awesome232
Racktastic!!!
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Im confused with track 2 and 3...what does this mean???
I skipped most of it, but I can infer that near the endGwen breaks up with Peter. We saw set pics of this scene being filmed.
Not to over-exaggerate the point, but I think Horner's score will be an integral part of this movie-going experience. It can make an average movie superior, or a superior movie feel lackluster.
I really hope he knocks this one out of the park with a soaring, memorable score.
Not to over-exaggerate the point, but I think Horner's score will be an integral part of this movie-going experience. It can make an average movie superior, or a superior movie feel lackluster.
I really hope he knocks this one out of the park with a soaring, memorable score.
Some of that same music, like at the very beginning, was in the SDCC reel. So I'm not thinking it's the score, it does sound nice though.Does anyone else get the feeling that they played a bit of the score during the Behind the scenes Lizard video? If so, it sounds great so far...
Some of that same music, like at the very beginning, was in the SDCC reel. So I'm not thinking it's the score, it does sound nice though.
They definitely did. It sounded 100% Horner-esque.
I hope horner writes something as good as Elfman/Young, because their themes really brought to life the character, villains, and emotions present in the movies. Especially young's.![]()
99% sure that the Lizard video has the official score in it.
That music was brillaint.
t:Batman Begins, The Dark Knight & The Dark Knight Rises all have their score in trailers, behind the scenes videos and such, so why do people think it's so far fetched to think that any of those would be from the official score?
Does anybody know if it's the actual score we hear during the bridge rescue scene? It seems to synch nicely with the events as they unfold onscreen, so I'm assuming that's Horner's score.
The music playing behind the interviews in that featurette (not when it cuts to strictly film footage, where it seems to go back to trailer music) DEFINITELY sounds like Horner. In the beginning, it's the sound of the brass that sneaks in ever-so-briefly which gives it away. His horns always have that particular sound, just like Williams and Zimmer both record their brass section to sound a specific way as well. Later, the piano. It's just very, very Horner-esque, imo. When the piano first came in, it immediately recalled his score for A Beautiful Mind to me.What makes it Horner-esque exactly? I have listened a few tracks of Horner composition, and I have no idea how this sounds like his distinctive style, it's very different from his usual production. In fact it sounds like any score really. Not that it isn't unique, but definitely doesn't sound like anyone's style.

