Arrow Dinah Laurel Lance/Katie Cassidy Thread - Part 2

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Roy and Laurel would be so fracking hilariously awesome and yes, deliciously awkward. Reminds me of Kyle Rayner dating Carol Ferris in the comics, or Selina flirting with Nightwing. Please make it so.
 
Roy and Laurel would be so fracking hilariously awesome and yes, deliciously awkward. Reminds me of Kyle Rayner dating Carol Ferris in the comics, or Selina flirting with Nightwing. Please make it so.
that was how I felt huntress in this tv series cause she's supposed to be Roy's & Thea age at the very least til they made her forced age older then she should be then they made unrecognizable for me so she's not huntress at all to me in this universe. which I blame the writers not the actress. The writers solely. it's not about the age ether it was more about the personalty with wanting to kill people i the club be sides the cops , feds , marshals she killed. she just wanted her evil old man dead keep it way go after him ad his crime lords that were involved only.

blowing up & harming people you never met with in a club that has nothing ton do with your problems . yes revenge is also bad but she went beyond revenge which seem to get lost that was the big over all bad issue with her in this tv series . mentally she's to similar to both Malcolm Waller & now that waller has her hands o her I'm sure she was made into the assassin that Oliver couldn't be made into a terrble oe but oe that waller wants that just kill at the drop of wailers hat. will add people that have othi do with their affairs too.
 
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Simple, yet effective. Though their fascination with buckle straps is interesting.
 
Hopefully they introduce Starling
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And Lady Blackhawk aka Zinda Blake at some point in the show for a couple of episodes
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Someone is skipping leg day...
 
You thinks so? They look quite healthy from here, aside from the fact that they're being worked on in that very instant... wait... what color do you think the dress is?
 
The dress is white and gold lol anyway, she's not skipping leg days, she simply has thin legs, they could still be strong but not have much muscle. You see that all the time at the gyms, some ppl working really hard with heavy weight on their legs and still they are thin.
 
I have hand it to the show. Malcolm swatting her aside so effortlessly that it was almost boring for him really did ally any remaining fears that I might have had about her becoming uber-competent too quickly.
 
Is her hair blonder or am I just seeing things?
 
Not by much, the top of head just needs to reach the point of her blondness to make things complete. And I am guessing that she is traveling back to Canada?
 
@All those pictures of Katie Cassidy

God damn! She looks bad ass! She's sky rocketed to the top of my star crush! Also isn't she naturally blonde?
 
BLACK CANARY #1
Written by BRENDEN FLETCHER
Art and cover by ANNIE WU
1:25 Variant cover by BABS TARR
On sale JUNE 17 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for details.
Dinah Lance hits the road! After years as a soldier and vigilante, the LAST place Dinah saw herself is on stage…but she’s quickly learning she’d die to protect the gang of misfits she’s fallen into. And she just might have to – for some reason, the newly rechristened band Black Canary seems to be a magnet for trouble…and Dinah’s not gonna believe it when she finds out the reason why! Martial arts, super-spies, and rock ‘n’ roll combine, from Brenden Fletcher (BATGIRL) and Annie Wu (Hawkeye)!


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Let’s talk “Black Canary” — we don’t know much about the series yet beyond the initial imagery, and the fact that she’s in a band. How much more can you share?

Fletcher: Let me just tell you that a significant amount of butts will be kicked.
Annie Wu: All the butts.
Stewart: Your daily recommended dosage.
Fletcher: There will be a lot of people with bandages and bruises, and there may be some touring in a bus and some gigs happening. But mostly a lot of butt-kicking and a lot of fun, fish-out-of-water stories.
How much does the music aspect play a role — is it a major component, or more in the background?
Fletcher: It informs the situation, but the situation, of course, involves a woman who is ex-military, and potentially the best martial artist on the planet. Trouble kind of follows her around. While they’re trying to go on this tour, while they’re trying to make the most of this unique opportunity that they’ve been given to have a record deal, and play all these shows, really they just end up in fights all the time, and people end up hurt. That’s maybe a problem. It fuels the story.
Wu: What I have in mind, stylistically, music plays a big part in that. I look at a lot of gig posters and music videos; the theatrical aspect of being on stage, all that fun stuff. Hopefully our final product will have that feeling of a rock tour. Halftones and bold colors. That, plus, al the kung fu action and all that kind of stuff. Hopefully it’ll be a really fun, vibrant, energetic final product.
Fletcher: This set-up has allowed us to put her back into fishnets, because now it makes practical sense. It’s her stage outfit! It’s not her action outfit. But of course she ends up in the middle of action scenes wearing her stage outfit.
Annie, what are some of the specific things that you got inspiration from? It a specific type of aesthetic?
Wu: All the bands, from every genre, and every era. The way that I’ve been mentally approaching it is, this is an era in an artist’s career. Like Bowie, Ziggy Stardust, he has a very distinct look, and then when he moved on to Thin White Duke, this is a distinct look, so I’m trying to approach it like that.
I’m a big musical theater nerd, too, so I’ve been watching a lot of musical movies, as well. Everything that’s exciting about being a performer, and music, being in a band — all the theatrical stuff, I’m trying to have that directly inform the style and the energy of the book.
Fletcher: This was one of our first conversations when I was trying to get Annie on board the book, one of the first things we were talking about was Bowie. We share this Bowie passion.
So does that wide range of inspiration reflect in the band itself? It’s not like, this is exactly what they sound like, but you’re pulling from a lot of different places?
Fletcher: It’s something that we’re still talking about. We’re still trying to nail down the exact sound. We want to know the exact sound of the band, but it’s not entirely derivative of anything that’s out there. You see, even in the promo shot, you can get an idea of what the make-up of the band is, and it’s not your average bass, guitar and drums lineup. It’s different. So it’s going to sound a bit different.
Will we see the two books intermingling, between “Batgirl” and “Black Canary”?
Fletcher: Where “Batgirl” #40 ends, is where “Black Canary” #1 begins.
Stewart: I’m sure that at some point, after Dinah goes off on her own, we’ll have a reason to draw them back together again.
Tarr: Maybe during her tour, she has a concert at Burnside.
Fletcher: I have a feeling that something might happen around September or October where we might have a good opportunity for Black Canary to return.
Interesting! What kind of threats or enemies can we expect in “Black Canary”?
Fletcher: Nasty ones.
This is a book that features a character that was born in the New 52. So she has a past. She’s been in several books before. If you look to the books that she’s appeared in, there’s some information already there about what she might end up facing while on the road with her band.
But then there’s a lot more. And it’s fairly fantastical, and maybe outside of the realms of what you’re expecting. But you can rest assured, that whatever it is, it’s butt will be firmly kicked.
Wu: He’s really pushing that point.
Fletcher: People are wondering if this is just going to be a music book. It’s Black Canary. She kicks people’s butts.
Wu: She’s deadly. She’s one of the top martial artists in the entire universe. We’re going to be addressing that in the book.
Fletcher: You can put her on Apokolips, and there’s probably no better martial artist than Black Canary.
There’s been a lot of talk about the comic book audience changing, and now it seems like that’s actually being recognized by publishers — how gratifying is that part? Are you getting a lot of feedback from people who may not be traditional comic book readers?
Tarr: We get told weekly, “I wasn’t into comics before ‘Batgirl,’ and now I read it, it’s so fun.” It’s awesome.
Stewart: “I’ve never read a DC book before.”
Fletcher: I’ve been getting a lot of, either, my first two comics, or my first two DC comics, are “Gotham Academy” and “Batgirl” — “I’m adding ‘Black Canary’ to my list already.” Which is amazing.
It’s a Brenden Fletcher monopoly. It’s also reflective of a diversity of art style — something that DC had gotten some criticism for at one point, with the notion that a lot of the books were looking kind of the same. Have you gotten a lot of freedom thus far on “Black Canary?”
"Batgirl" took the comics world by storm, and many fans have told the creators it’s their entry into comics or DC Comics overall
Wu: They’re letting us get away with murder. [Laughs] Until they tell us to rein it in, I’m just going to keep doing what I do.
Tarr: Don’t listen. [Laughs]
Fletcher: We’ve been given great freedom across the board. Right before we came over here, we were pretty much story meeting with our editor, Chris Conroy, and group editor Mark Doyle. We were actually hashing stuff out and making decisions out there. They’re so open to talking about everything. It’s incredible.
I feel like we’re spoiled. We have the best editorial team in comics. It’s incredible. It’s the best feeling. I don’t know if I could go to work anywhere else after this.
And “Black Canary” is a little different for you, Brenden, because you’re writing it solo — that’s your first solo monthly, right?
Fletcher: For big, monthly ongoing series, yes, it’s my first.
Stewart: Brenden is the co-writer of “Batgirl” and “Gotham Academy,” but he does a lot more than I think he’s often credited for, or is acknowledged. “Black Canary” is going to give him an opportunity to show that he’s got the chops.
 
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The deafening Black Canary! Presented by Comic Books United // DC Comics
For More Presentations, Click
 
Interview: Brenden Fletcher and Annie Wu talk BLACK CANARY



Get ready for a Kung-fu Rock and Roll road trip. Plus Fishnet Continuity.

Spinning out of the pages of BATGIRL, Black Canary is getting her own series. She’s been hanging out in Burnside lately after she lost her place in a fire (we won’t mention who’s responsible). Brenden Fletcher has had a role in writing her recent adventures so it’s makes sense he is now taking over her solo stories. Joining Fletcher is Annie Wu on art. We spoke with the two to find out what’s coming up and how this series may or may not relate to the current BATGIRL series.

COMIC VINE: Where is she going to call home? She’s been hanging out in Burnside.


BRENDEN FLETCHER:
She’s been hanging out in Burnside and you’ll see how that kind of transitions into something interesting for her by the end of BATGIRL #40. 40 leads very naturally into her own series. My initial pitch for the series, my one-line pitch still kind of holds true for what it is—it’s a Kung-fu rock and roll road trip. So she’s on tour.

CV: She’s still in the band then we saw in BATIGIRL?


BF
: …It’s a different band.


CV: Ahhh.


BF: You’ll find out how that all happens actually in the last few pages of BATGIRL #40.


CV: What is Annie bringing to all this?

BF: Everything.

ANNIE WU: Style…I’m really excited. When Brenden described this concept to me, I was immediately so excited and had ideas. I’m really excited to explore not only the superhero aspect of Black Canary but also the theatrical being on stage and the whole performance aspect. And hopefully merging those two things in a way that’s really exciting to have in comic book form.





AW:
Very detailed.

CV: How do you feel about drawing the fishnets?


AW:
I feel like it really contributes something to the story. She’s like a rock star so of course she’s going to have torn up fishnets. It’s part of her whole stage deal. So I don’t mind if I have to draw that for ten panels for twenty pages.

CV: You’ll have to note, there’s a rip here…


AW:
Fishnet Ripped Continuity! I’m going to do like diagrams and stuff so it’s the same from panel to panel.

CV: Yes! Fishnet Continuity.


BF:
I should just illuminate one aspect of BLACK CANARY because we’ve just been talking about the clothes and the music and stuff. You will never have seen Dinah kick as many butts as she does in this series. It’s pretty heavy on the martial arts.

AW:
We really want to remind people that she’s lethal.

CV: I was going to say because BIRDS OF PREY before…


BF
: This is potentially…bigger than BIRDS OF PREY. Music is just part of the set up. It’s part of the backdrop. It’s a really important part of the setting but so is the butt-kicking.

CV: Butt-kicking and fishnets.


AW:
Yeah!

BF:
That’s pretty much it.

The butt-kicking beings in June! Here's the solicit for the first issue:

BLACK CANARY #1

Written by BRENDEN FLETCHER
Art and cover by ANNIE WU
1:25 Variant cover by BABS TARR
On sale JUNE 17 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for details.
Dinah Lance hits the road! After years as a soldier and vigilante, the LAST place Dinah saw herself is on stage…but she’s quickly learning she’d die to protect the gang of misfits she’s fallen into. And she just might have to – for some reason, the newly rechristened band Black Canary seems to be a magnet for trouble…and Dinah’s not gonna believe it when she finds out the reason why! Martial arts, super-spies, and rock ‘n’ roll combine, from Brenden Fletcher (BATGIRL) and Annie Wu (Hawkeye)!
http://www.comicvine.com/articles/interview-brenden-fletcher-and-annie-wu-talk-black/1100-151600/
 
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