J. J. Abrams: “To have no script [for
Star Wars: Episode IX] and to have a release date and have it be essentially a two-year window when you’re saying (to yourself), you’ve got two years from the decision to do it to release, and you have literally nothing . . . . You don’t have the story, you don’t have the cast, you don’t have the designers, the sets. There was a crew, and there were things that will be worked on for the version that preceded ours, but this was starting over. And because this was such a mega job, I knew at the very least I needed a cowriter to work on this thing, but I didn’t know [then] who that cowriter would be. There was nothing.” (
April 9, 2019)
J. J. Abrams: "But it was a completely unknown scenario. I had some gut instincts about where the story would have gone. But without getting in the weeds on episode eight, that was a story that Rian wrote and was telling based on seven before we met. So he was taking the thing in another direction. So we also had to respond to Episode VIII. So our movie was not just following what we had started, it was following what we had started and then had been advanced by someone else. So there was that, and, finally, it was resolving nine movies. While there are some threads of larger ideas and some big picture things that had been conceived decades ago and a lot of ideas that Lawrence Kasdan and I had when we were doing Episode VII, the lack of absolute inevitability, the lack of a complete structure for this thing, given the way it was being run was an enormous challenge. However, to answer your question—truly, finally—now that I’m back, the difference is I feel like we might’ve done it. Like, I actually feel like this crazy challenge that could have been a wildly uncomfortable contortion of ideas, and a kind of shoving-in of answers and Band-Aids and bridges and things that would have felt messy. Strangely, we were sort of relentless and almost unbearably disciplined about the story and forcing ourselves to question and answer some fundamental things that at the beginning, I absolutely had no clue how we would begin to address. I feel like we’ve gotten to a place—without jinxing anything or sounding more confident than I deserve to be—I feel like we’re in a place where we might have something incredibly special. So I feel relief being home, and I feel gratitude that I got to do it. And more than anything, I’m excited about what I think we might have.” (
April 9, 2019)
Rian Johnson: “When I came into [Star Wars] there wasn’t a secret white board with the whole story laid out. It was really just, I read JJ [Abrams] and Michael [Arndt] and Larry [Kasdan]’s script for [
Star Wars: Episode]
VII and it was ‘what happens next?'” “No [they hasn’t sketched out the next two movies at all]. No, no, no. This was more like a baton handoff. And first of all that seemed crazy to me, coming into it I was like, ‘Wow really?’ And then as I got into it and started working it was like, ‘Oh thank God,’ because as opposed to just tagging bases, it meant that I could honestly react to what I felt from
The Force Awakens and those characters, and find the path forward that felt honest to me and felt real, and that led to some surprising places we might not have gotten to if the whole thing was drawn out.” “[Abrams and Kasdan] had nothing they dictated to me, no. They were really gracious in kind of leaving it open.” “Yeah [their input ended with the end of their movie]. And for example, the question of Rey’s parentage, which was a big question in this. I never got like the, you know, remember in
Clue you had the packet of things, ‘so and so in the library’? I never got the equivalent of that for all the answers in this movie [
Star Wars: The Last Jedi].” (
December 17, 2017)
Lawrence Kasdan: “These movies will all be so different. [‘
Episode VIII‘ director] Rian Johnson is a friend of mine — he’s going to make some weird thing. If you’ve seen Rian’s work, you know it’s not going be like anything that’s ever been in ‘Star Wars.’ You couldn’t have three more different people than J.J., Rian and [‘
Episode IX‘ director] Colin [Trevorrow]. Those movies will have the ‘Star Wars’ saga as their basis, but everything else will be different. Then Phil Lord and Chris Miller are going to make the Han Solo film and I can’t guess what that will be like — and I’m writing it!” (
December 3, 2015)
Lawrence Kasdan: “Well you want [the movie] to be open-ended. We definitely wanted it to be open-ended but we didn’t want to dictate where it was going. These movies – and people underestimate this but all six of these movies that preceded this – now the seventh – are determined by the directors who do them, so
A New Hope has George’s buoyancy, his feeling that there would never be another Star Wars, he has his rebellion against Hollywood and his love for those things, the pulp and the Flash Gordon and the Kurosawa – everything that had influenced him up to then. And then when he miraculously was enabled with his own money to make
The Empire Strikes Back he made the most important decision ever in all the saga I think when said my teacher from the USC Irvin Kershner who had never done anything like
A New Hope but had made New York art films […] these were art films from the east coast and George brilliantly said that’s the flavor that I want for
The Empire Strikes Back. And it changed everything – not just the revelation of Darth [Vader] being the father but the tone of everything changed from then on. And that’s when I came into it and I thought this is so much more interesting – and I love
A New Hope– but this makes it more than
A New Hope. So, each director defines the movie and Rian Johnson who will do the next episode will change it enormously.” (
December 21, 2015)
Lawrence Kasdan: “[J .J. Abrams and I have] not really [sketched out the next episodes]. [
The Force Awakens] sets up a lot of stuff. There’s a lot of people to deal with. And Rian took on that job and he’s going to change it, because he’s Rian. And I’m sure Colin will change what Rian does…. These movies will all be so different. Rian Johnson is a friend of mine — he’s going to make some weird thing. If you’ve seen Rian’s work, you know it’s not going be like anything that’s ever been in
Star Wars.” “We talked about [the ending of the new trilogy] — and there’s a certain thing that people who are involved with it feel should happen. There’s a kind of movement that happens. But it’s not in your control. It’s going to veer off with Rian, and it’s going to veer off another way with Colin.” (
December 22, 2015)
Daisy Ridley: “[Was Rey’s backstory completed before the release of
Star Wars: The Force Awakens?] Here’s what I think I know. J. J. wrote
Episode VII, as well as drafts for
VIII &
IX. Then Rian Johnson arrived and wrote
TLJentirely. I believe there was some sort of general consensus on the main lines of the trilogy, but apart from that, every director writes and realizes his film in his own way. Rian Johnson and J. J. Abrams met to discuss all of this, although
Episode VIII is still his very own work. I believe Rian didn’t keep anything from the first draft of
Episode VIII.” (
March 1, 2018)
Daisy Ridley: “I mean [
Star Wars: The Rise of Skywalker is] very different [from
Star Wars: The Last Jedi]. I can’t give you the ending, ’cause that would ruin the next few months! (smiles)” ” It’s just a different story [from the last episode]. It’s a different route. We went down like more of an…I genuinely didn’t know what I was gonna get when I read the script and then the script like it’s changed…I don’t know.” “I mean no [it’s not more physical for me], ’cause it’s been physical the whole way, but I felt more able to do everything physically because I’ve had two films to like train in sword-fighting and, you know. No, it didn’t feel that different because it’s always a great time. It’s always been funny and always been dark and all of those bits. It’s just a new [story] direction. (smiles)” (
August 24, 2019)
Daisy Ridley: “Well I felt like…at the end [of
Star Wars: The Last Jedi] I was like, ‘Ah this is strange’ because it sort of feels like a finish but then we have another film to do and then J. J. [Abrams] figured out a way to take the story in such a different direction. Somebody said to me that they saw the [new] film and they said I was like the teenager in
Episode VII and in [
The]
Rise of Skywalker it’s like Daisy 2.0 or something and I was like, ‘That’s nice.’ To just feel [that] I progressed. That’s a big one. ” (
August 24, 2019)
tl;dr the idea became for every movie to be its own thing and a different direction not bound by the previous movie, with IX being the most powerful if only by speaking last in turn
Was this the best way to go about it? Probably not.