”Here’s something few people know, but the original Batman: The Animated Series was one of the things that made me want to write superhero comics in general, and Batman in particular,” Brubaker told THR in a statement. “If not for what Bruce Timm and all the talented writers and artists did with that show, things like my revamp of Catwoman with Darwyn Cooke (who worked on BTAS) and Gotham Central with Greg Rucka and Michael Lark, would never have happened. So when Bruce Timm offered me the chance to come work on this new reimagining of Batman with him, James Tucker, J.J. Abrams and Matt Reeves, I jumped at it.”
He continued, “Their vision for the show, with a slightly more pulpy take on the character, and a new way of looking at the world of Gotham, set in the past but viewed through a modern lens really sold me, and so far every part of it has been a blast to work on. I can’t wait until the rest of the world can see what we’ve been building the last few months in the writers room. All I can say is, it’s not what anyone is expecting … but in a good way.”
That’s my only criticism. Seems like a bit of a wait for only ten episodes. At least give us 13-15. We’re STARVING.Ten episodes ain't enough though.
Ed Brubaker will be the headwriter on the show!
I'm curious, do you guy think this show will be marketed as a spiritual prequel to Batman TAS or no? They seemed to have done that at DCfandome, but I'm unsure if they'll continue to do so.
Okay, so what else is going on...? One of my Hollywood things finally got announced...
Although this headline makes it seem like I just got this gig, I actually have been working on it for several months, and we already wrapped the virtual writing room and are barreling ahead towards production right now.
I had no intention of going back to superheroes at all, but I was a big fan of the original BTAS show, and when this came along, it just sounded like it would be too much fun to pass up. And I was right. We spent a couple months on zoom for half the day, kicking around ideas and laughing and coming up with some very cool episodes that I can't wait to see animated. The show is a complete reimagining of the character, not a sequel to BTAS, but like that cartoon it feels like it takes place in a kind of timeless 1940s or early 50s - no computers, no cell phones, yay -/ and it's really pulpy. Hopefully more adult at times, but still something kids can watch too. Like the Marvel movies or Star Wars, ratings-wise, I guess. PG? I'm not sure what they rate things as on streaming actually...
Anyway, I think you'll all dig it, and it was a lot of fun creating this first season, and I hope we get to do several more. Here's a tiny photo of our writing zoom room, on wrap day...
Clockwise from top left corner - that's Halley Gross, writer and Consulting Producer (who I have now worked with on a bunch of TV shows), then Sean Lee, our writers assistant, Jase Ricci, coEP and writer, Julie Osborn our line producer (who was just popping in to hang out on the last day), Adamma Ebo, another writer and Consulting Producer, James Tucker, our coEP and one of the main designers of the show, Adanne Ebo, also a writer and Consulting Producer (pay attention to the Ebo twins - they've already made their own movie and have two TV series in development) and then there's me laughing about something, and in the center of it all, Bruce Timm.
I wish I could tell you more about the show, but Warner Bros is like Fort Knox about this stuff, so that's all I can share for now.
A little more information from Ed Brubaker's newsletter (might be worth signing up to as he could throw out little tidbits over the course of production):
Lordy, how many producers does this show have?