XtremelyBaneful
xoxxxoooxo
- Joined
- May 11, 2012
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avengers >>>>>>>>>>>>>>>>>>>>> bb
Lost of great movies have macguffins: Raiders of the Lost Ark, Star Trek: Wrath of Khan, and Maltese Falcon.
and Batman Begins is a good story?
It has good actors and everything but it really lacks a third act that can compare to any great film/story.
It falls into the same tropes of the typical action movie without the mind-blowing visuals and thrilling set pieces of Avengers.
And what does that have to do with Batman?
A steel-minded genius determined to be the world's greatest crime fighter days after his parents are killed?
While the topic is being brought up, when it comes to action scenes, I come down in the minority opinion that the ones in the Nolan trilogy are some of my favourites. Begins' third act wasn't the best and by far the weakest part of the film for me, but it was a far cry better than the boring seemingly never ending final action scene of The Avengers. That nearly put me to sleep.
That´s a good way to describe the third act of most Marvel movies. But some folks like loud "never ending" destruction scenes. I don´t find them appealing. Nolan handles third acts better than anyone. He knows how to do it without bore me to death.
Not just Marvel.
Also Star Trek into Darkness, Elysium, Transformers, ...
Begins might have a bit more to chew on than Avengers thematically but lets not pretend it's high art.
It looks beautiful, has an amazing soundtrack, some great cinematic scenes, a well executed story and great performances by great actors. It is, indeed, high art. At least, relatively to its genre. The same can be said for the other two movies.
I'll give you TDK since Heath Ledger's performance elevates the film above most superhero movies but you'd be hard pressed to find anyone outside of Nolan's fanbase who considers Batman Begins or Dark Knight Rises "high art".
Artful, daring and wise, it's one of the best anti-summer popcorn movies ever made
An impressive cinematic renaissance for DC Comics' Dark Knight, and a blockbuster with more intelligence than most.
A moody and visually stimulating superhero film, Batman Begins sees the Dark Knight finally giving the treatment and respect he deserves, in what can only be described as one of the greatest re-vamps given to an enduring character.
An utterly amazing and riveting start to a brand new beginning...
Here's how any great franchise should start: with care, precision and delicately wrought atmosphere
The attention Nolan gives to the characters and the storyline brings Batman back into focus as an inventive heroic figure.
A rousing, reverent, often brilliant re-creation of a seminal comics character.
Arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen.
A fitting conclusion to an artful trilogy,
Nolan's finale gives us the inevitable with generous portions of suspense, surprise and delicious shock.
Saddled with the impossible expectations surrounding the final chapter in his trilogy of Batman movies, Nolan surprises by one-upping you. He gives you more than you expected.
Christopher Nolan's dramatically and emotionally satisfying wrap-up to the Dark Knight trilogy adroitly avoids clichés and gleefully subverts your expectations at every turn.
This Knight not only rises, it also cuts deep -- not just as spectacular entertainment but also as harrowing drama.
Complex and comprehensive, beautiful if bloated, is nonetheless superlative filmmaking and even though over 160 minutes manages to rivet the senses in every frame.
http://youtu.be/r69N56plrDE?t=4m40s
"...the Chris Nolan Batman films are art films. Very successful, well told stories but also beautiful, visual art. I used to always hear 'if it makes a lot of money, it's no longer art, it's a blockbuster.' Kills the idea that anything can be artistic at all if it makes a lot of money and I don't believe that's true at all and I never have believed that." - Steven Spielberg
Paraphrasing as the interviewer interjects and he starts some sentences before changing how he starts them and such.
I´m not sure i´ve seen anyone use the term "high art", but i´ve certainly seen both Begins and TDKR described as being amazing movies by people who aren´t Nolan "fanboys" (whatever that means).
Batman Begins
TDKR
Just a few quotes for a few film critics. It´s naive to think that only fanboys think these movies were great.
Avengers is a comic book come to life...Avengers is a comic book that comes to life.
People forget how great the first experience of seeing Avengers for the first time.
Loki, Cap, Hulk, Black Widow, Iron Man, Thor...
They all get their time in the sun and it's glorious.
After the first act, it fires on all cylinders. A true game changer in the superhero action movie genre.
Cherry picking reviews for hyperbole comments doesn't prove anything.
None of those comments refer to Begins or Rises as "high art" and similar comments can be found for just about any movie with above 80% of RT.
Do you consider any movie above 80% on RT to be high art?
Avengers is a comic book come to life...
but Batman Begins is too
If you've read Batman Year One, Batman Begins is almost a live action version of that.
I voted Batman Begins, but both are two of my all time favorite movies.
Batman Begins is Batman Year One come to life. so it's a comic book come to life in my opinion.So any movie based on a comic book warrants the phrase "comic book comes to life"?
There are over a hundred comic book movies and very few of them deserve the phrase "comic come to life".
When you watch such a movie there's a gut reaction that you would get reading various comics growing up.
It's not enough simply to base a movie on a comic book. In that case 2 Guns and The Losers would be considered "a comic come to life" just as much as 300 or Scott Pilgrim.
Batman Begins
RT Cream Of The Crop
63% Average Rating: 6.8/10
Reviews Counted: 52
Fresh: 33
Rotten: 19
RT top critics rating is meaningless, it varies based on where you live.
Considering that the overwhelming majority of the reviews on RT are U.S. based then a consensus of 40-50 or so of the top U.S. critics is not exactly what I'd called meaningless.
They also make up the majority of Meta-critic which is flawed to say the least since many of the top reviewers whose reviews are given the most weight (Variety, Hollywood Reporter, NY Times, LA Times, TIME, New Yorker, WSJ, Village Voice, Salon etc) give ungraded reviews and the Meta-Critic staff assigns grades that often seem like they pull them out of their um rear while wearing fan goggles not bothering to actually read or maybe to be more generous comprehend the review.