Rachel's opening nightmare was....weird. Random Karofsky was random. Not sure how the song fit anything, except to shoehorn in yet another Rachel song, as if she didn't already dominate the songs this episode.
So Schuester is still at McKinley. Guess he didn't take/get the Vocal Adrenaline job?
I was enjoying this episode more before Schue and Sue showed up. They just feel shoehorned in and unnecessary anymore...kind of how they've been since Season 2, only even more so.
Santana made a great entrance.
Ugh at Sue being shoehorned so unnecessarily and excessively into an episode that rightfully centers on Rachel (or should center on Rachel, not split between Rachel and Sue). And I'm sorry....there are plenty of gay actors who can believably play straight characters. Jane Lynch is not one of them.
Hi Schue. Bye Schue. What was the point of him even being in this episode?
They couldn't get Peter Facinelli and Ioan Gruffudd back for one more episode?
I did like the long tracking shot Rachel dressed as Fanny Bryce walking from her dressing room down the stairs onto the stage, and the curtain going up.
I know he'd never do it in an actual production, but is it wrong that I actually preferred Kurt's rendition of "I'm the Greatest Star" from Season 3 better than Rachel's?
Sue's heckling is so annoying and unnecessary. Just shut up Sue. You're not being remotely funny, no matter what the writers think. Picking on kids in high school is one thing. Randomly barging into their lives in another state after graduation to heckle and insult one of their Broadway opening nights is a whole other level of not okay.
Way to send her stress levels skyrocketing halfway through the show, Sydney.
Jane Lynch doesn't sing her part of "Who Are You Now" that badly, but could she be any more annoyingly shoved into a song that rightfully belongs to Rachel? Who seriously cares about this Sue/Mario thing?
And the one obligatory quick Finn flashback. Because it wasn't already clear she was thinking about Finn. They need to chill with pimping footage of Cory out every time they want to provoke an emotional reaction from the audience like Pavlovian dogs. It's gotten distasteful by how blatant it is that they just use it to get a reaction.
Ugh, Rachel, blowing off the cast party that your producer (and boss) is throwing on your opening night? Rude. Bad form. Just as inappropriate as Sue walking out. In a way worse, because Rachel is part of the production and just blew everybody off, including the people she answers to.
The gay bar scene was fun though. Maybe Tina can find a new boyfriend there.
Tina didn't get thrown under the bus too much this episode, apart from putting her foot in her mouth when she first came in the door.
lol @ Sue's "well I suddenly don't feel very welcome here anymore". 1) No one invited your bitter old ass, and 2) You went out of your way to be rude before, during, and after Rachel's Broadway opening night, and now you're ******** that, gasp, shock, Rachel doesn't want you in her apartment? Sue is terrible at taking the tiniest dose of her own medicine that she dishes out almost 24/7.
This show is so schizophrenic. Were we supposed to care about Sue's romance with Mario, but also applaud Rachel for telling her how vile she is and kicking her out? Because I don't think you can have it both ways.
Jane Lynch and Chris Parnell's kissing was gross. Trying a little hard, Jane? Also, this entire mini-romance proves totally pointless, making it an even more annoying side distraction.