The Dark Knight Rises Nolan...add Robin!!!!!!

Do you want to see Robin appear in a future BB movie?

  • Yes

  • No

  • Don't care/ Who's Robin?

  • Yes

  • No

  • Don't care/ Who's Robin?


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I see you in 2011 then....

Lol, I never said Robin WILL be, I said to assume he WON'T be because of his lack of presence in the first two films is not an intelligent or well-grounded assumption.

I mean, hell, Catwoman wasn't either, but it certainly looks like she's in the running.
 
Robin won't be in the 3rd film. BB and TDK took place during Bruce's first year as Batman. The 3rd film more than likely take place during Batman's 2nd year. Nolan's said it himself that Robin won't appear because his films take place during Batman's early years and Dick Grayson would only be an infant or a toddler at this point.
 
One of the reasons I hated BF and B&R cos of Robin, I like him in the comics but nor do I think he should be in Batman 3. Usually third movies suck in big franchises.

If nolan does Robin he has to do Robin Begins in the third but the way TDK ended I don't think so.
 
Robin won't be in the 3rd film. BB and TDK took place during Bruce's first year as Batman. The 3rd film more than likely take place during Batman's 2nd year. Nolan's said it himself that Robin won't appear because his films take place during Batman's early years and Dick Grayson would only be an infant or a toddler at this point.

Batman took on Robin in his second or third year of crimefighting.
 
Batman took on Robin in his second or third year of crimefighting.

Well according to Nolan, Robin in a crib during his version of Batman's early years. Also Dark Victory takes place during Batman's 3 and 4th years.
 
Robin is whatever age he decides. Robin not being in the film has nothing to do with him "Being in a crib somewhere."
 
Nolan would have been talking about his films within their own context, in which case he was probably being slightly blase about the subject of Robin. I doubt he had thought about his answer with much care.
 
He was probably just thinking of a diplomatic way to say "I don't like Robin, so he won't be in my films."
 
Diplomacy is one of the powers granted by the vest, clearly.
 
I thought it was in year four?

TLH was supposed to follow Year One closely, and DV closely followed DV, so Batman's third year always seemed like the correct range to me. In any case, it's not particularly important which specific year he took on Robin--it was early in his career, regardless.
 
A. He was poorly written
B. He was too old
C. They chose the actor that played him by asking kids at a comic convention who would win in a fight Chris O'Donnel or Leo DiCaprio.

And to this today, Leonardo stills says a prayer before going to be every night thanking God that nerds thought he was bigger wuss than Chris O'Donnel.
 
The unfortunate thing is that Nolan is just the sort of person needed to repair the damage done to the public (and fan) perception of Robin.
Had to search through all the pages to find it, but I finally did. Indeed it is a shame.

Now I am by no means a fan of Robin but even I cannot understand the, "Robin makes Batman Lighter" argument.
 
I agree with Keyser that Robin probably shouldn't feature in the third Batman film. I also agree that he should be an apprentice, and squire, of some kind, not an adult, and not straight-to-Nightwing.

If WB is smart, they will allow Nolan to end his trilogy, and hire someone else to make another Batman trilogy picking up from the end of the next film, because I suspect Nolan will be done at that point. The second trilogy could feature, among other things, the introduction and training of Dick Grayson and the fleshing out of Catwoman if she's in Batman 3, and Gotham's situation, and evolve Bruce Wayne into a more rounded character, dealing with his charitable side, etc.

IMHO, Robin wouldn't fit in the Nolanverse simply because he would contradict Bruce Wayne's current point of view on inspiring people and vigilantism.

One of the few good points I've heard. Obviously, in order to change his mind about himself as an inspiration on this level, Batman would have to realize just how bad things in Gotham are, and have to realize that the benefits of a partner outweighed the risks.

Bruce didn't like the Batmen because they were shooting people and basically screwing his reputation and twisting what it is that he stands for. Batman doesn't mind people standing up for what's right but I don't think he likes it when they use methods he doesn't believe in and do things that can potentially make him look bad.

I don't think Batman cares so much about his name as he does about them getting in his way. They were an annoyance for him, nothing more.

Is it outside of Batman's character to put a child in danger to help with his fight?

Keyser, I know this isn't your point of view you're addressing, but I dislike the wording. I dislike the idea that because Batman is an adult, he is somehow responsible for everything Robin chooses to do. I don't subscribe to that belief, and never have. I believe people are responsible for their own actions, and I believe that Dick Grayson is no exception.

Only if you lack imagination. Robin IS young Bruce, for all intents and purposes. In the comics, Bruce started his training as a boy. And he had to travel the world to learn all the skills he needed. Now he, himself, can teach all of those skills to Robin. If Dick Grayson is hell-bent on doing what Bruce did, what better master could have than Batman? Where would Bruce feel that Dick was safest? By Bruce's side, learning to be the ultimate badass, or sneaking out into the night on his own, a boy with a lot of anger in his belly and the desire to get even, but no skills with which to protect himself?
Exactly. If Dick is going to do what he wants to do regardless, how is Batman going to realistically stop him? He can't. Even if Dick is locked up somewhere, Batman can't always stop him. Also, there's no law that says Robin has to be his partner constantly, either. Dick could be mostly surveillance, not a day in day out partner.
 
Thank God, Saint, that you're actually quite laconic when you only want to keep going, despite the complete lack of justification. But I'm in the mood for it too, so I'll reciprocate with short answers. :yay:

Actually, yes. Time does pass selectively. Aging a character like Batman comes with the baggage of moving him closer to the end of his story, which publishers are hesitant to do.

Good, I can live with this, the problem is that, if writers are not so hesitant to move Robin to his retirement, they are treating him like what he should be: a secondary character. Unfortunately, most writers struggle with this in Robin's origin story, granting him more protagonism than what he should have, pushing Batman to a background and not delving enough in Batman's motivations for that. And, unfortunately, it's not their fault... it's inherent to a lack of sound motivation from the character. Such motivations CAN be constructed, but they haven't, yet.

Certainly. In fact, I have been attempting to illuminate that subject for you.

No, you've been justifying creative decision with the explanations that are given to us in the plot, but we all know it's not why they do that. Another poster was more sincere and actually said why they do it... market. A natural thing, but leading sometime to poor writing and taken for granted many things. An in the sequel to THE DARK KNIGHT, poor writing it's uncalled for.

Not because it's convenient, no. Because it's interesting.

Interesting =/= God writing. I can write the most interesting story about Bruce Wayne getting an adult female side-kick, and getting married to her.
Hey, that would make even more sense than the Robin idea, wouldn't it?

Incorrect. Writing (good writing, anyway) does not conform to what is convenient.

EXACTLY. It's exactly what you say: it's not good writing.

What is written is written because it is interesting.

And what are the interests of putting Tim Drake in the role of the wonder boy again, with soe many similarities to the young Dick Grayson? What is the interest of evaluating that new relationship by constantly reminiscing the events of A Death In The Family? What the interesting thing of being redundant and monotone?

Somebody thought it was interesting to take on a coming-of-age story with Dick Grayson, so he became Nightwing. Somebody thought it was interesting to make an inversion of Dick Grayson the new Robin, so we got Jason Todd. Somebody thought it was interesting to create a more cerebral Robin, so we got Tim Drake. Again, this says nothing about the quality of the concept--merely that different people have different idea about how to make it interesting. This is universally true of every single concept in the Batman mythology.

Exactly, and somebody thought tht it was good for sales to not change the concept too much, and leave the Robin character for the sake of tradition. Which I agree with, because it works in comics and with polls.... such as the poll on this thread, reflecting how people don't really want any Robin in a live-action film... at least, not with Nolan.
Making the title of this thread a complete nonsense.

The only failure with Todd was deciding his fate based on what the fans wanted. There's an Alan Moore quote in somebody's signature around here that says that if the audience knew what was best, they wouldn't be the audience, they'd be the artist.

Bravo, glad we agree here. Same matter I had with the killings of Nikki and Paolo in LOST (Except that Jason Todd was much better than them as a character).

Fortunately. the mistake was salvaged and everything worked out fine.

That exactly mistake, but IMO others exist currently, like the predominance of Robin solo stories, as opposed to stories with Batman. Since War Games, I don't think we've had a truly great storyline were Robin played a really important part. I think they had him in Hush for the same reason they had most villains... giving Jim Lee more characters to draw.

Don't be ridiculous: Batman gets stale all the time. This is why he's reinvented every ten years, like clockwork. The only difference with Robin is that the reinventions have sometimes involved someone new under the mask.

Which is is the opposite of character dynamic.

You have still failed to make any sort of compelling argument as to how the evolution of Robin demonstrates anything about the quality of the concept or the characters working under it.

I didn't have to, you made it for me. Another poster explained his opinion of Dick not working with the concept of Robin. You share my concerns with Jason Todd, and I've already told you my problem with the handling of Tim Drake.... and that's not to mention all the alternative Robins, especially Carrie and that ridiculous Leslie Tompkins plan. DC executives seem to have an urge to experiment with as many Robins as they can. It seems almost pathological.

So? This says nothing about the quality of Robin. It also says nothing about the quality of Jason Todd, because people are stupid and hate awesome things all the time.

No, but it speaks volumes of the way DC executives are accostumed to treat the character and their regular plans for it. Again, see the last two quotes.

Except not intermittent at all. He has been published in his own monthly book for fifteen plus years, in addition to being a staple of the main Bat books.

The main Batman books? Being a guest star is a cop out way of not delving too much into the dynamic of his relationship with Batman. They seem to not trust in their partnership, and they set them apart more of the time.
Like I said, I don't have any problem with the Robin series, since is his own title... it's the relationship with Batman I think it's inefficient.

Supporting characters often evolve faster and more frequently, in my observation, than the main character

I agree, but shouldn't it be otherwise? Secondary character are supposed to be catalyst for change in the protagonist, not the other way around.

should your main character move too quickly, you find that you've reached the end of his story

I don't support that idea, but let's say I do... that's exactly why Robin doesn't work in a live-action film, a place where a certain destination has to be quickly arrived. A place where change in the main character is the MOST important thing.
The Batman/Robin dynamic is not like that in the comics, and therefore a translation of that would be completely wrong in a live-action film.

Supporting characters are not inhibited as such.

Of course... that's why they will keep replacing him, right? But the role remains...
... why exactly the position remains? What's the logic of that? Shouldn't the character be more important the the position?

No, he is not. At all. This is a startling misconception. You don't seem to know what you're talking about. I would advise you to actual go out and purchase a comic book featuring Tim Drake. I suggest Geoff Johns Teen Titans run.

Since subjectivity is so tricky, I'll wait for your enlightment. :yay:

Again, not at all. It would save me some effort if you would read some comics before attempt to argue with me about their content.

Check what I said about the current dynamic being to dependent of what happened on A Death In The Family. Apart from that and Drake's overall absence, that's pretty much all there's to it.

Sure they are. Or have you never heard of Crisis on Infinite Earths?

That's why I keep saying that Batman 1-37 don't count, because they're not in continuity. It seems to be a problem to Guard.

Sure. This doesn't preclude anything I said from being true, nor does it say anything about the quality of Robin. All you have done is stumble upon the inherent flaw in ongoing comics, which is that they are prone to stagnation by virtue of the fact that they must continue indefinitely--and, accordingly, things have to be shaken up from time to time.

Again, the inherent flaws of the character are translated in the way the executives have managed his presence over the years. They way they plan to handle his character is the way the character really is, not what exists on your mind, as some dear posters ahve pointed out to me before.
Look what I said above about DC executives from the eighties until present day.

We don't know fathers and sons? We don't know apprenticeship?

We don't know fathers putting their kids at doing their own jobs with them, risking the children's lives in the process. While possible, it's not common, so it doesn't speak about human nature, but rather human aberration.

How fortunate, then, that this never happened.

How fortunate that it's all a happy coincidence, then! Every Robin character looks more like the previous one, every one enters the role in about the same age range.


He's not Batman's son any more? What? You really don't actually read the comics, do you? You don't seem equipped to be having this argument.

Read the "Under The Hood" storyline. Very good comparison between Robins, and Nightwings presence is revealing... they're not son and father anymore. They are peers. They are rather a "divorced couple".

What's more, you don't seem able to demonstrate why Robin changing is bad, and why Gordon staying the same is good. It's only a coincidence.

Read what I said above about supporting characters vs. protagonists, both in comics and live-action films.

No, not ever. Neither Todd nor Tim was "lighter" than Grayson. The opposite is true. Again, I am alarmed at this baffling misconception.

Tim is definetely lighter than Grayson.... what are you comparing Tim to, the Silver Age Robin? Be objective here, please.

And so they have with Robin. I have already explained these. You have offered no compelling counterargument.

I'll repeat one more time... in the Robin origin, Robin has a copelling reason for his initiave, but Batmans has NONE for his acceptance and enabling. NONE. And I've explained why multiple times. I've given at least six reasons, whereas the pro-Robin crow have only given one, largely taking for granted their relationship because they refuse to see the contradictions in Batman's behaviour in that.

I decided to skip the rest of your post, because it didn't present any sort of actual argument--just the repetition of your premise.

Good call, I have to repeat a lot, since people are used to ignoring counter-arguments to keep their flawed points aflota. I don't want these posts to be so large, but countering requires exactly that.
 
This thread is becoming more or less unreadable to those of us who are tired whenever we visit these pages, but I can at least retire comfortably in the knowledge that Saint and Guard have schooled Milky thoroughly. :)

And this reminds me of the conservatives who said that Palin had won won the Vice-presidential debate.

:oldrazz: Nice nickname, though. Take care.
 
TLH was supposed to follow Year One closely, and DV closely followed DV, so Batman's third year always seemed like the correct range to me. In any case, it's not particularly important which specific year he took on Robin--it was early in his career, regardless.

I agree that it doesn't, I was just curious. To be honest, I just want to see the concentration on Batman in this series of films. I'd love to see Robin have his own spin-off, however... As with Batgirl (of whom I'm a bigger fan).

However, I do agree in that if anyone will do the character justice, it will be Nolan.
 
Good, I can live with this, the problem is that, if writers are not so hesitant to move Robin to his retirement,
That's not what I said. I said that aging him moves him toward his prime, by virtue of him having a prime to reach. Batman is already at his prime, and aging him moves him toward the end of his story. When Robin hits the big 30 in comic land, he's aging will plateau just as Batman's has.

No, you've been justifying creative decision with the explanations that are given to us in the plot,
Incorrect. If you believe this is what I have bee doing, you have either not been reading or have been misunderstanding with alarming consistency. The problem is not that I am not talking about writers intentions, but that I am talking about different intentions than the ones you have.

Is only a part of any creative product. Creators remain creators regardless of the corporate beast, and good ones make a quality piece regardless of the fact that it's also a product.

Among other things, I am a graphic designer. Corporations hire people like me to distill their marketing directives into art. That means logos, advertisements, packaging, signage, and everything else you could possibly imagine. I may be new to the industry, but my education helped me understand one thing: marketing is a part of art. Understanding how the audience--that being your market--responds to the work is a part of art, and I'm not just talking about corporate art. I also understand that even when the marketing directives are beyond the artist's control, the skilled artist will make the product creatively sound, regardless.

It doesn't matter if this thing or that thing, with regards to Robin, is a marketing decision. Batman was a marketing decision. All that is important is whether the art works. Marketing is a part of what determines whether the art works or not.

Interesting =/= God writing.
Then we are fortunate I did not say that. Please see my response to El Payaso about competency.

And what are the interests of putting Tim Drake in the role of the wonder boy again, with soe many similarities to the young Dick Grayson?
The similarities between Tim and Dick are fairly scarce and superficial. But since you have already demonstrated a lack of knowledge on the character, I am not surprised you think this.

What is the interest of evaluating that new relationship by constantly reminiscing the events of A Death In The Family? What the interesting thing of being redundant and monotone?
Sure. That happens. That sort of thing happens to every character. Again, you don't seem able to connect these statements to any meaningful determination about the quality of Robin. You've managed to demonstrate only that bad writing is bad, and that it occurs.

Exactly, and somebody thought tht it was good for sales to not change the concept too much,
Sure. And that same somebody probably realized that Robin was an important part of Batman, and said "Hey, by keeping him around I kill two brids with one stone: I satisfy the market and I maintain an integral part of the mythology." Remember how I explained that marketing is only part of the process for a creative product?


Which is is the opposite of character dynamic.
I don't understand what you're trying to say here. Dick Grayson grew out of Robin because it was what made sense for his character. His spot was filled because the concept of Robin was important to Batman's character.

No, but it speaks volumes of the way DC executives are accostumed to treat the character and their regular plans for it. Again, see the last two quotes.
It doesn't matter how DC executives opt to treat the character. What matters is the art. The art is sound.

The main Batman books? Being a guest star
Guest star? No. Supporting character. I don't understand how having a supporting character is "Cop out."

I agree, but shouldn't it be otherwise?
It is what it is. There's nothing particularly flawed about a supporting character evolving faster than the lead. It helps keep the story fresh without pushing the lead too far (that is, to the end of the story). Pretty much essential for long-form comics.

Secondary character are supposed to be catalyst for change in the protagonist, not the other way around.
The two are not mutually exclusive, nor should they be.

I don't support that idea, but let's say I do... that's exactly why Robin doesn't work in a live-action film, a place where a certain destination has to be quickly arrived. A place where change in the main character is the MOST important thing.

The Batman/Robin dynamic is not like that in the comics, and therefore a translation of that would be completely wrong in a live-action film.
No. It just means the relationship has to be distilled, like every other element of the mythology, into a format workable within a two-hour timeframe.


Of course... that's why they will keep replacing him, right? But the role remains...
... why exactly the position remains? What's the logic of that? Shouldn't the character be more important the the position?
Like I said above: isn't just a charatcer. Robin is a concept, too. The concept is important


Check what I said about the current dynamic being to dependent of what happened on A Death In The Family. Apart from that and Drake's overall absence, that's pretty much all there's to it.
No. Again, I encourage you to actually read the comic books. Like I said, Teen Titans is a good place to start.



Again, the inherent flaws of the character are translated in the way the executives have managed his presence over the years. They way they plan to handle his character is the way the character really is, not what exists on your mind, as some dear posters ahve pointed out to me before.
Look what I said above about DC executives from the eighties until present day.



We don't know fathers putting their kids at doing their own jobs with them,
Yes, we do. I just told you that. It's called apprenticeship. Fathers have been imparting their positions to their sons for a long, long time.

so it doesn't speak about human nature,
Absolutely, it does, if you stop looking at it so literally. Children have been damaged by their parents best intentions since the dawn of time. Whether that's what's happening with Batman and Robin is another question, I'm just trying to explain that just because something is outlandish does not mean it is not rooted in genuine human conflicts.

Read the "Under The Hood" storyline.
I have. And I read Batman today. You should, too, because if you think that Bruce and Nightwing are like a divorced couple, you apparently need a refresher.
They are peers.
Absolutely. That doesn't mean that the father/son dynamic is gone, though. Or do you expect that you will cease to be your father's son the day you make as much money as he does?

Tim is definetely lighter than Grayson.... what are you comparing Tim to, the Silver Age Robin? Be objective here, please.
I'm not sure what I can say here, except to encourage you to read some comics, thus correcting this misconception.

I'll repeat one more time... in the Robin origin, Robin has a copelling reason for his initiave, but Batmans has NONE for his acceptance and enabling. NONE.
We've already talked about this. I've given you my argument and I've responded to your counterpoints. Since you provide no actual argument here, well, there's nothing I can say except refer back to what I've already said.

Good call, I have to repeat a lot, since people are used to ignoring counter-arguments
I'm sorry, but excuse me? I've made a point of responding to your arguments, but frankly it becomes difficult when you just repeat your premise over and over again. I can only give a certain degree of response to a comment that doesn't have any meaningful argument. To every counterargument, you say "...And that's exactly why Robin is bad," no matter what the "that" is. They change him because he's bad. They don't change him because he's bad. He stays because he's bad. He goes because he's bad--and nevermind why any of that would be true. I'm sorry, but... well, I only have a certain level of endurance for that sort of run around.
 
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Right. So, why hasn't time passed for Batman? Or time passes selectively?
Obviously time has passed for Batman, and of course it passes selectively. He's the main character of a sprawling comic book mythology. But he's aged from 25 to his late thirties in most versions of the mythology. Right now he's nearing 40. I believe he's actually 38 currently.
When the modern Batman mythology began, that is, when Bruce became Batman, he was 25. When he took on Robin in Year Three, Dick Grayson was 12.

Let's say Batman is 38 now in current continuity for the sake of argument. That means about 13 years have passed since he became Batman, and ten since he took on Robin. That would make Dick about 22 now, which conveniently, is about what Dick Grayson is now in the comics. So they've both "aged" about the same in the modern mythology.

Selective aging, sure. They're comic book characters. But Bruce has aged about as much as Dick has.

Are you kidding? Drake is almost like a younger, happier and more hyperkinetic Dick Grayson. Batman treats him the same.

This belies a complete lack of understanding about the differences between the characters. Drake, if anything, is a far more serious and darker character than Grayson ever was. And they were roughly the same age when they became Robin. If anything, Tim was a bit older.

Batman does not treat Tim the same as he did Dick. Not at all. Tim Drake has more freedom to act on his own than Dick Grayson ever did at his age. That's one.

In fact, I would argue that Drake is the less defined Robin of the series, having too many similarities to the early years Dick.

And you'd be wrong in that argument. Writers have defined and fleshed out Tim Drake more than Dick Grayson ever, ever was as Robin. That's two.

Haha, what are you now, the Guard of the Past things, no matter how defective they are?
Methinks you're not worthy of calling him a lady. There are whiners on both sides. Before replying to this, I left a guy with the word "norom" written in his forehead. Whiners everywhere.

"Methinks the lady doth protest too much".

Go look up what it means.

I'm sorry...you "left a guy with the word "norom" written into his forehead"? Christ, Melkay, do you let your piddling message board antics define you as a person to that extent?

Of course... all logistic needs. They even have an intimidation purpose, widely argumented in the Batmobile thread. Take a look again. Did you notice you are agreeing with me?

Not so much, no. Logistics needs need not be filled by a "Batmobile". Are you really trying to tell me that Batman having a car that intimidates is a "need"?

That why I wrote the two other things apart from "help from the police". And they're not the only other two. You can ignore it at will if you want, I'll understand, I've had the lower hands in many debates before.

You did write two other things. I'll address them. Oh, and you say there's even more than that makes Gordon a "need" in the Batman mythology? Do tell.

representation of the ordinary good man, the virtuous that believes in Batman no matter what;

1. There's nothing ordinary about Gordon. Nothing.

2. Almost ANYONE could represent the "good man". And many have over the years. Gordon is not speficically "needed" for this element to exist.

3. Gordon has not always believed in Batman no matter what. Read KNIGHTFALL for starters, and the storylines where Gordon and Batman were barely speaking because Gordon was questioning the Dark Knight's methods. And again, this "I believe in Batman no matter what" angle does not need to be filled only by a character specific to James Gordon.

As that stupid little plot device kid in BATMAN BEGINS showed us so well.

If you want to rewrite that as "not always antagonistic", be my guest. You still made my point.

Oh...so you admit that Catwoman is sometimes antagonistic and sometimes not, and that she fulfills the need of having that archetype, and you feel she is neccessary to the mythology because no one else does this for Batman:

Oh, wait...

Ra's Al Ghul
Talia Al Ghul.
The Riddler.
The Penguin.
Anarky.
Jason Todd.

All of these characters have helped Batman before, and even been on his side from time to time.

Catwoman is valuable to the mythology because she's a mirror-image love interest/life interest for Batman. She's a dark "copycat", and they share a tragic nature. You could have picked the simplest explanations for why she's neccessary, but you had to get clever and pretend she's the only non-sometimes-antagonistic character in his mythos, and it made you look stupid.

Read a comic book, Melkay. I won't count this one against you in my growing list of stuff you're just flat out WRONG about in regard to the mythology, but read a comic book.

Same case. Read, little Guard, read. Logistics is only ONE of the reasons. And logistics are not about necessity, but rather about "utility".

More childish, veiled insults. Uh oh, he's getting desperate. Same case as what? The Batmobile? Logistics? Or something being intimidating? Because those are the two reasons you've-OHHH, it's about utility.

Then explain to me why Batman's base of operations has to be a CAVE to fulfill the "utility" factor.
Oh. It doesn't.

You're so full of it. It's clear that, despite your delusions otherwise, you just like these elements because you've become familiar with them and because they are, despite not being NECCESSARY, valuable long-running characters and elements to the mythology, because they're great, relatively unique concepts.

Ironically, the same basic reason that you are accusing people who value Robin of having, and deriding as baseless.

The second. The many etceteras.

Uh...Melkay...The Joker is not the only character who has those elements in the Batman mythology. He's just the most classic and well known. Many Batman villains over the years have been about creating chaos and killing people and wreaking havoc in Gotham.

So what makes The Joker neccessary? If you know, you should be able to explain it.

Again... not about the theme... but about the relationship.

Either you had a long day or you're just not very clever.

Oh look, he made another broad statement that he didn't back up, hoping to disguise it with yet another veiled insult. Gotta be honest Melkay, when people are too lazy to elaborate on their points, I tend to believe they're blowing smoke. So thrill me with your intelligence: What about The Joker's relationship with Batman makes the concept of The Joker "needed"? What elements does The Joker have that NO OTHER CHARACTER could possibly have?

His gimmick? The fact that he's about "jokes"?

No, that can't be it, because you yourself seem to have written that it was not about themes... but about relationships.

Care to explain?

But he is the one who represents them the most, the epitome of the super-villain who's completely opposite to Batman.

Yeah. That's because he's the longest running and most used Batman villain. That's because he's traditionally been that role. But...if that angle isn't good enough for Robin to be a valid character, and "needed", why is that good enough for The Joker to be?

Why is The Joker completely opposite of Batman? Is The Joker's name "Not Batman"? Help me out here. And then, once you're done with explaining that, explain how that's NEEDED to exist in the context of "The Joker", and not just appreciated because it's been around for a long time.

And I've gotta be honest, you'd best not be relying on "The Joker kills people, Batman saves them" or "The Joker's zany and The Batman is grim and serious" level stuff.

Go to it.

And because you asked for him, not anyone else. I can't spell it out about every character out there just for you. Not for free, at least.

See, you say that, I just hear you say "I can't". How about you just spell it out for The Joker. Unless you can't.

Ok, I get you're not very clever, but you could at least save you all the typing and read what I've been saying in all the previous posts. And the rest of the others that talkes against the inclusion of Robin. Please. I recommend you El Payaso's post, or CFE little and moderate post about not aving Robin this time around. Plenty of reasons, all having to do with contradiction.

Look folks. Another veiled insult that he uses to avoid responding to someone asking him to clarify his point!

Yeah, I'm taking the time to respond to your statements. I'm not going to read through 33 pages of posts to find a few points someone else made. How about you act like a concscientious debator and actually back up your points in the context of this debate?

How...Melkay, do you think Robin contradicts Batman?

Unless you can't explain that either.















I'm just kidding Melkay. Since you're so reliant on someone else's arguments, I went back and read their posts.

One of El Pasayo's point seems to amount to "Batman isn't about leading a normal life."

Well, there's nothing normal about the concept of a teenage sidekick, so El Pasayo's point is absurd, at best.

El Pasayo also said this:

The mere concept of a colorful kid next to the dark hero is. Batman has been more successful as a dark realistic character; an underage next to him, as able to fight crime as he is strips him from those valuables characteristics.

Which is just plain wrong. Batman has worked as a dark character with a brighter, more hopeful concept like Robin around him for years. In fact, Batman is currently darker than he's ever been. So Pasayo's ridiculous statement about how Robin strips these "valuable characteristics" from Batman is simply incorrect, and unfounded, and lazily researched, it seems.

His other argument amounts to "People might guess Bruce and Dick are Batman and Robin". And I already addressed that point. It's down to suspension of disbelief, and being suspected of something doesn't mean you'll be proven to be guilty of that. Bruce and Dick have been suspected of being Batman and Robin and thrown the public off many times in the comics.

He also raises the point that Batman should not be about fatherhood, forgetting, I suppose, that Batman has had that as one of his themes since 1940.

He also talks about how Batman is not about exposing kids to danger...despite the fact that for 60 years...Batman has done just that on some level.

He also came up with "Batman doesn't need help". Which is arguable. Clearly he has often needed help, because that's what the mythos shows us.

He talks about the police might be after Batman if he has a kid working with him. This creates a dramatic conflict, so I fail to see how this is a bad thing. And he's going to have the cops after him regardless, isn't he?

He also came up with "it might not work on film". That's hardly an argument against translating a concept. Because guess what...it might.

He also came up with "Robin is the reason the prior films sucked". Which is patently untrue. Without the element of Robin and the drama he brought, the films would likely have been much cheesier and sillier. I can elaborate if you wish.

CFE's post showed that he appreciates Robin as a character and the cornerstone of the Batman mythology. So I wouldn't be too quick to rely on his argument as your own. His posts indicate that Robin would be something of a gimmick. Couldn't anything be described as a "gimmick"?

So yeah. El Pasayo and CFE's posts didn't help me understand why any of your ideas about contradiction to Batman's character would be valid.

So uh, you got anything of your own, or are you going to rely on their very shortsighted, flawed, logic?

Ok, burden. Happy?

Yes.
 
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