Melkay
Civilian
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- Jul 31, 2008
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Guard, since Saints reply is shorter and more concise than yours, Im gonna reply to his post first before Im done handling yours. Hope thats okay with you.
Saint said:What?
Retirement from the Robin role. What didnt you get?
Saint said:Sure. And then I went on to explain how the reason he grew up is because somebody thought a coming-of-age story made sense and would be interesting for Dick Grayson. Neither of my comments are mutually exclusive.
Yes they are. A writer explanations within the narrative is something completely different to his actual intentions for the story. Only the second is the actual cause, while the first is how that choice is justified by the characters, the circumstances, etc.
Saint said:Don't be ridiculous: they "wrote in friction" because that is the human condition. There is no such thing as a relationship without friction. They wrote about what has been happening between fathers and sons for millions of years. There is always turbulence when the son becomes his own man. In this instance, it made sense for that conflict to manifest as a new, independent identity for Dick.
I agree, but friction was the determining factor their disagreements. And thats something thats not inherent to parental relationships. Like I said, couples have it too. They break up because of that. And many times after their split, Nightwing has been there to work with Bruce and Bruce not always accepts it. Usually, when sons leave the house, parents (especially over-protective ones) are always happy to have them back, even trying to keep them close more time. Remember my Under The Hood quote? Did that sound like father and son to you?
Im not saying they dont fit the archetype just that its the defining metaphor of their relationship. If it is so indeed, then its too inconsistent.
Saint said:Uh, yes, it is a coming of age story--because Dick's inability to work under Bruce any longer was the result of his coming of age. This is the most ridiculous thing you've said so far. Part of a coming of age story is becoming independent. Moving out of your fathers house. That's what Dick did by becoming Nightwing.
Saint said:I banter with my father all the time. Banter that is actually alarmingly similar to that. I can't imagine how you'd think bantering precludes their relationship from being that of a father and son.
Saint said:Why? Fathers and sons don't know each other too much? Don't know how to irritate each other? Are not constantly picking about the other? This sounds exactly like a father and son relationship, once the son has earned the right. This sounds exactly like my relationship with my father.
Keep attention to this because its really important.
Coming of age DOESNT include disagreements. It doesnt include friction. It is not defined by banter or by teasing. What about all the sons who live happily with their fathers, or have perfect relationships to them? Some of them were even encouraged by their fathers to move on, instead of resisting the idea, like Batman did.
It could be just time passing. With couples, as time passes by, they gain different goals and expectations. People change. And that makes people to go on different paths. But it doesnt belong to father and sons relationships. Couples, friends, work colleagues, competitors, etc.
Something you would have noticed if you didnt took for granted every single thing you are told. Some thinking outside the box would do you good.
Saint said:So? That Todd was killed for the wrong reasons doesn't mean that Dick grew up for the wrong reasons.
It doesnt mean they were right reasons either. Once you establish the fallibility of executive choices, everything is questionable. I didnt mind too much Robin becoming Nightwing (a decision I loved), but I do question Batman taking another Robin. And since you agreed that the executives are fallible, I thought we were ready to discuss for the 18938921389th time why I thought it was a poor decision.
Saint said:Actually, good writers make the mediocre choices of their predecessors work.
Not all of them can. Once creative freedom is narrowed, theres only so much a guy can do.
Thats one of my problems with Loeb and his constant voice-overs explaining every character to the readers. Not his choices, but he has to honor the past, doesnt he?
Saint said:What's interesting has nothing to do with narrative quality?
Saint said:Excuse me?
Sure. Never seen anything with a promising potential and a disappointing delivery? Hancock, for example?
Interesting =/= Good quality.
Saint said:Yes, he was. But that's not what you said. You said he is "lighter," than Dick Grayson which is simply not true. At all.
Again, like I said to Guard, some guys at Wikipedia seem to agree with me.
Tim was introduced as a happy medium between the first two Robins in that, from the readers' point of view, he is neither overly well behaved like Dick Grayson nor overly impudent like Jason Todd.
I do like Tim Drake, hes my favorite Robin. I like cerebral and smart characters. What I am complaining about is Batmans acceptance of him, like with the previous Robins.
Saint said:Of course you do. You continue to describe the concept as weak and flawed. That is a quality complaint.
The concept of his relationship to Batman, not the character individually. If you think those things cannot be separated, I disagree. I enjoy Robin very much on his own, but not when hes with the bat.
Saint said:This is ridiculous. Of course one can do that.
. Somewhere over the rainbow.
Saint said:Before anyone responds with "That is so gay," I'll advise you to save your keystrokes.
Saint said:I'm not interesting in juvenile stupidity.
What Im going to say is: that was a great example . Because it embodies almost everything Ive been saying. It doesnt show the two of them fighting together, but rather Bruces empathy with the character and how his enabling ends up in complete tragedy. For all intents and purposes, that could be Batman comforting another anonymous orphan boy with a rough life like him . Or a Robin about to be removed from his position because Batman finally realized his mistake of taking him in . but no even after things like that, Batman repeats again the same mistake.
Its not about being gay its about being blinded by empathy. Its about being irresponsible and soft.
Batman is not (and should not) be like that.
Saint said:Actually, it worked out just fine. It was turbulent, sure, but out of the turbulence we got Nightwing, the legacy of Jason Todd--and eventually the Red Hood, who is wonderful in the correct hands (so far, only Judd Winnick and Geoff Johns)--and Tim Drake, who has become an excellent character and an indispensable component of modern Batman.
So far, I agree great Nightwing, great tragic death story, great Red Hood, great Tim Drake . Weak Batman.
All of them work great individually. And Ive said that many times over.
Saint said:That's sort of like asking why Bruce wears a batcostume. If the reasoning was absolutely sound, it would happen in the real world. I can give you reasons--and you probably know what they are--and they function, but they only function insofar as you are willing to accept that this world is fictional.
If he was reasonable, he wouldve killed the Joker years ago but he lets his ONE TRUE RULE override reason his inability to take a life.
And yet, he risks an adolescent time all the time.
Im happy to pay attention to the rules of that fictional world, but even then Batmans attitude towards Robin keeps being an inconsistency, and a big one.
Saint said:I don't believe that it is. Perhaps think of it this way: the exectuive may decide what path to take, but because he is not an artist, he can only choose from the art he is provided with--by the artists. DC probably said two years ago "We're going to shake up Batman." But what did they have until Grant Morrison came along an thought up RIP? Do you suppose their plan was anything like RIP At all? Or consider Marvel's creative summits. The creators get together and dream up what to do with the entire universe. Killing Captain America, for example, wasn't some ridiculous marketing directive. It grew organically out of Civil War, through one of these creative summits.
I dont think so. Its a possibility, of course, and I would be happy if that were the case. But when it comes to the fate of important characters, I dont think the decision comes from the writers. Maybe the suggestion, but never the decision.
However, Ill give you that were both guessing here.
Saint said:It was important to both.
And Important =/= Good. Robin may have a great influence on Bruce, but the premise of that influence still feels contrived and forced upon, since Bruce would never break his one rule, especially with a teenager. Im in favor such an important impact on Bruces character I just want it to be coherent. Like El Payaso said, why not fund a school for determined boys, or an orphanage? And if he wanted a side-kick, why not look for a wife instead of a son? Hes not prepared to have either of both, so why not risk the life of an adult? Why not partner with a semi-skilled vigilante woman?
Saint said:Sure, and he works 'all to well" without Gordon or Alfred around.
He does?
At least theyre consistent with Batmans beliefs, so he should and would allow them to cooperate. But neither of them teenagers, Gordon his doing his own job as a policeman (within the system Batman respects) and Alfred doesnt even go into the battlefield.
Big differences.
Saint said:Why? It worked fine having their name changes be a part of their growth.
... What?
Saint said:You seem to be imagining that I said "The art is always sound." Please be more careful. I use the words I do for a reason.
You said the art was sound, and I was disagreeing by showing you some examples. There.
I also argue against more than three guys at a time, and Im likely to have some slips. Even Guard forgot Alfred was in The Killing Joke and that Bales Robin casting was only a rumor. Slips are inevitable and, accordingly, I wont demand more from you.
Saint said:Have you checked? I'd be interested to see the numbers on this. My low estimate would be fifty-percent, but I personally suspect the percentage of Robin appearances to be higher. The bulk of my comics are from 1992 and onward, and even when I was a kid only picking up whatever random issues appeared in front of me, I bought a lot of Batman. Accordingly I have a fair sampling of the major "eras" since then. Most of these featured Robin as a staple, and those that did not featured him with regularity similar to that of Gordon.
I was referring to Tim Drakes appearances. Are you too?
Saint said:Right. But that doesn't make what I said wrong. At all. The concept is still important. I'm not sure how your comment is supposed to refute that.
The moment the inter-character dynamic is flawed by providing Batman with thin and poor justified explanations for having Robin, the moment the concept cant go right.
Saint said:I read it. I just didn't consider it worthy of response. Simply put, these kids were putting themselves in danger. Batman was doing what he could to keep them alive.
As El Payaso and I have demonstrated, he could have done more.
Saint said:I've talked about Batman decision making here before. Yes, it's insane. So is putting on a batcostume.
BATMAN: I wanted you apart from this. You went deliberately went against my orders.
TIM: Had I obeyed you, you would be dead now.
BATMAN: My life doesn't matter. I would rather...
(he leaves)
TIM(to himself): You'd rather give your life and not risk mine.
Even insane people have precepts, especially Batman. He wouldnt risk an innocent boys life for any reason. Not even if it meant his own death. THATS a consistent character. Betraying that precept is betraying one of Batmans more important beliefs, if not the most.
Saint said:In that way? I don't know. Would it surprise you? Everything in Batman's life is an aberration.
I dont mind if its abnormal as long as its coherent with the rest of Batmans extreme qualities. As demonstrated above, thats not the case.
Saint said:I don't need to link anything. Nearly every time I quote one of your comments, it is to provide a counterargument.
So do I, and yet you act like if you had not seen them. Besides, you dont reply to everything. You were the one who wrote: I did read it. I just didn't consider it worthy of response. I know a little hypocrisy has never hurt anyone, but lets call things by their names.
Saint said:That I praise Nolan's work on these films overall does not mean I universally agree with his decisions.
Sorry, your phrasing made it so ambiguous .. God is a big word after all.

Maybe you should think of changing your sig this time around. Just a suggestion.