchmen (strong source dialogue wise), and did not for 300 IMO that is.
Snyder can still use the cold war aspect. Why can't he? No one is complaining that Watchmen is in the 80's with Nixon in his 5th term. It doesn't have to be modernized version.
You're aware of the definition of "adapt" right?
adapt: make fit for, or change to suit a new purpose; "Adapt our native cuisine to the available food resources of the new country"
The book MUST be changed if it's going to fit, therefore making it an adaptation of the graphic novel.
... Which would, in turn, be an adaptation.
Wouldn't the war on terror work just as well? You could keep all the same themes.
Rather than a Soviet attack plunging America into chaos by killing electricity, it could be a terrorist attack that does the same thing. And rather than Corto Maltese, Superman could be operating in Iran or Pakistan or something after a war breaks out. These scenarios are quite similarly to the ones Miller was writing about. Just different enemies.
http://www.youtube.com/watch?v=4pXfHLUlZf4question
what is that in your avvy?
Fair enough. But realize though that there are many that consider DKR, as a story (read: not limited to the comic medium), is very good on it's own right. Therefore a translation to the film would not require many drastic changes. As Snyder has pointed out many times, the comic itself has lent itself as a storyboard format to lay the groundwork for the film.again
all I'm not talking about changing the story and or cutting things out
although id prefer if the story was changed a bit for the film, thats not my main gripe.
Im talking about re-writing a the comic dialogue to produce a screenplay, as opposed to taking the dialogue from the comic, that is what i am mainly against here.
DKR would conceivably not be connected to any previous films and is a stand-alone project. Therefore, there are no pre-conditions to which the adaptation must follow.O rly? Ok try and keep track of this in your head...
1. The Cold War must occur in the 1980's. That cannot be messed with
2. Public audiences are accustomed to the fact that Batman, as seen in films, is set in the present day, and is roughly about 30-35 years old.
3. Now what happens when you age batman by 20 years, AND simultaneously move him back in time? Peoples heads explode. I already outlined this. Do you follow? One goes forwards, the other goes backwards, bit of a problem there. Conclusion - you CANNOT include the 1980's Cold War in any adaption of the DKR themes into a film.
http://www.youtube.com/watch?v=4pXfHLUlZf4DKR would conceivably not be connected to any previous films and is a stand-alone project. Therefore, there are no pre-conditions to which the adaptation must follow.
I don't get what you are saying Margon. Are you saying that a one shot comic couldn't be made into a one shot film?