See, the problem is that you said this earlier:
With him, Batman is letting another boy commit what he deems as a curse and a mistake, entering a life that has no light at the end of the tunnel
And when you say something, I assume that you mean it.
My boy, I was paraphrasing the pro-Robin crowd when they said Robin wasn't always around because "he had a life". Only problem being, as you pointed out, that they don't...
Drake's father was murdered, his love was tortured and apparently killed (although she turned out to be alive), he's lost friends, allies, etc, etc, etc. And Dick's been through hell lately.
So I have nothing else to say.
So when you try to use words like "curse and a mistake" and "no light at the end of the tunnel" as an explanation for how Batman feels about his own mission
Are you trying to tell me that he doesn't think it's a burden? Are you actually saying that's a life he thinks others would envy and desire?
Do you want me to actually post quotes from the comics that point to the opposite?
And are you really whining about the "convenience" of them surviving because they're main characters?
Not at all... I'm talking about the inconvenience of them dying when executives don't feel confortable about fans reactions. Ask Jason Todd.
Which points out the obvious... they're not main characters. Batman is. Batman is the only one that cannot die. Many characterizations of Batman (the bat-prick, especially) have been hated by many fans, and DC just can't kill him. With Todd, they could've placed him on a redemption path, somekind of storyline about growing and making him a more likeable character. Instead, they got rid of him and replaced him not long after.
Which, again, points out to the obvious... it's not about being main characters, because they aren't... not when fans whine about not liking them. With the Robins, DC can always take the easy route.
This time, in this polls, BATMAN FANS have spoken out, voting in that poll, showing that most of them don't want a Robin in this franchise. And you know what is the easy route?
Not having him in the film.
Does it feel right for you? No. But now you see tht it works both ways.
Uh huh...read a comic. Bad things do happen, and the writers take this into account. They do not ignore this point on any level.
Come on, we're actually talking about a 12 year old who HAD to take a crime fighting crash course because his mentor COULDN'T have found the time to train him properly, LIKE HE WAS.
Do you feel they're taking real world probabilities into account here? It's a comic, they'll take their suspension of disbelief as far as it's convenient to them.
It is. Why you would think it's not that way is beyond me.
Again: Batman's training >>>>>>>>> Robin's training.
But that's how it has been for more than 60 years in comics, isn't that so?
But you're right. It is beyond you.
Except that they are portrayed as incredibly capable, driven, intelligent, resourceful, and as ready as they can possibly be for a massive undertaking like being a superhero. As ready as one can be for a life like that.
Not enough. Remember what Ra's said? "The training is
nothing, the will is everything"?
I think you took that a little bit...
literally. Maybe metaphors and hyperboles are also beyond you.
Except that he's usually not. Dick wasn't, and Tim wasn't. Jason Todd was reckless, but even he helped Batman for the most part, he didn't hinder him.
Do you remember all the things they did to convince him to train him? Do you remember Dick's attitude? Do you remember Drake actually meddling in Batman's affairs, unveiling his identity? Do you remember both of them disobeying his orders, going into certain mission on their own, when Bruce had clearly said they should "stay put"?
Of course you remember all those? But I guess you're willing to say anything to get ahead, aren't you?
No. That is not why Batman has been getting darker and darker of late.
Who said I was talking about Batman growing darker?
...? No one?
I was talking about his relationship to the family, to Tim especially, who came after Todd's death.
The point is...Robin clearly does not make Batman lighter in any real sense.
Oh? Because I could swear have you quoted as saying:
Oh, they may not get the point... but they see the results. And the results match the original intentions, not the subsequent more noble ones. Robin may have a zillion of points in the story, but all that he's accomplishing this far is making Batman lighter and with a less coherent personality design.
Hmm. Perhaps you misspoke. Again. I AM going to add this to my list. So that's three.
I wasn't the one who said that. I just took in strie, for argument's sake. It was one of you guys, very early. Maybe StorminNorman, he will correct me if I'm wrong.
But hey, I couldn't blame him if he did.... look at this line from HUSH:
"Tim holds on to the idea that Batman needs a Robin, more like balance than like legacy."
??????????? It's Jeph Loeb OUT OF HIS MIND?????
Check it out. It's there.
You used the word "coherent". This implies that the addition of Robin somehow makes Batman's personality less clear or consistent. I fail to see how so.
Enlighten me.
I will give you the most important reason of all... Bruce values human life so much, that he's not even willing to kill his most dangerous foe: the Joker. He knows that killing the Joker would prevent much more deaths from happening. Instead, he just spares his life over... and over... and over again.
He just doesn't ahve the time to train any kid as a capable crime-fighter. He doesn't even have time to sleep, even less to train a twelve year old with a penchant for disobeying him and a great eagerness to get on the streets. Letting that boy go out would not only risk the kids' life, but also the lives of the criminals and innocents that kid has to face. The boy is a loose cannon. And Batman is smart enought to know that, so his constant worries would give him a great distraction in his missions.
These are two lines from one old Batman vs. Shadowsnake storyline.
TIM: I know where he went and I don't want to stay here. I must be by his side.
ALFRED: No. He needs to have his head clear and know that you're safe here.
TIM: I don't want protection nore special treatmement.
ALFRED: He's not just protecting you. You know he only fears one thing.
and later...
BATMAN: I wanted you apart from this. You went deliberately went against my orders.
TIM: Had I obeyed you, you would be dead now.
BATMAN: My life doesn't matter. I would rather...
(he leaves)
TIM(to himself): You'd rather give your life and not risk mine.
That's what I'm talking about. Maybe it is beyond you as well.
So let me get this straight...you think a "bad premise" has been popular for 60 years...just because?
Like Alan Moore (and Saint, I believe) say: "audiences are
not artists".
I think people are mot inclined to let pass the inconsistencies in serialized comics, or even in TV. The Adam West series were very popular, after all. And quality has nothing to do with that. I also believe he's NOT that popular, because, as I've said before, the curent Robin has his own series and keeps more time there than with Batman.
Or, allow me to rearrange tht sentence of yours.... do you believe that Robin hasn't ever worked in live-action form... just because?
Oh not, it's just a coincidence.
I don't believe it's a coincidence. I think he's quite harder to do. He can be done right, but that doesn't necessarily means exactly translating what has happened in the comics, something that contains many inconsistencies and dynamics that can't be synthetised in two hours of screen time.
Maybe what Crook was saying about changing the origin. Maybe something good could come from it.
But it wouldn't be
the same thing... and I'd be glad it wouldn't.
Ohhh, you think that because he's not in ALL the "major Batman stories" that it means he's a bad element.
Once again...
YEAR ONE
THE LONG HALLOWEEN
These take place before Robin existed.
So him not being in them is hardly evidence of a "bad premise". It's evidence of a faithful translation of the mythology.
Those are only two. Another two could be...
ARKHAM ASYLUM &...
THE KILLING JOKE.
Which don't take place before Robin existed.
Allow me to mention a few more "key Batman stories" that you've just decided to omit in your list.
A DEATH IN THE FAMILY
A LONELY PLACE OF DYING
It's interesting that you had no trouble bringing up BATMAN 1-37 either, until you realized you were wrong and it no longer served your argument against Robin.
You're right there, I made a rookie's mistake. What I meant was "Detective Comics #37". I'll be careful next time, since people really got a hold of that you win the entire argument.

Bottom line, from DC Comics 27 to DC Comics 27... ten months of no Robin. (*sigh*)
Now then...HUSH is not one of the greatest Batman stories ever. It's fun, has great art, gets a lot right, and is one of the most recent best-selling, but hardly one of the best Batman stories ever. The writing, is at best, hackneyed and derivative.
We agree here, but that's something I also think it applies to The Long Halloween. Sometimes gets it right, sometime it's just an excuse for Tim Sale to draw as many characters as he wants, a "whudunnit" story filled with pastiches from great movies like the Godfather and Silence of the Lambs, and tainted with a huge amount of corny one-liners.
And you keep bringing it up.
That said, as you've admitted, the concept of Robin and the concept of costumed allies DID have a place in HUSH, like many other characters. So did the element of Jason Todd, the Robin who was killed. The Huntress made an appearance early on. So you can't remotely argue that the concept of Robin and Batman's costumed allies wasn't a part of HUSH, because it was. HUSH was meant to be a very personal story, so Batman didn't work with his allies much. He does work with them some.
I never denied that. But it is important for Loeb to get as much characters as he wants there... Croc and Poison Ivy were an important part of the story too, as large as Tim Drake. Even Harold was there too. Do you believe they're all cornerstones to Batman mythology? Of course not.
That's what amazes of Loeb, how much he wants to do at the same time, even giving internal monologues that makes the audience catch up with the background of each character. But I digress.
No...not really. Tim Drake working on his own more is Batman realizing Robin has to be his own man and allowing him to be, so that he avoids making the same mistakes he made with Dick.
Which were.... protecting the boys life?
Uh huh. How? Specifically.
In the way that makes him contradict his own precepts without a sufficiently good reason.
Well, they were never going to be as good as Bruce is. You shouldn't have to suspend your disbelief to realize that. That's no argument against them as characters in their own rite.
Bruce as enough trouble trying to stay alive during his missions... and this less trained adolescent kids are playing vigilante with him? Not only worrying him even more, but also endangering their own lives?

Give me back my suspension of disbelieve. I need it, fully recharged.
Oh, I see. But the same doesn't somehow apply to the vigilantes? Mmhmm...
Jason was very skilled. He was sneak attacked by The Joker, and killed by a bomb.
But I suppose that's not getting "surpassed by the circumstances".
I suppose Barbara Gordon getting surprised and shot is also not that.
Which is EXACTLY what I mean.
The cop and the fireman don't take under-trained kids along with them. Batman, for some abnormal reason, does. And
HE is the vigilante.
We're not talking about "unskilled". We're talking about "less skilled then the very, very, very best". The same applies to costumed heroes.
A LOT LESS SKILLED. An wealthy adult training for seven years >>>>>>>>>> A 12 year old kid taking a crash course with a teacher that barely has time to keep himself alive.
A WHOLE-UNIVERSE-LESS SKILLED.
What a silly, silly, silly question.
How does any hero who's not as skilled as Batman fight crime?
On their own... without Batman enabling them to do so. Away from Batman's responsibility.
And I'm the one with the silly questions.
Besides, what is a
hero?
Brian Douglass considered himself a hero, didn't he?
No. Please stop offering suggestions for why things are or aren't if you don't know for sure.
You've been doing it since the first moment even providing answers devoid of any logic whatsoever. I thought it was ok.
A lot of fans like him as Robin more than Dick Grayson, when he was Robin.
Me among them.
But Batman's attitude to him is even worse, seeing how he "lets him be on his own".
How so? How does Robin "take energy out of Batman"?
Read again what I said about taking over protagonism. You just have to search "Sub Zero".
It's about both. It is a legacy of cooperation. The legacy of Robin as an idea and persona is a huge part of it. A huge part of it. Read a comic.
As I pointed out earlier, Tim Drake differs, according to Jeph Loeb.
Not the only thing were he differs with you, apparently.
CATWOMAN: You try one more time, birdie.. and I'll zip your wings. No matter what your "daddy" says.
TIM: He's not my father.
Maybe Loeb should read a comic.
I didn't say it was a tribute. I said Robin is a legacy. I asked you a simple question. Do you enjoy legacy characters? You replied yes. Therefore, if you know anything about the Batman mythology, and how important the legacy aspect is to Robin, you should be able to appreciate Robin on a similar level.
I'll re-quote, just for you:
"Tim holds on to the idea that Batman needs a Robin, more like balance than like legacy."
- Jeph Loeb, Hush, issue # 10.
I didn't say Robin's legacy was the legacy of Batman (...) It's clearly the legacy of Robin.
The legacy of Robin is being passed on. Dick Grayson. Jason Todd. Tim Drake. Carrie Kelly.
You'd have to be delusional to argue there's no "legacy" element there.
Which futhers strengthens my point of the presence of Robin taking protagonism away from the title character, and not doing much his jobs as a secondary character: which is tribute to the protagonist, being a catalyst for change.
Either he behaves like a normal secondary character, or becomes a protagonist, shich he shouldn't be.
Pick one.
No, of course not. Did I ever mention that simply being around for a while makes one as important as a mythology's major characters?
"He's not made to work along with the Bat? And yet he has...for 60 years...worked along with the bat. And it's worked."
"If we go to "tradition" and "old presence in comics", your argument against Robin's validity disappears. Because Robin's been a key component of the mythology for 60 years now."
"Melkay...Robin's been around for 60 years. Sixty years of presence in Batman stories outweights your precious "four" YEAR ONE/ELSEWORLDS style examples."
"Robin has been shown to have an edge that helps him to survive for 60 years."
"You are trying to tell us that what he wouldn't do contradicts what he has actually been doing, and been portrayed to do...for 60 years."
Ok, I've gathered almost all your longevity lines to make a point... I never said he hasn't been popular... or not important.... what I said is that he wasn't portraying well Batman's attitude towards him. I'm not arguing for presence or trascendence. Those things can be done and still be wrong. I'm arguing against quality... not quantity. Since quantity and longevity is undeniable you keep going back to it because, as your comfort zone... all that I'm saying is that it is harmful for a good portrayal of Batman.
And either that's changed... or it shouldn't go into film.
Thank you.
The problem is, Melkay, that you're presenting examples of Batman comics from the modern
Batman mythos as examples of how you believe explain why Robin is a bad character.
No, I'm presenting examples of the most celebrated ones, even when they don't belong to modern mythos and are just part of the ELSEWORLDS, like Arkham Asylum.
So I'm looking at things in the contexct that you yourself have presented to me.
I was doing you a favor... do you really want to talk about Silver Age here? We'll have to clean later.
If we're talking about BATMAN: YEAR ONE and THE LONG HALLOWEEN, then we're not talking about the same continuity that existed in 1940.
And yet that was the continuity in which Robin was created, and many Robin defenders here keep getting back to it.
The problem is that the most celebrated storylines belong to the Modern Mythos... but within the Modern Mythos are many stories with subpar quality.
If you can't use logic by yourself, tell me. There are many things in this debate that seem to be "beyond you".
Only one post left. I hope you don't keep taking work hours to reply to my posts. It's flattering, but now I feel responsible for your personal life.
Don't push yourself too much. Or we'll have to clean later, too.

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