Action-Adventure Godzilla 2016

[Consona]

Cannot wait for the Lazorzilla gifs.

 

[The Big G]

While I still think that Shin Goji's jaw splitting to fire the AB is weird...the sure power of the AB makes my nipples hard

 

[Smilodon]

And I thought Gareth had a good eye for visuals. I suppose there's the old school rubber suits and small scale model tokusatsu thing going there that helps enhances a lot of the destruction scenes, but this looks really great (I say for the nth time as this film breaks records in Japan)

In terms of jaw-splitting and stuff, it kinda makes sense when reading the spoilers and stuff. Very cool stuff in this new Godzilla.

 

[Binker]

Two questions:
1) Does anyone else feel this could've been an American Godzilla movie? I'm looking at the Godzilla design and elements, since we're dealing with different cultures; but also the story that deals with the political and global views if this happened in the modern world.

2) The review video I posted in a previous post asked this question: given Shin Godzilla is really different from the classic, while the 2014/Legendary Godzilla is the classic Godzilla; if we didn't have the Legendary Godzilla, would we feel the same way we feel now (positive) over Shin Godzilla? Or would it have been a new G'98?

 

[Gold Samurai]

Cannot wait for the Lazorzilla gifs.

Looks like Bruce Wayne was in Japan when Jack was caught in the Wayne Enterprise building

 

[Sithborg]

Two questions:
1) Does anyone else feel this could've been an American Godzilla movie? I'm looking at the Godzilla design and elements, since we're dealing with different cultures; but also the story that deals with the political and global views if this happened in the modern world.

2) The review video I posted in a previous post asked this question: given Shin Godzilla is really different from the classic, while the 2014/Legendary Godzilla is the classic Godzilla; if we didn't have the Legendary Godzilla, would we feel the same way we feel now (positive) over Shin Godzilla? Or would it have been a new G'98?

Not really. Because I don't think you can quite get this story without Hideaki Anno.

 

[Smilodon]

http://www.scified.com/news/a-terri...ece-shin-godzilla-review-spoiler-free-version

http://www.scified.com/news/a-terri...n-godzilla-review-full-spoiler-version-part-1

http://www.scified.com/news/a-terri...n-godzilla-review-full-spoiler-version-part-2

A very in-depth spoiler review for anyone still curious about this movie. The spoilers haven't dampened my excitement for this film at all and in fact has increased my anticipation. The fact that this film is so dense, having a bit of info beforehand will probably make it more enjoyable and understandable as well.

 

[Binker]

Not really. Because I don't think you can quite get this story without Hideaki Anno.

I think you could, which is why I keep coming back to that question (#1).

If you think about it: Godzilla being a creature created by nuclear waste (not bombs) that was kept in secret by a scientist until the modern day when he unleashes this terror onto the world; Godzilla being a living nuclear reactor that absorbs energy, that's asexual (G'98, though different here) and whose atomic breath is literally air that can cover the city and then ignite it before shooting the beam itself. All of that sounds like something we would come up with.

And the story? a satire/jab against gov'ts that hardly react and do their jobs against disasters and threats?

Yes, I think you could do this if it was an American Godzilla film. It only is purely Japanese because the topics is relating towards only happened in Japan. But if that didn't happen, it would've been instead a modern world POV of a Godzilla attack.

Or, to look at it a different way, if Shin Godzilla is based on Japan's 3/11; imagine this movie based on America's Hurricane Katrina, and 9/11 in some regards. The emotional connection there is the same here.

That's why I still think Shin Godzilla could've also been an American Godzilla if we made one like this.

Like to know what people think of question 2 from my post since its about Godzilla 2014 & 2016.

 

[Binker]

Official US Poster for Shin Godzilla that confirms that it will have a limited US release in October!

And yeah, not only is the font from Godzilla 1985; but they blacked out his eyes, almost making Shin Godzilla more zombie-like, and almost shark looking in a way.

Also, sources are saying to expect an announcement from Funimation on September 9th. But with the recent news hitting from this movie almost daily, perhaps we'll get something sooner.

 

[Sithborg]

I think you could, which is why I keep coming back to that question (#1).

If you think about it: Godzilla being a creature created by nuclear waste (not bombs) that was kept in secret by a scientist until the modern day when he unleashes this terror onto the world; Godzilla being a living nuclear reactor that absorbs energy, that's asexual (G'98, though different here) and whose atomic breath is literally air that can cover the city and then ignite it before shooting the beam itself. All of that sounds like something we would come up with.

And the story? a satire/jab against gov'ts that hardly react and do their jobs against disasters and threats?

Yes, I think you could do this if it was an American Godzilla film. It only is purely Japanese because the topics is relating towards only happened in Japan. But if that didn't happen, it would've been instead a modern world POV of a Godzilla attack.

Or, to look at it a different way, if Shin Godzilla is based on Japan's 3/11; imagine this movie based on America's Hurricane Katrina, and 9/11 in some regards. The emotional connection there is the same here.

That's why I still think Shin Godzilla could've also been an American Godzilla if we made one like this.

Like to know what people think of question 2 from my post since its about Godzilla 2014 & 2016.

Similar stories? Sure. But, I don't think you can quite separate what makes Shin Godzilla so unique from both directors, story and visually.

As for it getting positive reception because of a classic also being released, that is sort of condescending. Everything points to it being a critically received, by both the critics and movie going audience.

There are already multiple different takes on Godzilla. Once you really get into the fandom, there is really no "classic take" on Godzilla. What we got in 2014 was the more heroic version, seen in the 60-70s. There are a lot of different depictions, and 2014 and 2016 are just a few others.

But yay, a full week to see it. Excellent.

 

[redhawk23]

Official US Poster for Shin Godzilla that confirms that it will have a limited US release in October!

And yeah, not only is the font from Godzilla 1985; but they blacked out his eyes, almost making Shin Godzilla more zombie-like, and almost shark looking in a way.

Also, sources are saying to expect an announcement from Funimation on September 9th. But with the recent news hitting from this movie almost daily, perhaps we'll get something sooner.

Dozens of theater jumped the gun selling tickets. Check Fandango or the link I posted a page or two ago. Of there isn't one near you yet, keep inind, Fumigations other recent releases follpwing a similar model got almost 300 screens.

 

[Gabe99]

“SHIN GODZILLA” STOMPS ACROSS NORTH AMERICA THIS OCTOBER
Funimation's full press release!

The iconic science fiction monster Godzilla makes land fall in the U.S. and Canada this October with the North American theatrical release of “SHIN GODZILLA” from Toho Company, Ltd. Fans have been clamoring for news of the film’s theatrical dates ever since Funimation® Films made its surprise acquisition announcement in July at San Diego Comic Con 2016. And today, the company revealed that “SHIN GODZILLA” will roar into theaters for a limited engagement on October 11 – 18. The movie will screen in more than 440 theaters across the U.S. and Canada. Tickets for “SHIN GODZILLA” will be available for pre-purchase on the official film website beginning on September 9.

“We are thrilled to bring ‘SHIN GODZILLA’ to theaters across North America this October,” said Gen Fukunaga, CEO and President of Funimation. “Toho established Godzilla as one of the most iconic monsters in science fiction history and we’re honored to now be a part of that history with the theatrical release of this new movie. Fans will not want to miss this limited theatrical event.“

Co-directed by Hideaki Anno (creator of “Evangelion”) and Shinji Higuchi (director of Toho’s 2015 “Attack on Titan” live action movies), “SHIN GODZILLA” is the 29th Godzilla film produced by Toho and represents a brand new chapter in the 62-year history of this celebrated movie monster. The film stars Hiroki Hasegawa and Satomi Ishihara – both also from the “Attack on Titan” live action movies – as well as Yutaka Takenouchi.

“Movie audiences can look forward to a great time watching ’SHIN GODZILLA’ this October,” said Mike DuBoise, EVP and COO of Funimation. “A larger than life monster like Godzilla has to be experienced on the big screen. And we expect this movie to sellout in numerous theaters so we encourage fans to purchase tickets in advance.”

SHIN GODZILLA has been a big hit in Japan since its opening on July 29, 2016, which garnered a box office of ¥ 845,675,500 and total audience of 564,332 during its first three days. To date in Japan, the movie has grossed ¥ 5,302,014,700 at the box office and 3,637,748 in total attendance.

In advance of the movie’s opening, Funimation will be hosting two premieres of “SHIN GODZILLA” – on October 3 in Los Angeles and on October 5 in New York before opening day of New York Comic Con 2016. Additional details on these two events to be announced.

To purchase tickets to or find more information on “SHIN GODZILLA,” visit funimationfilms.com/shingodzilla.

 

[The Big G]

Next Month XD

 

[Binker]

Have all the locations been revealed?

 

[redhawk23]

Have all the locations been revealed?

Not yet. Some chainsbhace mDe their own announcers but very few of the the 400+ screens have been account Ted for. I'd imagine the list will be pretty close to who played the attack in Titan movies last year.

Here's the most up to date list I've seen in the u.s. http://astoundingbeyondbelief.tumblr.com/shingojiscreenings

 

[Binker]

Hope it comes to Buffalo.

 

[Sithborg]

Yay, announcement. Now I just have to wait for the official confirmation of where it will be playing around me.

 

[Gabe99]

THR:
Japan Box Office: 'Godzilla Resurgence' Becomes Biggest Live-Action Film of Year With $60M

Godzilla Resurgence (Shin Gojira) climbed one spot back up the box office charts in Japan to No. 2 this weekend during its sixth weekend of release, taking another $3.2 million to bring its total in the country to more than $60 million from 4.1 million admissions.

The revival of the iconic monster franchise by Toho is now the biggest live-action hit of the year in Japan and has already surpassed the studio's initial forecasts. The 29th installment of the franchise has also taken total admissions over the 100 million mark, the highest for any live-action series in Japan.

Your Name (Kimi no Na wa), the manga-to-anime adaptation by Makoto Shinkai, held on to the top spot after its big opening last weekend, pulling in another $11.6 million to take its total to $38 million.

 

[Sithborg]

In awesome news I needed, my local Alamo is going to be showing it for 5 nights.

 

[Sithborg]

US Trailer

https://www.youtube.com/watch?v=zgyq6YKeIms&feature=youtu.be

 

[redhawk23]

Playong for a few days in St Louis, 1 night at one of my favorite Thayer's, 5 nights at a theater about an hour away. I don't have my work schedule for that week yet but I'll do what I can to make it out to o e of the showings.

I understand the limited number of theaters but it sucks that it's basically one time per night.

 

[Smilodon]

That's an awesome trailer and nice to finally get some new footage. My hype for this is through the roof.

 

[The Big G]

its showing at two theaters that are like 2 miles from my apartment. Depending on the showtime, I MIGHT be able to catch the opening night showing.

 

[Binker]

Typed zip code on the website and...

IT'S COMING TO ME!!!!!!

 

[Gabe99]

Director Hideaki Anno Discusses Shin Godzilla's Sequel Prospects
Cast express desire for sequel, Anno says sequel would be up to TOHO

At a screening of the Hideaki Anno and Shinji Higuchi's Shin Godzilla film at the TOHO Cinemas Shinjuku theater on Thursday, director Anno and the actors of the film discussed the prospects of a sequel to the film. When asked by an audience member if there would be a sequel, Anno replied, "It's not for me to decide. Ask TOHO."

When the question was asked again, this time to the actors, Hiroki Hasegawa stated, "I'd want to do [a sequel]. I went to see the movie two times. Watching it with the audience was the only time I felt that the movie was really done. There was such a sense of unity that I didn't feel it was me acting on the screen, and that was really fun." Similarly, Satoru Matsuo replied, "I'd want to do a sequel. I want to see it." Issei Takahashi replied, "I hope they'd let me participate in a sequel. It was fun being with everyone on set, and I really want to do that again."

In response to all of this, Anno said, "As for me, I'm good." He added, "It'd be more interesting if they changed directors. TOHO won't let me do it. There'd be a lot of difficulties."

Anno also responded to a remark from an audience member saying that he/she would wait as long as it took for the fourth Rebuild of Evangelion film. He first thanked the audience, and then said, "I'll work hard on it. As a matter of fact, I'm already working hard on it."

As of Monday, the film has earned 6.56 billion yen (about US$64.30 million), and sold around 4.5 million tickets. The film has surpassed both the earnings and the number of tickets sold of Anno's previous film, Evangelion: 3.0 You Can (Not) Redo, and has overtaken the live-action Nobunaga Concerto film's 4.61 billion yen (about US$44.58 million) gross to become the highest earning Japanese live-action film of 2016 so far.

The film opened on 441 screens in its opening weekend on July 29, and topped the Japanese box office for two straight weeks.