rogbngp
Snyderverse supporter
- Joined
- Nov 8, 2015
- Messages
- 2,185
- Reaction score
- 3
- Points
- 58
This is a great breakdown of the recent trailer (thanks to Last Of Krypton for sharing it):
[YT]OlfDdz3z9ok&feature=youtu.be[/YT]
The analysis includes an observation of a painting in the background behind Clark at the party (a charity ball held by Lex?) that Filup Molina identifies as a work by real life artist Cleon Peterson named A Balance of Terror.
I won't try to recap Molina's thoughts in full (watch the video, it's really good). But basically the painting can be taken to express what both Clark and Bruce fear about each other, respectively. And that is some potent ****.
You can read an interview with the artist here that is actually pretty fascinating if Snyder placed the painting there intentionally, which I agree with Molina seems likely.
I think Molina is probably on the money about the meaning of the painting reflecting deeper psychological layers to the film.
In a similar vein regarding Man of Steel, if you watch this video (discussed here)
[YT]IdckKLhIN-E&feature=youtu.be[/YT]
a pretty compelling argument is made that Snyder very thoughtfully and meticulously uses symbolic imagery consistently throughout MoS to tell an entire story at a more mythic and archetypal level of meaning. I think there is something to the thesis, actually--I'm just not sure how much.
But anyway, the point is that if Snyder is that type of director (and Lord knows Zack does love visuals and mythic symbols), I hope to have a good time picking through the film for symbols of possible deeper messages. Some conjectures may be correct. Naturally some will be wrong. That goes without saying. But at least to me that sort of thing immersive and entertaining.
[YT]OlfDdz3z9ok&feature=youtu.be[/YT]
The analysis includes an observation of a painting in the background behind Clark at the party (a charity ball held by Lex?) that Filup Molina identifies as a work by real life artist Cleon Peterson named A Balance of Terror.

I won't try to recap Molina's thoughts in full (watch the video, it's really good). But basically the painting can be taken to express what both Clark and Bruce fear about each other, respectively. And that is some potent ****.
You can read an interview with the artist here that is actually pretty fascinating if Snyder placed the painting there intentionally, which I agree with Molina seems likely.
I think Molina is probably on the money about the meaning of the painting reflecting deeper psychological layers to the film.
In a similar vein regarding Man of Steel, if you watch this video (discussed here)
[YT]IdckKLhIN-E&feature=youtu.be[/YT]
a pretty compelling argument is made that Snyder very thoughtfully and meticulously uses symbolic imagery consistently throughout MoS to tell an entire story at a more mythic and archetypal level of meaning. I think there is something to the thesis, actually--I'm just not sure how much.
But anyway, the point is that if Snyder is that type of director (and Lord knows Zack does love visuals and mythic symbols), I hope to have a good time picking through the film for symbols of possible deeper messages. Some conjectures may be correct. Naturally some will be wrong. That goes without saying. But at least to me that sort of thing immersive and entertaining.
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