Brain Damage
Everything Under the Sun
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I also loved Bale in Public Enemies, but that movie might be way too slow paced for some.
http://www.nydailynews.com/entertainment/movies/christian-bale-goodbye-batman-dark-knight-rises-article-1.1010436
As if having to dress up in a latex and rubber Bat costume wasnt surreal enough, try getting in costume in a room that's right around the spot where George Washington was inaugurated as the first President of the United States.
Thats what went through Christian Bales mind as he suited up on the days when "The Dark Knight Rises," the third and final movie in Christopher Nolans Batman trilogy, was filming on location at the Federal Hall monument in lower Manhattan.
"Im sure George Washington could never have imagined," Bale told the Daily News while promoting his latest film, "The Flowers of War". "And I apologize to him, because it probably should have never happened."
Bale, though, is glad that it did happen. He spent the last eight years as the Caped Crusader and doesn't regret a minute but says he's ready to hang up that cape for good.
"We need different rhythms in our life, dont we, and to me it would be the wrong rhythm to jump into a franchise at this point," he says. "For now, no, Id be looking for new experiences."
Bale is too polite to acknowledge what most moviegoers and fanboys would, that his take on Batman has long since surpassed predecessors like Adam West, Michael Keaton, Val Kilmer and George Clooney.
"I wasnt a 12-year-old that gave a damn about comics," he says. "I had never been someone into comic books, it just didnt interest me. It wasnt my thing."
It wasn't until reading Frank Miller's "Batman: Year One," writer Frank Miller and artist David Mazzucchelli's seminal 1987 comic book miniseries, while prepping for the role that he really got the character. Before that he kind of thought Batman was a spoiled rich kid in tights.
"Suddenly, I found Batman has so many issues, hes not a healthy individual, this is somebody that is doing good, but hes right on the verge of doing bad," says Bale.
"Hes got that killer within him that hes desperately not trying to let off his leash. And thats what I always return to."
Q: Is this the final episode in the Dark Knight trilogy?
A: I cant speak for Chris, but thats my understanding.
Q: What impresses you about that role?
A: Its strange, because I was never a comic-book fan, but in my 20s I came across the (1987 Frank Miller/David Mazzucchelli/Richmond Lewis) graphic novel Batman: Year One, and it was fascinating, unlike anything Id seen before. That coincided with news that Chris was planning a new take on the character, something radically different.
Everything you do in movies is a leap of faith, and since I had to audition for the part, I decided to go in with a far more extreme interpretation of the character than those of other people who were reading for it.
That was the way I really wanted to play it, and Id made up my mind that if they didnt like it, I didnt want to be in the film. I took a big chance and it paid off.
To be cliche:I think it'd be a much better story if Bruce has been Bats for 8 years, and he's become run down because of it.
Question: What're some of your favorite Batman/Bruce Wayne scenes throughout Bat-Cinema?
Question: What're some of your favorite Batman/Bruce Wayne scenes throughout Bat-Cinema?
"He’s got that killer within him that he’s desperately not trying to let off his leash. And that’s what I always return to."
Is that the scar he got from the dog bite in TDK?
Is that the scar he got from the dog bite in TDK?
Question: What're some of your favorite Batman/Bruce Wayne scenes throughout Bat-Cinema?
I've always loved the scene in TDK between Batman and Harvey when the latter is interrogating Thomas Schiff. The way Batman just appears and interjects on Dent and drops science to him about Schiff is just fantastic. It showcases Batman's intelligence as well as his respect of Harvey. The two are really setup to be mirrors of each other, down to action (both men interrogate someone unethically and unsuccessfully) and even in the cinematography (notice how both are viewed in opposite profiles).
His introduction in TDK. I love that scene. The way he takes down those thugs and brushes off those rottweilers and goes on to obliterate that van and then have a close up on his trademark Bat glare in the shot after is one of the most iconic moments for me in the film series.
I've always loved the scene in TDK between Batman and Harvey when the latter is interrogating Thomas Schiff. The way Batman just appears and interjects on Dent and drops science to him about Schiff is just fantastic. It showcases Batman's intelligence as well as his respect of Harvey. The two are really setup to be mirrors of each other, down to action (both men interrogate someone unethically and unsuccessfully) and even in the cinematography (notice how both are viewed in opposite profiles).
"Listening to Team Nolan talk about the film, you find yourself wondering: 'Will Batman actually survive till the end credits?"...."We wanted to show a character who is aging, who is damaged, who may not be in his prime," says Bale. "He has never encountered anyone with such blunt force as Bane, and this is not the best time for him to encounter him."
"She’s a do gooding suit who sits on the board of directors of Wayne Enterprises and takes a shine to glum, emotionally frozen Bruce. It seems the Dark Knight Rises isn’t all doom, gloom and damaged adults in scary Halloween costumes — there’s also romance! As Nolan says ‘She represents the hope that Bruce can be brought back to life again’."
The music there...Creeps up and fills me with an overwhelming emotion that poignantly embodies Batman.
Amazing.
I also have a batgasm at the part where he drops down onto the truck. The music building up to the drop, the suspense, that wicked little flickering of his cape enveloped around him, the fearlessness, bam!
The fearlessness perfectly expresses how he had conquered Scarecrow - who is the icon of fear, symbolic of Begins' story - as a hurdle in his mission, and the scene sets him up to move on from that first element of his challenge to the next one. He is no longer afraid, but now over-sure (as we see in his early conversations with Alfred in the movie).
It sets Batman up to think he's ontop of the game, to slip into complacency, thinking it's all straight forward from here, that he's worked the enemy out. All nicely aligned for chaos (Joker) to smash him from the angle he wasn't looking.
Beautiful, thoughtful, subtle writing. Very specific and meaningful villain choices. One scene, just a few minutes, tells SO MUCH story.
We could not be in better hands.