Did anyone read the Suicide Squad novelization yet? Just reading the sample reading (
https://www.amazon.com/Suicide-Squa...&qid=1470749717&sr=1-3&keywords=suicide+squad) and it seems like on first glance that leaked descriptions of deleted scenes has more merrit seeing how the novel begins with Enchantress.
There is also a more detailed version of Joker and Harley's Arkham scene. Honestly the feel the Joker has is more like his classic comic counterpart(who's to say if this is what Joker actually said in the script, or a close approximation of it or some Marv Wolfman embellishment )
Jack Nicholson could have just as easily said that line and gotten a pass. I loved his quips. He just needs work on it more, he needs new direction and a tweak to his look
Also, ditch the grills and he actually would sound better instantly. He did the voice for just a sec on (Fallon I think?) and he sounded much more audible and crisp. Those grills were holding him back
I could easily see Jack Nicholson Joker say a close variety of that Hunka Hunka line to be honest
t:
But I agree he needed some more added
Exactly. This isn't the first version of a "gangster" Joker, that's what Nicholson played. And for all the gushing it receives, the animated version was heavily informed by B89 as well. They tried to make this Joker a more modern "gangsta" version if you will, but he's still a crime lord, no problem there, it could still work.
Leto just didn't have much to work with right now. Ledger deserves all the praise he got, but the fact is, it was all mostly there in the script. Ledger had to embody the part, all of the physical characteristics that were incredibly important, and bring it to life. But the writing had a lot to do with the interpretation as well, and people still don't give the Nolans enough credit for it. I don't think it's anywhere close to a fair comparison just based off that. There aren't too many instances where an actor overcame bad writing & editing...
That is true. It's often a collaboration between writer, actor and director in order to pull off a magnificent role. Actors can shine through ad lib and performance even if a drab role, and directors can make an actor shine even if he is
It's seems interesting, Jared Leto takes to be informed especially by Brian Azzarello take on the Joker (places of operations he chose, some of the henchman he had in his rank, Jonny Frost and looks/clothing he chose:
http://comicbook.com/2016/07/12/the-joker-graphic-novel-by-azzarello-and-bermejo-influenced-look/ ) and like you pointed out B89 and TAS has Joker in a classic gangster/crime lord, but still in the Joker style (Joker gas, Joker/clown/circus themed). To be frank, most of Paul Dini Joker stories(Case Study, TAS, Batman: Streets of Gotham#19, etc) always carried a more gangster motif/vibe off the Joker when come to his persona than most others.
Even when citing his source of how he came to that, he cited the original books, in a different manner to how Nolan cited the original books in creating the Nolanverse Joker (just goes to show how different people can interpret the material in different ways):
http://www.cinemablend.com/news/154...-found-the-inspiration-for-its-gangster-joker
something like that, which is also coincident with the first Batman comics. Batman the detective from the '40s had Joker as this insane gangster. When you look at the '40s and what was going on in the world, this concept of an insane gangster begins to make sense in regards to the time. So by then taking the insane gangster idea, the minimal seed, the core seed of Joker, bringing him into the modern world, what would an insane gangster look like today? That's when you get the tattoos, the car, and the clothes, and the attitude..
I would have appreciated a more Joker feel in this take of a modernized gangster/crime lord approach to the Joker.