I must be the only one who thought the 3D was okay at best.![]()
I didn't find it to be anything special, then again I get headaches watching 3D so it's not that special when you have to take the glasses off every 15 mins.
I must be the only one who thought the 3D was okay at best.![]()
everything that was cgi had accurate 3d. the face was post converted. i think in the whole movie only 2 scenes were filmed on a real set inside the station.
maybe you didnt like the 3d settings that they used. the amount of 3D.
i think less is more always works the best with 3D movies. and i am happy that the 3D was inside the screen and not outside of it. its easier to belive that you are watching through a window.
^Other than a few movies like Avatar, Dredd and STID, I think 3D is a waste of time, and now i prefer to see many movies in 2D, but Gravity is the 1st film I honestly cant imagine watching in 2D
Though I think the movie itself would be strong enough that it will still be very good in 2D.
I saw both versions (just because of Cuaron !!!) and although Gravity is right next to Scorsese Hugo , the best motion picture using stereoscopic photography , 2d version is still way better. Compositions are cleaner. The movements are smoother. Those popups after a while get really repetitive , in a movie that already has a structure that might generate some fatigue. And the earth images are too color crushed . Goddamn they looked nice in 2d.
As for the film , its the culmination of the great work that mr. Lubezki and mr Cuaron have been doing. It's an opulent exercise of film technique and visual stimulation . Does that alone make it a great film ? No. It's a very interesting experience , and a fantastic achievement. Where it falls short is that after the first setpiece , comes a 2nd , and a 3rd , and a 4th. What connects them is a little flimsy . It's like a roller coaster that keeps going and going , and after a while the majestic feeling we get starts to evaporate.
But i totally respect his decision. He wanted the audience to go to Space with him , and that's exactly what we got. And because of that , and the realistic depiction he aims , i think the music is a little too much after a while. It tries to guide us in the danger , but the images and the silence of the loneliness are much more menacing. Not that the actual ost isnt good , but it clashes a little bit with how everything else is done in the movie.
Kudos to WB. They made a risky film. They promoted it well. They had faith in their director. They showed the audience something new. Something different. And they were rewarded by it. A great example of how studios can push technology , technique , film structure , storytelling and at the same time have complete faith in their directors and the audience. A success well earned.
Agreed...when I buy 3D blu-rays it has to be pretty special for me to pay the extra money. Avatar being one of them as well as Into Darkness looked pretty amazing in 3D. Gravity is one I wouldn't even try to watch in 2D.
I saw both versions (just because of Cuaron !!!) and although Gravity is right next to Scorsese Hugo , the best motion picture using stereoscopic photography , 2d version is still way better. Compositions are cleaner. The movements are smoother. Those popups after a while get really repetitive , in a movie that already has a structure that might generate some fatigue. And the earth images are too color crushed . Goddamn they looked nice in 2d.
As for the film , its the culmination of the great work that mr. Lubezki and mr Cuaron have been doing. It's an opulent exercise of film technique and visual stimulation . Does that alone make it a great film ? No. It's a very interesting experience , and a fantastic achievement. Where it falls short is that after the first setpiece , comes a 2nd , and a 3rd , and a 4th. What connects them is a little flimsy . It's like a roller coaster that keeps going and going , and after a while the majestic feeling we get starts to evaporate.
But i totally respect his decision. He wanted the audience to go to Space with him , and that's exactly what we got. And because of that , and the realistic depiction he aims , i think the music is a little too much after a while. It tries to guide us in the danger , but the images and the silence of the loneliness are much more menacing. Not that the actual ost isnt good , but it clashes a little bit with how everything else is done in the movie.
Kudos to WB. They made a risky film. They promoted it well. They had faith in their director. They showed the audience something new. Something different. And they were rewarded by it. A great example of how studios can push technology , technique , film structure , storytelling and at the same time have complete faith in their directors and the audience. A success well earned.
There were people on the edges of their seats when I saw it, commenting how good it was afterwards. If you don't grab onto something up there, you're gone. Forever.They really sold the story and zero gravity feel to it. Felt very realistic.
When Clooney's character seemingly came back what were other people thinking at the time?

There were people on the edges of their seats when I saw it, commenting how good it was afterwards. If you don't grab onto something up there, you're gone. Forever.
When Clooney's character seemingly came back what were other people thinking at the time?
In my IMAX theater people started to cheer when he ''came back.'' Then when Dr. Stone turned and he was gone there was an uproar and a loud ''Noooo''
It was great. Haven't seen this kind of a reaction since the final totem scene in Inception.