Thankfully, Keoghan has a second shot at a superhero franchise. In the summer of 2020, he joined the cast of Matt Reeves’ darker neo-noir take on
The Batman. “I wanted to be Riddler,” Keoghan says. A clip of Keoghan’s audition for
The Batman has existed publicly on the internet for three years, but barely anyone has seen it. In the clip, an elevator opens to Saint-Saëns’ “Danse Macabre” and out steps Keoghan dressed in a black shirt and shoes, trousers held up by green suspenders. His Riddler wears a bowler hat, carries a cane and wears dark Alex DeLarge eyeliner. He slowly struts down the corridor, eyeballing doors like prey lies behind each one, before turning a corner and re-emerging, grinning, a bloody handprint struck across his cheek, when the clip cuts to black.
Keoghan’s unsolicited audition – created simply because he heard the film was happening and he wanted to be a part of it – initially proved fruitless. When he met the film’s producer, Dylan Clark, the role of Riddler had been filled, at that point by Jonah Hill and later by Paul Dano. He asked Clark to watch it anyway.
For four months, he heard nothing. Then a call came in from his agent while he was having dinner with a friend in New York. They’d seen the tape, his agent said. “
The Batman wants you to play the
Joker – but you cannot tell anyone.”
Keoghan’s Joker is a man made from his own experiences, both “a bit charming and a bit hurt”. Beneath heavy prosthetics that make him look like a maniac run through a meat grinder, Keoghan insisted his blue eyes stayed the same. “I wanted some sort of human in there behind the makeup,” he says. “I want people to relate to him… [to know] this is a façade he puts on.” The character is, to Keoghan, “a broken-down boy”.
Keoghan only appears in
The Batman’s final moments, guarded by corrugated bars of a jail cell. But a deleted scene featuring Keoghan released online has been viewed more than 10 million times. Recently, Keoghan texted Reeves a listicle that rated the best Jokers put to screen. “There were seven and I was number four,” he says, grinning. “Lads, with four minutes of screen time, not bad eh!?”
Keoghan has not yet been invited back for a sequel but the character, kept under wraps and revealed only when audiences finally saw it in theatres, feels like the set-up of something bigger. “As soon as that call comes,” he insists, “I’m there man, I’m there.”