First, the stuff I really dug:
- Quicksilver. I sure as hell didn't expect him to be the highlight of the movie from those first frankly ridiculous shots. But I thought he was one of the few things in the movie with a genuine spark and bounce. The sequence with him rearranging the room in slow motion was absolutely brilliant, and the only truly thrilling action sequence of the movie. It's a pity he doesn't hang around.
- The two scenes between Erik and Charles on the plane. They really echoed back to the awesome chemisty and tension/affection these two had in FC. Also, the scene between old!Erik and Charles at the end really tugged on my heartstrings, I won't lie. I can see now why I loved that second DoFP trailer so much, since a lot of it was made up of these three scenes.
- Speaking of the plane scene, I think my favourite Erik moment in the movie is when he quietly says that he hasn't had a drink in many years, takes a sip and briefly closes his eyes in pleasure. It's one of the very few human (heh) moments for him in the movie.
- I can't say I looked forward to Wolverine, and I'm still not that interested in his solo movies, but DoFP reminded me again just how much Hugh Jackman owns the role. At the start of the movie, after sitting through those boring future!mutants, I was pretty much relieved to see Logan walk in chomping on a cigar.
- Probably a back-handed compliment, but considering the premise the movie could have been so so much worse and a total incoherent mess. So it's to the writers' credit that it actually moves through the story in a clean, lucid manner.
Now the not-so-great stuff:
- Apart from a couple of things mentioned above, there really was nothing about the future segments that stood out to me. The future!mutants were all totally forgettable fodder, Sentinels looked ridiculous rather than scary, action was just ok. The film races through the devastated international locations and exposition so fast there's simply no chance to make anything feel lived in. Stewart and McKellen are both criminally underused.
- I've anticipated the problems above, knowing beforehand that the future scenes will be brief and crammed with characters. What's really disappointing though is that much of the 70s, to me, fell just as flat, and that pretty much all of the relationships that should really matter here felt woefully undernourished.
- The relationship between Logan and young!Charles probably fares the best, since they actually spend a reasonable amount of time together and the film has to work on establishing and developing this new relationship instead of simply coasting on the work done in the previous film(s).
- I've looked forward to Charles' storyline and the consequences of what happened to him on that beach the most. But despite all the noises made in the interviews about how this is really his movie and suchlike, I thought that overall his arc kinda gets lost among all the plot and action and cutting between the time periods, and doesn't come through anywhere near as powerfully as Erik's origin story did in First Class. I also thought that, despite not having an angsty arc in that film, FC!Charles was actually a more intriguing and complicated character. And I think I'd actually have been more interested in learning how Charles got out of his depression in that original timeline, without the help of Wolverine and talk with old!Charles (which, make no mistake, was a cool scene).
- It was pretty much a given that, after his arc in FC, Erik's storyline was never going to be as compelling as it was in that film. Still, they surely could have done better than simply recycling X2 almost beat by beat: Magneto is in prison, Magneto gets busted out of prison, sticks with the team, leaves the team, turns the humans' inventions against them, escapes in the end. Ho-bloody-hum. Also, as much as I love Fassy, when it comes to supremacist mutant speechy-fying he's got nothing on Sir Ian's magnificent Shakesperean delivery. Sorry Fassy.
- My other major gripe is that whatever old!Magneto says, they never needed Magneto on the team. Not at all. The excuse that he was necessary because he was on good terms with Raven, like, years and years ago is rather flimsy. Especially when weighed against the massive risks of having Magneto on the loose and doing things his own way, like he's done in every single previous film. He's purely a self-created problem for the team and he's busted out of prison not because it makes sense but simply for the sake of adding tension to the story and being a bad guy in the absence of a truly dynamic villain.
- At this point, they seriously need to either come up with a fresh storyline for Magneto or write him out.
- Oh and JFK stuff felt really tacked on and pointless.
- I was very excited when I saw Peter Dinklage cast in this movie, but he doesn't have much to work with. His Trask is neither fun like Bacon in FC, nor does he have strong personal reasons and ties to the main characters that made Stryker interesting in X2. He's basically a plot device.
- Jennifer Lawrence was rather hit/miss. Her delivery in the airport scene was a tad flat and cringey. Mystique's vacillation between Erik and Charles was an interesting idea, but like most things in the movie it felt underdeveloped. Also, she might be a better actress than Romjin but in terms of pure physical presence she's no match for the original Mystique. That didn't matter so much in FC where she wasn't supposed to be kick-ash, but here the comparison is inevitable.