why would they? everyone knows hugh jackman as wolverine, not as a character in a movie that hasnt come out yet
But Jean Valjean is more worthy of knowing than Wolverine. And on the larger scale he already is more known.
who is more worthy of being known is totally subjective, but i'd highly doubt that valjean is more widely known, wolverine has become a huge pop culture icon. a closer comparison would probably be wolverine vs les mis as a whole, and even then wolverine these days is probably more well knownBut Jean Valjean is more worthy of knowing than Wolverine. And on the larger scale he already is more known.
The first impression "Les Miserables" intends to make on the awards community is a big one. No fewer than six invitation-only screenings of the film each with an introduction from or Q&A with director Tom Hooper and castmembers have been scheduled for Nov. 24 at venues as far-flung as the Mann's Chinese, Santa Monica's Aero and the TV Academy headquarters in North Hollywood.
At least it sounds like Jackman and Hathaway (and Barks obviously, and Redmayne has a lovely tenor voice) have had musical theater training. Seyfried's soprano is cringingly weak, although her voice itself is lovely. Reminds me of Emmy Rossum in Phantom, although both claim to have had opera training.The trailer is beautiful. This is a really interesting take on the material. That said, none of the singing really impresses, though the acting appears to be spot on. The trade-off of live singing is going to be that it's a lot less polished and, in some cases, it seems, a lot less vocally powerful, than what we're used to from a Les Mis cast. I get it, they're going for subtlety, they're acting the moments, and Javert's part of One Day More almost feels like an offhand comment, something perfunctory, almost something he's singing to himself, so this may well be intentional, and work wonderfully. I don't have a problem with Russel's voice so much...he's no Phillip Quast, but he's more or less right where he needs to be for that bit, which is one of the harder bits Javert has to sing in the show, though it seems, as do several of the other parts of One Day More, to be almost individually arranged in a sense. "Stars" and "Javert's Suicide" are what matter to me, and I still can't believe they'd have cast him if he couldn't sing them and bring the right emotion to them. Really looking forward to this still.




I thought people saved that kind of vitriol for Natalie Portman. Girl won an Oscar, went to Harvard, and had scientific papers published!^ Thanks for the happy snap, danoyse.
Read this jealous author's comments about Anne, not liking her 'for some reason' because she's America's sweetheart, too humble, talented and too perfect...
http://crushable.com/entertainment/...s-the-devil-wears-prada-princess-diaries-528/
But I suppose since she stole another woman's man and got knocked up, she doesn't seem so perfect anymore. 
At least it sounds like Jackman and Hathaway (and Barks obviously, and Redmayne has a lovely tenor voice) have had musical theater training. Seyfried's soprano is cringingly weak, although her voice itself is lovely. Reminds me of Emmy Rossum in Phantom, although both claim to have had opera training.
I'm still aghast at what little we heard of Crowe. He needed to be spitting out those words, at least it would have sounded more powerful that way. Sounded like he was still learning the notes there.![]()
Indeed, you do not have to sing it melodically. I actually rather like how the original Javert does it here 25 years later.
Cut to 2:04. It is almost sing-talking there and it works way better than what is in the trailer.
t:
Besides the fact that you can always pick out people who've had classical training because they have superior enunciation.Everyone griping about the singing are likely fans of the musical.Just wondering are most of you hear prior les mis fans? I'm just wondering if the film is gonna have attraction beyond those familiar with the play?
The set pieces and cinematography look great from what i've seen in the trailer but i'm not familiar with the play that much nor am i a big musical fan really.


Wheee!t:
Who played Enjolras there? He looks a little young to be in that otherwise 25-years-older group of people.![]()
http://mediadecoder.blogs.nytimes.c...o-the-screening-room-to-outpace-oscar-rivals/Racing to the Screening Room to Outpace Oscar Rivals
By MICHAEL CIEPLY
LOS ANGELES For those who have wondered how Hollywoods studios will get their latest-released movies seen by thousands of awards voters before the unusually early onset of Oscar voting on Dec. 17, Universal Pictures has an answer: blitzkrieg.
On Friday, Universals publicity team circulated word of a lightning strike by its Les Misérables, which opens in commercial theaters on Christmas Day, with a series of six Los Angeles-area screenings in about eight hours on Nov. 24. The films director, Tom Hooper, will attend all of them and this, after he executes a similar maneuver in New York on Nov. 23, where the screenings cluster in more manageable Manhattan.
In theory, it can be done. But based on close inspection of his Los Angeles stops, it appears that Mr. Hooper will cover more than 45 miles on busy surface streets and freeways, just as Christmas shoppers hit the roads.
According to Universals plan, Mr. Hooper, who won an Oscar in 2011 for directing The Kings Speech, will start the workday at noon by introducing his new movie at a theater in Hollywood.
An hour later, he should be at the Academy of Television Arts and Sciences in the San Fernando Valley, some five miles away (with a driving time of nine minutes, by an optimistic estimate on Yahoo Maps), to introduce the film again.
Then its off to Santa Monica 18 miles, and 24 minutes, away, as the limo flies for a question-and-answer session where Les Misérables, which has a running time of well over two hours, will have begun screening at noon.
Theres another showing, with an introduction by Mr. Hooper, in Santa Monica at 4 p.m. That should leave time for an 18-mile drive back to the valley, to introduce a 7 p.m. screening at the television academy.
Then, Mr. Hooper can backtrack to Hollywood, five more miles, in time for another Q. and A., at a screening that will have started at 5 p.m., and should be wrapped by about 7:30.
It should work out fine. Unless, of course, Mr. Hooper collides along the way with filmmakers behind the Weinstein Companys Django Unchained, Sony Pictures Zero Dark Thirty or Warner Brothers The Hobbit: An Unexpected Journey.
All have release dates in mid-to-late December, and will soon be fighting for attention as the Academy of Motion Picture Arts and Sciences, which awards the Oscars, begins a nominating vote that in the past did not start until much closer to the months end.
Good question, I keep remembering Crowe's tweet when someone asked him the same question months ago - he said:so when does the soundtrack for this come out?
I can't seem to find it listed on any site........there will be a soundtrack, right?
I thought people saved that kind of vitriol for Natalie Portman. Girl won an Oscar, went to Harvard, and had scientific papers published!But I suppose since she stole another woman's man and got knocked up, she doesn't seem so perfect anymore.
![]()
Just wondering are most of you hear prior les mis fans? I'm just wondering if the film is gonna have attraction beyond those familiar with the play?
The set pieces and cinematography look great from what i've seen in the trailer but i'm not familiar with the play that much nor am i a big musical fan really.
Wheee!t:
Who played Enjolras there? He looks a little young to be in that otherwise 25-years-older group of people.
Yeah, #1 rule about singing - if you need to sound powerful and angry, you'd better be spitting on the first row.Besides the fact that you can always pick out people who've had classical training because they have superior enunciation.