I suppose is everyhting is a masterpiece then nothing is.
		
		
	 
Not only is that hyperbole, but it's not even in the same ballpark as what I was saying.
	
		
	
	
		
		
			Limiting it to a ceraint number is done to define speciality.
		
		
	 
So the numerical ranking defines the worth?  As I said, that's arbitrary, but let's take a look at that. 
At what point is the line drawn, and according to what criteria?  Is this weighted based on genre?  Surely genres such as true stories, dramas, and epics not only have more masterpieces than most others, but also have a higher percentage of them within their respective genres as well.  As I said before, where does one draw the line?
	
		
	
	
		
		
			A persons top 3 are generally what they'd consider the masterpieces while the fourth to tenth would be the 'very good'
		
		
	 
Again, that's far too arbitrary and rigid to be considered a standard.  Let's say I've 
only seen 10 comic book movies, and those are Elektra, Green Lantern, Batman Forever, Batman & Robin, Blade Trinity, Catwoman, Superman 3 & 4, Steel The Spirit, and Howard the Duck; which one of those gets the distinction of being the masterpiece?
What you're both suggesting is hardly a reasonable measuring stick for judging what is and isn't superlative, and if that's some sort of standard, then I refuse to adhere to it.  A masterpiece should be judged on merit, impact, influence, and a whole host of other things; where it 'stacks up' on someone's individual list is about the most irrelevant criteria I could imagine.