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Comics Amazing Spider-Man #584 -- Character Assassination part 1 (spoilers)

Marvel puts out those freebie comics now and then showcasing upcoming artists, or issues the daily bugle. They should do one that is a copy of a SHIELD memo outlining all the important terms of the SHRA. That way it could be considered the canonical act that all writers are expected to adhere to when using it in their stories and would probably reduce the amount of backlash JoeQ and Co receive regarding cock ups and excuses for storylines etc.

1) No officer of the law be them state, federal or otherwise is allowed to unmask a costumed vigilante or superpowered hero under any circumstances. Such a reveal is only permitted to be undertaken by a sanctioned SHIELD (well, HAMMER now) agent. Such an agent may be called in to do so if a preliminary trial of the accused presents justifiable reason for a public unmasking (public including only those immediately assigned to the case in most instances). In such a case, the identity of the individual becomes classified in all records of the case, but will be documented at the highest levels for reference at a later date of necessary.

2) Identification may only be through unmasking followed by anonymous/classified fingerprint or DNA analysis via the SHIELD database if visual identity is not possible.

3) Any unregistered costumed individual may be arrested on sight if at the time of report by a member of the public or when sighted by a law enforcement officer, the costumed individual is engaged in a superpowered fight, vigilante act or other similar act (Luke Cage sitting in his home should not be a valid reason for arrest - only if he used his superpowers in a vigilante/superheroish way after the passing of the act and is seen and reported as doing so. Heroes with public ID's seen performing superacts after the passing of the bill and reported for doing so may then be arrested after the fact at any time under any circumstances (such as sitting at home).

4) Costumed individuals who are not obviously superpowered but are engaged in costumed acts (such as hunting down or fighting criminals without official sanction) may also be arrested at anytime and under any circumstances after the fact and after the act has been passed. This would apply to such trained and skilled but not superpowered individuals as The Punisher, Daredevil, Shang Chi, Ronin etc.
 
Actually it makes no sense at all. Federal agents have no jurisdiction to act within states. They can only investigate and take action on crimes involving the crossing of state lines or crimes enacted on federal property.

The SHRA makes little sense. As stillanerd brought up, does it apply to anyone wearing a costume? What about criminals? And its a state law that no one can legally be running the streets in a mask. So the cops would be within the law by unmasking Spidey or anyone other masked person.



And why would the feds want to protect people who are operating outside the law? Again without reliable corroboration the actions of these vigilantes would for the most part be ruled inadmissable in courts anyway. The heroes can certainly bring the villains in, but the villains would have to be charged with crimes for which there's witnesses and evidence. Not for having a fight with a a self-described superhero.




Which again makes no sense, since they are infact treating Spidey as though he were a criminal. Why would they give a criminal the right to maintain anonymity? I seriously doubt any voters would find such a thing kosher. And the government, federal and state all work for the tax payers. They can't even arrest him and charge him if they don't know who he is. How can the police prove he was even the same person they arrested?
As with most of Marvel's decisions of late none of this was very well thought out.

Its a fictional world with super hero laws that aren't even written down for us to see what do you expect?
 
all I have to say about that preview is what a B****. if you read it you know who I'm talking about.

I'm pretty sure
Carli isn't going to join Vin and Al and i'm certain she's utterly opposed to what they are doing. But she is using quick thinking to get herself out of tight situation (who knows what they might have done if she'd threatened to shop them there and then). This way she can gain their confidence, collect evidence and give herself time to expose what they are doing.
 
Its a fictional world with super hero laws that aren't even written down for us to see what do you expect?

I know what you mean (my detail of what the terms of the SHRA could be notwithstanding). Some of the things we go into detail here cross the line into geekdom. There is only so much 'canonical' information that writers can refer to. As nice as it would be to have complete details on everything in the MU so it becomes a seemless copy of our world today but with superheroes in it, ultimately every arc is a single story with an ever changing dose of believibility. Stargate SG1 became a much more compelling series once they explored the origins of the gates and the origins of humankind and how they relate to not only mythical pantheons but also human evolution and other real world issues. The same can nowadays be said for the MU with its overlapping characters and political involvement. But we have to let some things go.

Why did they construct an elaborate court case that prevented Spidey being unmasked but simultaneously seemingly contradicted the SHRA?
Because they cocked up unmasking spidey in the first place, so steps needed to be taken by the writers and editors to make sure that couldnt happen again, even by accident.
Simple as that.

Why is Reed drawn so buff on the preview covers when he's a labrat who never works out?
Not because he's using his powers to seem bigger, or Ben insists he train with him occasionally. Its cos the archetype of any hero is that and thats the way that artist draws him. Simple as that.

How can Clint Barton all of a sudden be some kind of weapons master?
Cos the bow was no longer possible without diluting archery based heroes in the MU or making Kate Bishop less important, so they retconned Clint to have undergone training off panel for years in the same way Tony is now apparently great at karate or something to defend himself if left without his suit.
Simple as that.

Aside from that, Carlie is probably doing to attempt a semi-sting op. But Vin's partner doesnt look like he's going to fall for that.
 
Out of curiosity for the people actually supporting OMD peter parker:

Does anyone like Vin? All bias aside I can honestly say, he's a phenominally annoying character without much more to him. Does anyone dig that? A JJJ without personality or morals?
 
Ignoring my not liking BND in general and so far only actually having bought Character Assasination and the Anti-Venom arc - not a fan of Vin
 
Out of curiosity for the people actually supporting OMD peter parker:

Does anyone like Vin? All bias aside I can honestly say, he's a phenominally annoying character without much more to him. Does anyone dig that? A JJJ without personality or morals?

I thought Vin was pretty dull up until the last two issues...

:yay:
 
Vin is Paul Stacy with different hair and no goatee. You've seen this character before. He's the lazy 2-dimensional antagonist the writers create when they forget vital ingredients like warmth, motivation and the root of his flaws. I'm going to repeat what I wrote earlier in this thread... http://forums.superherohype.com/showthread.php?p=16395797#post16395797

"I hope Vin dies. Seriously, I hope he gets the Ben Reilly treatment and makes a car pancake. (And then degenerates into dust even though he's not a clone... that would be great) There hasn't been such a useless, belligerent, 2-dimensional character since Paul Stacy. It's fine to have antagonistic supporting-cast members who are bitter and angry at Peter or Spider-Man, but at least do it right and give them a personality and explain why they're flawed. Flash Thompson and JJJ are examples of how to do it right, and still make the characters sympathetic, because there was more to them than just pure spite. Flash showed tenderness towards Liz and Spidey. JJJ had his son John and genuine (if hidden) affection for Robbie and Peter. Vin's annoying because he's just an ass. You never see a human side or anything come out of his mouth that isn't bitter or spiteful. There's no attempt to even show another hidden side or make the audience care about him in the least. His Peter/Spidey hating antics are getting tiresome and I hope this arc does away with him. Al's quite useless too. (In issues past, he's defended Spidey to Vin, but both are fully aware he's involved in the tracer thing? Um, what?)"

After the newest issue I feel the same way. Vin still blows. Not only does he blow now, but the only added dimension is that even as a bad guy he fails. When Peter told [BLACKOUT]Matt in jail that he had to rescue Vin[/BLACKOUT] I was cringing. Let the waste of space get shanked. Heck, I'll help file down the toothbrush for them. :oldrazz:
 
At this point I think Character Assassination has not only resparked my interest in Spider-Man, but makes me see Lily, Carlie, and Resurrected!Harry in all knew lights. Still can't stand Vin though.
 
Okay, part 3--Amazing Spider-Man #587 has come out, and once again, here’s a summary of what happened for those of you who don’t want to read it.

After the recap page, we open with the Two in One reporters who decide to bring us a “Special Report,” and reveal that Spider-Man has been arrested and taken into custody by the police (as seen in issue #585). The reporters then say how this could have huge developments in tomorrow’s mayoral election, and that the outcome could favor Hollister, who has been suffering in the polls because of the “Spider-Tracer Killer” remaining at large. (As though people who had been reading the arc so far needed reminding). The reporters then cut to their special guest commentator, J. Jonah Jameson, who is live at Manhattan’s Fifth Precinct for a response. Jonah just calmly smiles and whistles a cheerful tune (classic!). The reporters, saying it appears they lost Jameson, decide to look at other noteworthy superhero arrests as they try to get him back. (Ha!)

After we get a brief two panel spread of Spidey being brought in and being hounded by reporters (and note, the cops haven’t unmasked him) we then cut back to an episode of the Wire…I mean Carlie, Vin, and Al O’Neil outside Peter and Vin’s apartment at the moment Carlie learned that the cops were involved in the Spider-Tracer Killings. After Al again ridicules Vin for hiding the tracers under his bed, Carlie asks how many other cops are involved. O’Neil doesn’t like her tone, and Carlie rebuts that it’s because she just found out that her friend is part of a group of cop serial killers. Vin gets defensive and says that no one has actually been killed, that they just planted the tracers on people who were already dead, and then (as if we didn't already realize what a naive dope he is) laughably states they haven’t done anything illegal. Carlie rightly points out they’ve tampered with evidence, obstructed justice, and committed fraud, to which Al defends this by saying that Spider-Man is a vigilante who interferes with their work, that they wanted public opinion against him so they could get him off the streets and do their jobs (Okay, first of all, wasn’t there more than enough evidence to haul him in because of his violation of the SHRA? Wasn’t public opinion already mixed about him thanks to years of Jameson slamming him in the press? And their motive is all about not looking like the Keystone Cops? What about those times Spidey’s helped your ungrateful asses, Mr. “We cops can’t do our jobs if Spidey is on the loose”?).

Before Vin can tell his partner to shut up, Carlie says, to their shock, that she wants in. She explains that Al has a point--that Spider-Man has been breaking the law for years, violating criminals civil rights, making cops look like chumps, and everyone looked the other way only until the “Spider-Tracer Murders” started. She says she became a cop to punish people who break the law, and Spider-Man is breaking the law. Vin asks about her sudden turn around (because lets face it, they would have to be REALLY stupid to believe that Carlie would make such a convincing 180 degree change of heart in that short of time) in which she replies that sometimes you have to break the law to uphold it, giving the rationalization that cops still beat confessions out of suspects. She offers to help hiding the Spider-Tracers, and Al tells her they’ll think about it as he and Vin leave.

Meanwhile, Spidey is in the 5th Precinct House with the Chief of Police, Palone, who asks Spidey who he is (and no, Spidey still hasn’t been unmasked yet). Spidey gives him the usual patented Spidey banter. Palone decides that now would be the best time to unmask Spidey, but just before he’s about to, Matt Murdock appears (Seriously, did anyone think that after all the trouble Marvel went through to restore Spidey’s identity, they would blow it now?) Anyway, Matt tells Palone that Spider-Man is his client, that he will not be unmasked until a court decides otherwise, that his client will exercise his right to remain silent (which he adds no matter how difficult it may be for him, HA!), that he’ll be booked without having his fingerprints taken, and if Palone doesn’t comply, his client will sue the precinct. Palone and his men leave, informed of a visitor in his office and tells the guards to arrange for Spider-Man to be moved to Rykers.

Meanwhile, Spider-Man and Matt talk, and it’s revealed that Spidey could easily have broken loose from his restraints at any time, and Spidey is all but ready to do so before anyone decides to unmask him. However, Matt tells Spidey that if he does escape, it will just be worse. He’s already in violation of the SHRA, and Palone could easily make a phone call and make it a federal case, thus putting his loved ones and family at risk when the FBI and SHILED (so I guess this is before Norman Osborn takes over?) takes him down. He tells Spider-Man to wait until he gets him out.

Palone’s visitor turns out to be Carlie Cooper is there and she tells Palone all that she knows about the Spider-Tracer Killer conspiracy, that the victims were all unrelated murders that cops were placing Spider-tracers on after the fact. (Wow. So even though Carlie knows there’s more than two cops involved, she goes ahead and informs about this to the chief when she only has two names thus far?) The chief asks Carlie why she’s willing to blow the whistle on other cops, and Carlie says she “became a cop to punish people who break the law.”

Later, we see Spider-Man in a cell at Rykers when a guard shows up to give him a clean Spidey suit for his hearing, compliments of Matt Murdock. The guard tells him he hopes it goes okay for Spidey and when asked why, the guard says that he used to be on the NYPD before his leg was injured in a bank robbery. Apparently, it was being robbed by Doctor Octopus and Spider-Man managed to stop him. The guard says that if Spidey hadn’t shown up, then he would have lost more than his leg and his two girls would have lost their daddy. (awwww…).

From there we get a brief panel of Spidey in court pleading “Not guilty.” This is followed by the newscasters, while sarcastically shocked over the plea, genuinely surprised that Spider-Man was not unmasked. And we get a footnote telling us to read “The Spartacus Gambit” free at Marvel.com to learn what exactly happened (You know, the one that was in Amazing Spider-Man Extra #1?) Watching the newscast is Hollister and Lily. After Hollister makes a crack about Murdock, Lily tells her father that tomorrow (geez when is this election?) will be mayor, and that the polls indicate that he’s favored to win thanks to the “Spider-bump,” or what they are calling Spider-Man’s arrest. Lily says that’s what she’s calling it, but it will soon catch on, saying “You know me daddy…anything I can do to help” And we get a symbolic image of her with one of her eyes like Menace.

Meanwhile, we see Vin talking to Jimmy McNulty…I mean his partner Al O’Neil about Carlie--who Vin insists is not his girlfriend even though Al sarcastically calls her that. Al basically states the obvious that Carlie was saying a bunch of B.S. about joining them to by some time to get away from them, and AGAIN criticizes Vin for leaving the tracers under his bed (jeez we get the point. Vin is an idiot, okay!) They then get a radio dispatch and Al gets an off speaker message from Chief Palone. He then tells Vin than warrants have been issued out for both Carlie and Vin’s arrest in aiding and abetting Spider-Man in the Spider-Tracer Killings (So Carlie ratted them out on a guy who happened to also be in on the conspiracy. Nice work there, Ms. “Serpico”). After Al then tells Vin that he saw Vin in possession of the tracers and that Julian Beck at C.S.U built the tracer tracker for her, Vin realizes he and Carlie are being set-up (yeah, pretty slow on the up take there, Vin). Al then pulls his gun on Vin, telling him he doesn’t know how deep he’s stepped in it, saying Palone has been twitchy ever since…and we get a series of interrupts of Vin asking why is Palone so freaked because all they did was the tracers on bodies. That’s when it FINALLY dawns on Vin that the STK cops have killed someone, and Al FINALLY tells Vin that they bumped off the Bookie because he figured out that all of the “victims” were found by uniformed officers working out of their Precinct. Soon, Al forces Vin to pull over in front of a roadblock of police and is read his rights (And like Spidey, he doesn't pass Go and doesn't collect $200 dollars, either. :p)

Meanwhile, back at Rykers, Spider-Man is going back to his cell where the guard observes that Spidey could have broken out anytime (as if we didn’t already know) and Spidey tells him that a friend told him not to. The guard says it’s just as well because there’s at least a hundred other guys he would have to go through, including some D-list super villains who were transferred from the Raft. Suddenly, Spidey sees Vin being escorted past his cell. Spidey asks what a cop like Vin is doing here, and the guard doesn’t really know, saying Vin’s “going to be real popular in the general population.”

An hour later, Spidey tells Matt that the situation has changed. We then get four John Romita Jr. panels of scenes from “The Spartacus Gambit” in which Matt hands Spidey the law book right before he goes into his civil suit. This is interrupted (AGAIN!) by those Two in One news commentators (seriously, this is getting real annoying) who then show ANOTHER Romita scene from “Spartacus Gambit” of the “Spider-Men” who showed up. This is followed by FOUR MORE PANELS from that story as depicted by Romita Jr., this time of Spidey getting a spare web shooter.

We then cut to Norman Osborn tallying up his Goblin equipment in the secret storeroom behind the bookcase, making a mental note that a goblin glider, a pneumatic dart gun, a pair of goblin gloves, and a goblin mask are missing. Norman notes this is the biggest raid on this place yet and that Harry didn’t bother hiding his tracks “this time” (yes, he still thinks Harry is Menace) which means Harry’s bolder than he’s given credit for, or that he was wrong about who has been raiding his stash (or at least, realizing Harry is not Menace after all).

We then cut back to Spidey in Rykers where he hears a commotion. He looks out his cell to see Vin getting surrounded and beat up by a bunch of prisoners. Spidey decides to rescue Vin, and to do that, he shoots his web onto his neck collar which apparently inhibits his spider strength (Wait a second! It's been stated twice now that Spidey could have "broken out any time he wanted," and now we find out that that collar he's been wearing saps his strength? Even though in an earlier scene, we clearly see that he's almost broken loose from his restraints despite wearing that same the inhibitor collar? :huh: ), wraps the webbing around his bed, and, using his foot as a lever, attempts to force the collar off. And for a moment, as he tears the collar off (while appropriately quoting Archimedes) Spidey blacks out. In the meantime, Vin is getting the crap beat out of him, each one begging for their turn. Suddenly, a cry of “Hey Sailors!” gets their attention. It’s Spider-Man, saying he’ll be taking Vin while they can go back to their nightly Parcheesi game (uh, how does that quip match with the sailors comment?). The issue ends on a cliffhanger with the inmates closing in on Spidey.

As you can probably tell from the summary, this issue was not only dense, it jumped all over the place. In hindsight, it was probably not a good idea for Marvel to have had the “Spartacus Gambit” be in Amazing Spider-Man Extra #1, especially since the comic takes scenes from that story and places them in awkward places in the story itself. And if you hadn't read that issue, you never know exactly why Spidey is not unmasked all this time. Thus an issue which already felt cramped became even more so.

While certainly we got some developments and some moments that leave one wondering what’s going to happen to Vin and Carlie, this issue was probably the weakest part so far, although not as poor as the interlude. Maybe if they had shortened the interlude and spaced this part out between last issue and this one, it might have been a bit better.
 
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I agree. I liked where the issue was going but it felt like to much stuff going on for the story to end in the next issue. but the last issue of this arc is double sized so that makes me a little less worried about it being all crammed into a 20 something page book.

Also it kinda sucks that we have to wait a whole month for the next issue. They could have finished off the arc and then release Spider-Man Extra #3, but its not that big a deal to me its just kind of silly.

I'm enjoying this arc I hope it just doesn't fall apart in the end cause the it started off strong.
 
Out of curiosity for the people actually supporting OMD peter parker:

Does anyone like Vin? All bias aside I can honestly say, he's a phenominally annoying character without much more to him. Does anyone dig that? A JJJ without personality or morals?

At first, I liked the idea. But they didn't go where I thought they would with it. I thought he would be around 1) to give Peter access to "police news" and 2) as a JJJ in your home. And there's never been any background given for the character. No reason for the spidey-hate other than the stand-by, "I'm a cop" reason.

And I would have preferred he stay out of the "action" for a while. First with She-Kraven, and now one of the Masterminds behind the spider-tracers. I kind of like when the supporting characters are just supporting characters.

So no, I don't think they've utilized the character wisely.
 
At first, I liked the idea. But they didn't go where I thought they would with it. I thought he would be around 1) to give Peter access to "police news" and 2) as a JJJ in your home. And there's never been any background given for the character. No reason for the spidey-hate other than the stand-by, "I'm a cop" reason.

And I would have preferred he stay out of the "action" for a while. First with She-Kraven, and now one of the Masterminds behind the spider-tracers. I kind of like when the supporting characters are just supporting characters.

So no, I don't think they've utilized the character wisely.

Agreed.

The only characters I've really liked with this BND have been the bookie (damn you gugg) who had a crap load of potential, Mr. Negative cause he filled in that blank I've been missing since the rose left the picture (I loved that guy) and to be honest Freak is growing on me (he's practically shakespearean compared to Menance).
 
I know what you mean (my detail of what the terms of the SHRA could be notwithstanding). Some of the things we go into detail here cross the line into geekdom.

Got a news flash for ya muh friend- once you log on to a website to discuss comic books, the "geekdom" ship has sailed.

There is only so much 'canonical' information that writers can refer to. As nice as it would be to have complete details on everything in the MU so it becomes a seemless copy of our world today but with superheroes in it, ultimately every arc is a single story with an ever changing dose of believibility.

That's completely untrue. The very reason an editor's job exists is to make sure that the product makes sense and follows a distinct policy. In Marvel's case, since they have TEAMS OF EDITORS, that job should be infinitely easier. The writer structures the story, and the editor makes sure that the canon and continuity i's are dotted and t's are crossed.

And considering that Marvel publishes and SELLS books presenting all sorts os statistical and historical data on its characters, one would think that actually following this info would be a cinch.

The same can nowadays be said for the MU with its overlapping characters and political involvement. But we have to let some things go.

It's Marvel's choice to bring up the subject of politics and legislation in their stories. Obvously, in an attempt to bring some reality to their comics. If they choose to go that route, they should do a little research to make sure their injection of realism is REALLY REAL. If for no other reason than to educate the readers in how these processes actualy work. But of course this all can still be entertaining, while educating.

Why did they construct an elaborate court case that prevented Spidey being unmasked but simultaneously seemingly contradicted the SHRA?
Because they cocked up unmasking spidey in the first place, so steps needed to be taken by the writers and editors to make sure that couldnt happen again, even by accident.

So you're saying they should fix a bad idea by contriving an out for themselves? /isn't that ow they got into this mess in the first place? Contrivances? How about being creative and coming up with a logical and believable answer?

And there shouldn't be any certainty that Peter can't be unmasked. One of the very reasons his story is compelling is that he can be unmasked, and suffer the consequences of his secret being revealed. THAT'S SUPPOSED TO BE THERE.

The writers have no limitations other than the limits of their imaginations. It would take a decent editor/writer all of 30 minutes to lay out the basic tenets of the SHRA, based on existing laws for all of Marvel's crew of writers to work from.

The real problem here is that Marvel's current editorial policy is to have none. They're making everything up as they go along.
 
and you think he's cool now, or at least interesting?

[blackout]I never said I thought he was cool, but since the reveal that he's in on some corrupt cops trying to make Spidey look bad puts a little "more than meets the eye" spin on him... so I'm going to see how this plays out.
[/blackout]
 
I like how [BLACKOUT]Vin was the fall guy in the conspiracy for the[/BLACKOUT] Spider-Tracer Killings it actually made me feel a little bad for him, but shouldn't that get Spidey out of Jail the second he goes in.
 
I'm glad I wasn't the only one who thought Romita's work in "New Ways To Die" was vastly inferior to his previous stuff in Amazing. Although i've always prefered his pencils when inked by Scott Hanna anyways. For example if you compare the art in NWTD to say, "Coming Home" and the quality is worlds apart.

As for the story, the only thing I didn't get was the whole politics behind the Spider-tracer killer. I mean, why are they saying that Spidey being caught and captured will swing the vote for Hollister? It was Crowne that took up the heavy stance against Spidey. So surely if he's caught, wouldn't Crowne benifit more than Hollister?? :confused:

Anyone... anyone at all? :csad:
 
Man its been a while since the last issue, always getting Spidey comics three times per month, made me almost forget how it was waiting once a month.

Even though i thought pt. 3 was a bit of a mess, im still eagerly waiting for the next issue.

Because im very excited for the stories coming after CA, the 24/7, story with F4, and finally America's Son, looks to be a top notch story, which all leads into #600!!!
 
Well, here is folks. The last part of Character Assassination has finally arrived. Will Spidey save Vin Gonzales from the prisoners? Will the Spider-Tracer Killer Conspiracy be exposed? Who will win the election? Does anyone even care at this point? Well, here's it is for those who don't want to bother reading it:

We start off of course with the recap page, of course and...wait a second. It says here that Carlie Cooper, after being pinned by the corrupt cops with the Spider-Tracer Killings along with Vin Gonzales, managed to escape from the police. When the hell did this happen last issue? Oh, that's right, it didn't. So already, we have an important plot point in the story that took place off panel! Yeah, that's not a bad sign at all.

Any-who, we rejoin Spidey fighting the various inmates in order to help the very beat up Vin (in which in his inner monologue we learn his IQ is north of 250, but that's either a misprint or hyperbole) making lots of wisecracks, although his wounded arm is making it somewhat difficult. Also, the prison guards have been paid off, so there's no chance of extra help arriving. Spidey manages to hold off the inmates with his webbing--which if you remember, Matt Murdock smuggled to him from last issue--and manages to swing Vin out of there. They then retreat to an empty section of the prison, where Spidey webs off the door to the cell block and tries to come up with a last minute jail break, much to Vin's protest about how he's a cop and he can't bust out of prison. Of course, Spidey reminds him how that Vin was almost beaten senseless just a few minutes ago and the guards were looking the other way, so they have no choice in the matter.

We then cut to Lily with her dad waiting for the polls to close in 9 hours. Lily tells her dad that it's possible he could win by as much as fifteen points, but Hollister tells her not to be overconfident. It's at this moment that Carlie bursts into his office, and after the typical "what happened to you? You look terrible" (even though John Romita Jr's artwork makes her look perfectly normal) Carlie tells Lily and Hollister that she's wanted by the NYPD for a crime they committed.

Meanwhile, we cut to Harry Osobrn, standing on a rooftop with a goblin glider and pieces of the Green Goblin costume he's holding in his hands (remember, in the interlude issue, he raided his dad's stash) and for some reason, Guggenheim decides to imitate J.M. DeMatties, via third-person narration as he describes Harry's emotions in brooding tones. Harry is hesitant about what he's about to do, but knows he has to stop his fiancee, but keeps asking a question he doesn't know the answer to "What is the crime, really?" Not because he's doing anything wrong, but because it feels so good. What would that be? Well, as this narration is going on, we get silhouettes and close ups of Harry--shocker of shockers--putting on the Green Goblin costume. (Ah, the foreshadowing from earlier issues have finally paid off to predictable results!)

We then cut back to the prison when, even though Spidey managed to web up the door to prevent the inmates from breaking in, somehow (and once again off panel) one of the prison guards--the very guy who was nice to Spidey last issue--managed to get inside and draw his gun on Spidey, telling him to freeze. Spidey, reluctantly disarms and knocks him out, then rips out the barred up window to cell to make his and Vin's escape. Vin wants to know why Spidey is helping him, since Spidey doesn't even know why Vin is in prison. Spidey tells him that he assumes that, like himself, he is a victim of a tragic misunderstanding. Vin tells him that this isn't the case, and that he's only going along with this escape plan (even though moments ago he was against it) because he wants to help Carlie, that she's the one innocent victim in all of this. As the armed guards break through and get tangled up in various web strands strewn about the corridor (again, leaving one to ask how the hell did that friendly prison guard get past all of Spidey's webbing), Spidey and Vin leap out the window. After finding an empty prison van, Spidey quickly hot wires it and he and Vin drive away to freedom.

We then go back to Carlie telling Lily and Hollister, apparently in the midst of explaining all about the Spider Tracer Killer conspiracy. She also tells them that she has no idea how deep it goes (which is kind of odd since the narrative caption says it's been an hour later since she showed up. Apparently she went into great detail about a conspiracy she wasn't even part of), and that she was forced to spend the night in an alley outside his office waiting for it to open (damn, she must really need a shower if she was living like the homeless in New York for a night). Hollister then tells her he could have called the house if she was in trouble, and that he's going to call the chief of detectives to get to bottom of this. But at this moment, Al O'Neil and another cop burst into the room and proceed to arrest Carlie, which prompts Carlie to tell Hollister that she already told the chief of detectives, which of course led to her being framed in the first place.

We then go back to Spidey and Vin, driving in the van, in which Vin asks Spidey if he can drive since Spidey's driving skills apparently scare him more than the prisoners trying to kill him, which Spidey says "Tell me about it. I don't even have a license." (Um, didn't we see him as cab driver a few issues back?). Anyway, Spidey wants to know why Vin was in prison and why he thinks Carlie is in danger. Vin then starts to tell him about the Spider-Tracer Killer conspiracy. (So, instead of Spidey figuring out how he was being framed all on his own, he's conveniently told the solution to this mystery by someone else? Gee, for a guy who has an "IQ north of 250," he's really lousy at playing detective.)

Back at Hollister campaign headquarters, Al is hauling Carlie away under much protest. She tells him to make up his mind about whether or not she's involved, and Hollister tells them he's not letting the cops arrest her if she's the victim of some police vendetta. Al tells him that he's not the mayor yet, and takes her away. However, Lily tells them to let her go, and we then see her eyes start to glow menacingly...you know, because she's "Menace?" (Pardon the pun.)

We then return to Spidey and Vin in an alley, in which Vin tells Spidey he's got every right to be angry for his part in framing Spidey, but reminds him that he's still breaking the law. Spidey, naturally sees the hypocrisy in this, and lectures Vin that even though he's a "criminal" he's "helping people," and that Vin and his fellow officers should put more of their energies into that than framing an innocent person. (Course, if Vin only knew about that whole business of Spidey selling his marriage to the devil to save his Aunt, thus altering reality and prevent his own daughter from being born...) However, Spidey giving Vin a lesson in responsibility is interrupted when, over the police scanner from the prison van, the dispatch says that Menace is attacking. Spidey takes off, while Vin goes to look for Carlie.

Presumably, we cut back to right outside Hollister HQ, where we then see Lily has transformed into Menace (and has somehow changed into full costume in the meantime) going ballistic, throwing bombs, and telling Al O'Neil and his fellow cop to "Get away from my friend[Carlie]!" (Correct me if I'm wrong, but didn't the interlude issue suggest that Lily was jealous of Carlie because her father loved her more? Now she's trying to save her?). In the confusion, Carlie manages to escape. Also at this moment, Spidey shows up, looking for payback over Menace beating him up and leaving him to the cops. However, Menace manages to to gas Spidey and then proceeds to kick his ass, yet again, this time telling Spidey he's going to kill him. Since he still hasn't recovered from his previous injuries, Spidey knows he doesn't have much of chance, and that he hasn't been this badly hurt since Morlun (Um, Marvel, if you're trying make your Goblin rip-off more bad ass, maybe you shouldn't make a reference towards JMS' B-grade, over-hyped Morbius rip-off?). But he's comforted in the fact that he's saved Carlie (News flash Spidey! She managed that all on her own before you even showed up.) and thinks this is the end. Anyways, Menace tells Spidey that his quarrel wasn't with him, that she was trying to help her friend, and that the mistake she made was letting Spidey live because he was a means to an end. Spidey, not knowing what Menace is talking about, thinks to himself--in actual thought balloons this time--"Gwen...see you soon." (Because, hey Guggenheim figures its not a Spider-Man story if we don't get beaten over the head with the idea that Gwen Stacy is Peter's one true love. Its not as though Spidey would think of say...Uncle Ben--the guy whose memory motivated him to be Spider-Man in the first place. Or Aunt May. Or, hell, Mary Jane in his last moments.)

But, suddenly, Menace hears a sound and catches a flying hypodermic dart just before it hit him. And floating before him on his own Goblin glider, is Harry Osborn as the Green Goblin. (Well, not quite because, oddly enough, he's only wearing the Goblin mask and purple gloves, yet still wears his civilian clothes for some reason). Menace recognizes Harry and is impressed he's actually grown a set, and Harry, refereeing to Menace as Lily, tells her to surrender. Spidey, seemingly more surprised that Harry is dressed as the Green Goblin than the apparent revelation that he unknowingly kissed Menace several issues back, uses this distraction to sneak up behind Menace and stab him with the hypo. Conveniently on the scene, is a reporter and a camera crew filming the entire fight. We then cut back to Hollister and his staff watching a live broadcast (right outside his own HQ btw. Because, apparently it's easier than looking out the window) as Menace transforms back into Lily right before his eyes. In tears, he tells his entire staff to get out. However, at this moment, a campaign worker comes in to tell him that all the stations have projected him as the winner and that he's now the mayor of New York. (Oh, the tragic irony...if only it were all that surprising.)

Anyways, the cops decide to take both Spidey and Lily into custody, when Harry swoops in to save Spidey. Minutes later, Harry tells Spidey he can recuperate and then leaves before Spidey calls out for him and passes out.

We then go back to Carlie, running down the street for her life, when she is found by Vin. Apparently, Vin stopped by Hollister HQ and was informed by Hollister what happened and hauled his butt over to Carlie (although how he managed to find her in a crowed city when she fled the scene is anyone's guess) and apologizes to Carlie for getting her into this mess, and that he's going to make it right.

We then cut to the next day, where we see the Two in One newscasters (oh, damn it, I was hoping Guggenheim had forgot about these guys) telling that even though Hollister has won the election, opinion polls have swung sharply in favor of Crowne due to the last minute revelation that Lily was Menace and trying to manipulate the electorate. The public is now calling for Hollister to resign even before he's been officially sworn in.

Meanwhile, in Forest Hills (coincidentally the same neighborhood where Spidey used to live. So the head of the conspiracy was right under Peter "My IQ is north of 250" Parker's very nose!), we see Quentin Palone, the NYPD Sergent who was the head of the STK conspiracy, attempting to destroy the spider-tracers only to have Vin Gonzales arrive with gun drawn. Palone tries to weasel his way out of this by explaining it was necessary to frame Carlie and him because he was trying to contain a difficult situation, and reminds Vin that he's a police officer and so he can't shoot him. Vin tells Palone he's not going to kill him but arrest him. Palone then says that if he does this, then that every cop involved, including his partner and Vin himself, would go down. He also tells Vin he got a taste of what prision was like and whether he would last ten to fifteen more years, and what would Vin's dad say. Vin tells him that he thinks he has the right to remain silent, and reads Palone his rights. (So, Vin, after being portrayed all this time as a patsy and a yes man, does a 180 and becomes the real hero of the story, even though its a Spider-Man comic).

We then go back to the Coffee Bean in which Peter finds a sulking Harry, depressed over Lily. He tells him that he loved her, that they were going to get married and have kids, and wonders whether or not he's cursed. Peter tells him yes, that he's cursed by his father and his father's sins (gee nice pep talk there, Pete) and goes on about how every child carries the burdens of their parents. Peter's was not having any and then losing the one person who was like a father to him. Mary Jane's father abused her (Hey, acknowledgment of MJ. Wait, wasn't MJ's mom the one who was abused?) Carlie's dad is a drunk (Huh? So Carlie's dad is alive? And he's an alcoholic? And why are we only learning this now about her after a year the character was introduced?) and says Lily seems to have her own father issues. His point then is that they all have a cross to bear, and the question is how they decide to bear that cross, that it's only a curse if they let it be one. He then tells Harry that if he thought he was anything like his dad, he wouldn't be his friend. Harry thanks Peter for that. After making an comment about how beat up Peter looks, Peter tells him he got into a bar fight over politics. They both say that it's funny that neither of them got a chance to vote. We then see a newspaper blowing in the breeze, with the headlines saying that Hollister refused office. (So, I guess the whole mayoral election all this past year was for nothing! Thanks a lot, Marvel.)

While Peter and Harry were talking, we see occasional panels of Norman Osborn going to the prison where Lily was being held, and at the end, he tells her that even though she thinks she's defeated, its not over and that she's just getting started. Lily tells him to go away, but Norman shows her the engagement ring that she wore, and Norman tells her it was the same ring he gave his wife. Which means that Lily is his daughter-in-law and says "Let me be the first to say, welcome to the family." The end (well not quite because there's apparently two epilogues in this weeks Amazing Spider-Man Extra. And, I guess, we have to endure more of Menace as apparently now she's under Norman's good graces. Ugh).
 
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Wow, well at least they've been consistant in having Pete get handed his ass by everyone.
 
All right, I've actually been enjoying Character Assassination, but now that it's over, I feel that the story itself has proven to be a pretty mixed bag. Sure, this issue was decent enough, with everything nicely wrapped moreso than New Ways to Die, and despite the extra pages, it felt very fast paced. Unfortunately, the conclusion makes me wonder whether or not it was at all worth it.

Part of it has to do with the fact that, despite being the titular character, Spider-Man, by his own admission, is a victim of circumstance, and, save for the possibility of finding a new roommate and getting pretty badly beat up, nothing of any real significance has happened to him a a result of this story. Rather, it's the supporting cast who have undergone the bigger shake-up in terms of development. It only serves to add fuel to the criticism that, ever since One More Day, Peter Parker has been turned into a static character, forever the same while the only real growth, change, and development happens to everyone else around him.

This wouldn't be so bad if we actually cared about these new characters in the first place. Even though we've had the equivalent of three years worth of comics for a little over a year, the new supporting characters really haven't been adequately developed, and a result, they're more or less cardboard types than actual people. While having a diverse supporting cast is a key element of Spider-Man, it's no good if they're not as developed as the main character. Although people rightly criticize JMS for not utilizing Spider-Man's well-rounded cast of characters, no one can deny that, when it came to Aunt May and Mary Jane that he made them seem important and that their lives actually mattered as much as Peter's.

To his credit, Guggenheim seems to have realized this, and so he attempts to flesh them out in this story, but the end result feels like that such details as Lily feeling under appreciated by her father and Carlie's dad not only still alive but an alcoholic feel tacked on at the last minute, and feels too little, too late. Stan Lee, Steve Ditko, and John Romita gave folks like Aunt May, Mary Jane, Flash, Gwen, Harry, Jonah, Betty, and others a distinct voice and lives that made them seem as important as Peter himself; these new characters, on the other hand, seem so bland that most probably wouldn't miss them if they were written out of the series--and after this story, it looks like this is close to happening.

This also makes it hard to invest in some of the various subplots that have been brewing, especially when it comes to the mayoral election. As it turns out, neither Crowne or Hollister end up becoming mayor, meaning that the entire drama around this story has proven to be a complete waste of time (although, I suppose this allows an opportunity to have J. Jonah Jameson be the new mayor of New York City). A similar circumstance happens with the Spider-Tracer Conspiracy, as it gets so quickly wrapped up, it barely has much of an impact on Spider-Man and he seems instantly free and clear. You have to end up reading Amazing Spider-Man Extra to get any real follow-up.

To me, the conclusion to this arc has actually underscored the problem with the Spider-Man comics as a whole. The stories, while more back to basics and reflective of classic Spider-Man just feel lifeless and derivative, despite having new villains and friends and mysteries populating Peter's world. Meanwhile, you've got the Spectacular Spider-Man cartoon which takes the all too familiar aspects of Spider-Man's 40+ year history and presents it in a way that makes it fresh, exciting, original, and suspenseful--not to mention brimming with intelligence, humor, and drama. It's no surprise then that fans are demanding that the creators of that series produce more episodes while the comic the character came from has been steadily declining in the sales estimates for the past several months. Brand New Day was supposed to breathe new life into the franchise with it's back to basics approach. Instead, it's becoming as bland and stale as a fresh loaf of bread that's been left out of it's wrapping for too long.
 
Best part of this last issue was the letters column. It sounds like Gale is gone for good, and Waid and Kelly have replaced him as main writers (which is great, since I think they've been the best of the BND team). Also sounds like Fred Van Lente will do more than just the Spot story, which is awesome. I love Van Lente's work and I think he's a great fit for Spidey.

2008 was pretty shaky, but this looks like it'll be a good year for ASM.
 

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