Dread
TMNT 1984-2009
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Oh, I didn't read your rant. I saw everyone raving about Darthphere's, so I went back and read his. I've found that trying to catch up with Bought/Thought threads if you haven't been visiting them frequently from the moment they're created is much like trying to wrestle a raging bull to the ground with your bare hands; it sounds fun in theory, but it's pretty likely to kill you in practice.
My rant is the first post on Page 7, after reviewing BLUE BEETLE #22, which was good.
You would think that Joe Q would've learned from his competition about what happens when you mess around with continuity in order to make things simple, especially when he himself apparently has been critical of them for doing exactly that. Likewise, you would think that he would've learned the last time Marvel tried to "fix" the marriage "problem" by invalidating the past 20 years worth of comics, a.k.a the Clone Saga, and how THAT particular move nearly killed Spider-Man comics (and in some cases never has fully recovered from), especially since one of the former EIC at the time, Tom Deflaco, still works at Marvel doing Spider-Girl.
And yet, despite evidence to the contrary, he lets this happen. That's because, contrary to all of his notion about "Spider-Man being married makes him unrelatable to the target audience" BS, it's really about two things:
1. Not wanting to deal with continuity, because he and some of the writers on staff openly hate having to deal with it. Let's face it, continuity is a form of research, and nobody, writers included, like doing research. And
2. A warped sense of nostalgia, in that what these guys REALLY want to do is to tell--or in some cases retell--the same kind of Spider-Man stories that Stan Lee wrote back in the 1960s, or whenever they first read them as a kid. Or rather, the kind of stories they would've written had they been in Stan Lee shoes because, while they appreciate Stan Lee for giving them a career, they still feel they can do a much better job than he could because they are "professional writers" who are far more "educated" and consider Stan Lee a "glorified hack." Heck, as you well know Dread, that's practically what Ultimate Spider-Man is in a nutshell. But since that fad is gradually becoming old news, might as well apply to the "real" Spider-Man and not some flashy offshoot.
Plus, Marvel (and Mackie) already went about ending the marriage, at least in "real time" via a seperation (no divorce), by 2000 or so, before JMS started in 2001. Then the movie came about and I wouldn't be surprised if JMS was "hinted" to get them together sooner. But he didn't take more than 2 years to do so. And then we had Joe Q claiming it was a horrible 20 year experiment, that was almost erased when he sat down as EIC and that was allowed to continue ON HIS WATCH. The man simply cannot make up his mind about anything, and it usually ends up for the worse.
Paul O'Brien, on his X-Axis website, got into OMD a bit:
Paul O'Brien said:Incidentally, much the same point could be made about "One More Day." The premise - Mephisto rewrites history to separate Spider-Man and Mary Jane - is just fine, as the opening of a story where they overcome the odds and are brought together again despite everything in their path. But Quesada is going out of his way to indicate that that's not the plan; it's just another magic wand to reverse continuity. That doesn't work, for exactly the same reasons. For that matter, the same error of reasoning led to the Spider-Clone saga, in which an utterly ludicrous device was adopted in order to unwind continuity, in the woefully optimistic belief that the story could then move on with this new status quo. Nobody learns.
Or maybe they do. It's entirely possible that Quesada is bluffing about "One More Day" being permanent, and that Marvel intentionally delayed for a year on delivering the follow-up to M-Day for the same reasons. But in both cases, that would be a foolish strategy. If people assumed "One More Day" was a long-term storyline, rather than a permanent change, they'd probably like it a lot more. Why go out of your way to give the impression that you don't have a clue? I confess to wondering whether Quesada actually knows the difference between a good beginning and a good end.
He was comparing OMD to the first year and a half after M-Day, which was completely botched.
I like doing research. I imagine there are a lot of people who like doing research, as well. A lot of them call themselves researchers or historians, but a fair number of them also call themselves writers. Since, y'know, most writers realize that a huge chunk of their job is research, with the actual writing only coming after the research is done.
The editors certainly don't seem to do it. You have to depend on the writer caring to. Some do, some don't, some think they are above that sort of thing.