theMan-Bat
Ever dance with the Devil?
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So far, I think MOS is going more with the god-like, mythical approach to Superman. I'm guessing that showing him being arrested in the promotional materials is more about showing that the film will have a more plausible exploration of how the military would react such a figure emerging.
I see Superman being feared by the general public and arrested as another example of going too far in attempts at realism, and an attempt to create angst in this case, contradictory to the Superman mythos. Even in the early comics by creators Jerry Siegel and Joe Shuster, Superman was admired by the general public and recognized as a hero.
From Action Comics #6 (1938) by Jerry Siegel and Joe Shuster:
From Action Comics #7 (1938) by Jerry Siegel and Joe Shuster:
It makes sense that the majority of the public admire and trust Superman as a hero as traditionally Superman's very public altruistic behavior is established early on. Superman has traditionally publicly used his abilities morally to assist humanity, helping those in need, saving lives in broad daylight, performing acts of charity, and Superman traditionally smiles and is friendly, has a natural Midwestern charm, looks and acts completely human, is outwardly positive, open, doesn't even hide behind a mask, and traditionally gets positive press reports from reporters Clark Kent and Lois Lane. Superman was meant to be a positive role-model, and to be a positive role-model the people must trust in the moral core of Superman.
"I don't think it's meant to be a "he's dark and sad" kinda thing.
This quote from David Goyer is telling, "In the case of Blade, he is acting heroically, but the rest of the world thinks he’s a vigilante, as is the case with Batman. I don’t think I’d ever be good to write Superman because it is the opposite…" [The interviewer says, "He's angst free."] David Goyer says, "Yeah, and I wouldn’t know the angle because I’m so angst ridden, so I wouldn’t know what to do with a character like that."
http://www.slashfilm.com/david-goyer-in-2006-explains-why-he-wouldnt-ever-be-good-to-write-superman/
Goyer explained in his introduction to Geoff Johns' Superman Secret Origin that Geoff Johns' Superman Secret Origin is a big influence on his script. "In which young Clark is told the truth about his heritage. He races out into the night, sobbing, stumbling through the cornfields. Eventually, his foster father, Jonathan, finds him. 'I don’t want to be someone else,' says Clark. 'I don’t want to be different. I want to be Clark Kent. I want to be your son.'" David Goyer says, "Right there in that moment, Geoff contextualized Superman in a way that I’m not sure has ever really been done before. I had an ‘aha’ experience when I read that. For the first time I was able to grasp how lonely Clark must have been when he was growing up. And what a sacrifice Clark must continually make by being Superman. As I write this, I am midway through my first draft of a new Superman screenplay. It’s a task that has stymied many talented filmmakers in the years since Donner’s film. And for all I know, it will end up stymieing me as well. But I’ve got one advantage that the screenwriters who came before me didn’t have– and that’s access to all the wonderful Superman stories written by Geoff Johns– first and foremost being the Secret Origin issues."
http://www.blastr.com/2010/12/did-david-goyer-give-away.php
David Goyer's Superman script also seems similar to Mark Waid's Superman Birthright, which follows a young Clark Kent as a globetrotting freelance reporter who hasn’t yet become a superhero. Goyer's script reportedly has Clark Kent reluctantly grappling with whether or not he should become Superman.
http://www.uproxx.com/gammasquad/20...vealed-written-faster-than-a-speeding-bullet/
This has gone off topic.

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