It's also not possible for someone to sustain Harvey Dent's level of burn damage and live, let alone be able to move his mouth and eye with the muscles needed to perform those functions have been burned away.
It's not possible for a man to fall multiple stories, land on a car hard enough to smash the roof in, and not blow out both his knees.
It's not possible for a man to attach a line to a fast moving train and not only hang on, but not have his arm wrenched out of it's socket.
And heck, instead of listing more individual reasons, I'll just go with this on.
BATMAN IS NOT REALISTIC.
I'm tired of seeing all these "it's not realistic so it can't happen in Nolan's Batman films" arguments. Nolan's Batman films AREN'T realistic. He incorporates pseudo-science and elements of realism to give them a grounded feel, but they're still very much fantastical films. I also don't buy for a minute that Nolan didn't go with the bleached skin because it wasn't "realistic." I believe there was even concept art of an all-white Joker. I think it was simply a stylistic choice. I doubt Nolan is close minded enough to discount the bleached skin because of how "realistic" it is. I'm even more convinced of this fact after we saw the look he went for with Two-Face. If bleached skin was supposedly too "unrealistic" for Nolan, then I'm positive he would have went with a much more realistic burn for Two-Face.
But he didn't. Because no matter what, these are still COMIC-BOOK MOVIES.
Now, that said, there are still some Batman characters he probably won't utilize, because he does have an element of groundedness to these movies. Clayface, Manbat etc. But he certainly still has unrealistic events in his movies.
Enough.
How can you scream they're not realistic and then quote his groundedness argument at the same time?
You know, just as well as anyone, that groundedness is using realism to a certain degree, it's not limiting the films to things that can happen but, things that are not beyond a great stretch of imagination.
A Vigilante is not beyond comprehension: his suit and training are just extensions of that
A microwave emitter isn't beyond comprehension: how and why it's used are just extensions of that
A man surviving a blast to the face and half his face burned off isn't beyond comprehension: the duration of his survival and his actions during the injury are just extensions of that.
A man surviving a high fall (and being aided by some fiber cloth scientific mumbo jumbo) is not beyond comprehension: his injuries there after are just extensions of that
So when someone says The Lazarus Pit isn't realistic enough to be in a Nolan film YOU KNOW EXACTLY what they mean. Jumping on them about how these movies aren't realistic neither argues your point or provides any insight to the tone of the films. To say they're not realistic is just as well as saying they're fantastical and totally unrealistic, an abstract piece of art that has no ties to realism at all and that's not true.
If you want to discuss something you could at least provide something of some real substance instead of the same boring Two-Face is unrealistic line.
Well is he? I don't think so, I've seen people survive burns before, terrible burns but, the degree of Two-Face in TDK is an extreme, I get that, It's not possible but, the core of the situation isn't absurd at all.
Someone building a gun that can freeze people instantly and freeze an entire town, city, area has NO basis in realism at all and
that is fantasy.
Groundedness is just another way to categorize realism, it means that the situation starts off as something possible but can expand into something else, something grand. It's like a real seed and a synthetic tree.
The difference between a facial injury and a pit that provides immunity from mortality are stark. So grouping them together is being inflammatory to simply prove your point.
Distorting the facts and twisting them to work your way is just as wrong as saying something totally false.
I can admit there are parts of Nolan's Batman films that are not possible but, that doesn't mean that the core of those situations were not originally bound in realism. If it starts there in some kind of believable premise and then develops into something more it is STILL GROUNDED.
Lazarus pits and things of that nature are not things that can be grounded because they're origins are fantasy, or at the very least so-removed from it's original real premise that the realistic premise can no longer be called it's core.
So when I see these inane post about how Nolan's films are "Realistic" or how "unrealistic" they are I find myself pulling out my hair. You are BOTH wrong in this case; any good story teller knows that you have to use elements of both to keep your audience understanding and keep your audience interested.
A good liar always uses elements of the truth in his lies or else it's pure fantasy.
So please, for love of everything good in this world, cut off the ridiculous dualities of real versus unreal when each side knows good and well that parts of the films are realistic while others are fantasy and more often than not parts of the films are both at the same time.