AVEITWITHJAMON
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My copy should arrive today, cannot wait to see this movie again, loved it both times I saw it at the cinema, a really under-rated movie in my eyes.
"I did have a plan for multiple films and the conversations I had with Ridley was about a new franchise, from the beginning. We talked about a possible trilogy, or a duology, but more often as a trilogy. And I did have pretty broad notions as to how we were going to get from this world to the original Alien - the baton pass, closing the circle, if you will. So yes, I did have plans for two other films. I came up with an even more twisted sequence than the Medpod, but I cannot tell you what happens...
My vision of the trilogy would have involved the arrival of the Yutani Company and a couple of other major plays around the Engineers themselves: the revelation of an additional grand Engineer design, and the possibility of seeking an Engineer homeworld. That shot of the ship flying at the end offers a lot of creative ways to play with this. But it feels like it brackets you into the search for the Engineer homeworld and home civilisation. That's an interesting challenge."
"A lot of that push came from the studio very high up; they were interested in doing something original and not one more franchise film. That really came to a head at the studio - the major push to focus on the new mythology of Prometheus and dial the Aliens as far back as we could came down from the studio."
So one of Damon's major jobs when he came onboard was to replace the menaces of the xenomorphs with other things. Largely the other menaces in the film were present in my drafts as well - there was a black mutagenic compound that could change people in unpredictable way, Fifield did morph into a monster and become a real danger in his own right, and of course the Engineers, the Space Jockeys, proved to be terribly dangerous creatures. In my draft, as well, we did resurrect one and he tore off David's head. Much of the mayhem of the final film was present in the drafts I wrote, but the xenomorphs were the major change, as well as the stockpiling of this black liquid as opposed to Alien eggs.
Cool this is what I wanted different types on creaturesWe imagined that there might be eight different variations on the xenomorphs - eight different kinds of Alien eggs you might stumble across, eight kinds of slightly different xenomorph creatures that could hatch from them.
So Ridley and I were looking for ways to make the xenomorphs new.
The medpod scene
The medpod sequence is one of the reasons I got the job in the first place. It's one of my favourite scenes and it's visually realised in an extraordinary way.
One of the things I realised was that we hadn't seen anyone survive a classic Alien chest bursting. And I was really intrigued by the notion that a character might be infected by the parasite and know that it was coming, know they had a timeframe of a few hours, and that we would have set up previously a nearly omnipotent medical device, designed to extend life for explorers in foreign places. Our heroine would have a short time to get to the machine and extract the thing inside her. It was a very gory sequence and it plays out very much like the sequence in the film. The main difference is in choreography. At the end of the sequence as I first conceived it, the heroine manages to get the creature extracted from her and it is expelled from the pod and she's sealed inside, whereas in the final film it goes the other way.
Then she lapses in and out of consciousness for a number of hours as the machine puts her back together. As she comes back to consciousness, she sees the thing growing in the cabin outside and even killing people. So by the time she emerges from the pod eight hours later, the thing is abroad in the ship and big enough to be a huge danger. That was the original conception of the medpod scene.
In the final film, obviously, that monster has been de-Alien-ised and become something a little more new and hybridised. And it's trapped inside the medpod while she rolls out, and it grows into something dangerous that's pushed to the end of the film.
Facehuggers and David
I did have facehuggers in my original draft. David, as he began to get fascinated by the science of the Engineers, doesn't deliberately contaminate Holloway with a drop of black liquid. Instead, Holloway hubristically removes his helmet in the chamber, is knocked unconscious, facehugged and wakes up not knowing what had been done to him, and stumbles back into the ship. In my draft, he returns to his cabin, is embraced by Shaw, who is delighted to see him having feared that he had died, and the two of them make love. And it's while they're making love that he bursts and dies. So that lovemaking sequence echoed my original lovemaking sequence where he explodes! It was messy.
Subsequently, David, fascinated by these creatures, begins delaying the mission and going off the reservation on his own, essentially because he thinks he really belongs with the Engineers. They're smart enough and sophisticated enough, great enough, to be his peers. He's harboring a deep-seated contempt for his human makers. So at one point Shaw goes to stop him and David ties her up and deliberately exposes her to a facehugger. He caresses an egg open and out comes a facehugger. David doesn't smell like a person - his breath isn't moist - so he can handle the thing like a kitten. It doesn't want him; it's not interested. But then he exposes it to her and it goes for her like a shot. He toys with her for a bit and then lets it take her. That, in my draft, was how Shaw was implanted with the parasite that she had to remove with the medpod sequence.
From Jon Spaihts interview
Its surprising that the exclusion of a heavily featured Xenomorph type creature in the film's final act came from the studio rather than Ridley Scott himself.
Cool this is what I wanted different types on creatures
so lindelof was brought in to ruin what was going to be a fantastic story which would've lead to a trilogy bridging how the ship in the original alien came to land or crash on LV-426. Thanks Fox. I liked prometheus but thought Spaihts plan was bigger and better. Instead of having the ship carrying eggs to destroy worlds, lindelof replaced it with black goo. the guy ruined Lost, no wonder he messed this up as well.
One thing that made much more sense, was why it's not LV-426 for a few reasons. And actually it does explain how the derelict got there but not in a straight forward way.
First how the derelict got there on LV-426 is simple, on LV-223 it was clear there was an outbreak, many of the engineers were killed and had chestbursters pop out and kill them all. There are hundreds of ships on this planet. One got impregnated, tried to escape and take off, somewhere on his journey near LV-426 he gave birth, killing him and crashing the ship on LV-426. The engineer outbreak was stated in Prometheus that it happened two thousand years ago. Which coincides with Alien, when Dallas says it's fossilized and has been dead a long time. 2000 years not 30. It was clear from the look of everything it had been dead a while. So to me it's self-explanatory "now..I admit I did not get this at first."
On top of that LV-426 could not be the place they made in LV-223 for a few reasons. LV-223 had to be bigger, because this place hand tons of these installation and ships, on such a small planet such as LV-426 everyone would have found that stuff right away, especially in Aliens and you know where it would go from there. I never thought of that either, making it LV-426 would have been the wrong choice. Originally I was pissed they did not make it LV-426, but first it would have made no sense, and Prometheus actually does explain how in a very light way, but does explain what 99.9% happened. An outbreak, one tried to escape, gave birth crashed the ship.
Personally, I like that they made it more ambiguous. It expands the mythos, creates something new, and ultimately us even scarier due to how little we know of the black goo.
So the studio doesn't want another movie?
Sooner or later they will release a DC cut or alternative cut of the movie with Sir Ridley's blessing or not. Fox loves them dollar dollar bills y'all.
I was about to say...didnt FOX want to do a sequel? I sure as hell hope they do.
Lindelof likes discussion and polarizing reactions. He has been this way since Lost. He doesn't deliberately do these things to piss people off it's just not everyone shares the same opinions as him.
I prefer his view myself. Like this movie or not, unlike most movies this year, this movie set the internet on fire with massive amounts of discussion, theories and debates. It stayed with you. Those are his intentions, it happened, so I think it succeeded in that regard.
I mean that mosaic of the xenomorph above the green crystal thingy. "This is just another tomb." Goddamn I love that. That suggests, not says. It's just so much more interesting to think about than giving a definitive answer and putting it to bed. It's just a whole mythology that he opened up in different directions and we can discuss where they can lead.
I was about to say...didnt FOX want to do a sequel? I sure as hell hope they do.
Well this looks sufficiently terrifying:
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I heard they were wanting to do it. Especially if the film went over 400 million WW, and it did.
Well this looks sufficiently terrifying:
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