People liked the movie adaption by Denny O'Neil? To me it's a pretty lazy replication of the movie.
REVERSE ANGLE to see Vicki Vale, taking the photo of the year. She looks down at him and shakes her head. A SHOUT FROM ELSEWHERE wakes her up. VOICE Batman's fallen to the ground. Over there. Vicki spins around. LOOKS in that direction and follows the voice. EXT. CATHEDRAL GROUNDS - NIGHT People run toward the place where Batman has fallen. CLOSER We see the figure of Batman completely covered with his cape, face-down in the courtyard. A CIRCLE OF PEOPLE, press, and police surround him. Commissioner Gordon steps into the circle. VOICE Turn him over, now we'll see who this guy is. Gordon approaches the body. Vicki RUSHES UP. Looks down at the cape-covered body. Looking at her camera, conflicted, she raises it to take her prize photo. ON CAPE -- as Gordon pulls back cape and turns over the body. TIGHT ON FACE -- it's not Bruce Wayne, it's a groggy Alexander Knox (in his own clothes). ON VICKI -- she flashes a picture and brings down her camera. A smile plays across her face. ON KNOX -- he blinks his eyes at the light. KNOX Can I still make the late edition? EXT. ELSEWHERE IN THE SQUARE - NIGHT Through a crowd, A MAN walks into a side street. He turns around. It's Bruce Wayne. He's got his utility belt over his shoulder. He DISAPPEARS into the darkness.
Very interesting alternative leading to the finale. I do sometimes wonder how Batman got off that Cathedral in the final cut. Not to mention how he got away from Gordon and the police force. Creating a distraction makes perfect sense.
Keaton does not look intimidating at all in this. Stoic yes, but not intimidating!
Obviously the idea came from The Dark Knight Returns. I never liked the idea, glad that it didn't end that way.ON PRESS -- they are quiet. KNOX Question. How do we call him? GORDON He gave us a signal. ON GORDON -- he steps to a searchlight and flips it on. EXT. GOTHAM CITY WIDE - NIGHT On the side of the old cathedral, the BATSIGNAL - the yellow moon, a black-caped man, the melancholy icon calling for help in the dark night of Gotham City.
IMO the only problem was the cowl. Obviously it was a too big for Keaton's head. In some scenes it looked kind of bad. The cowl was too thick and it was literally covering half of Keaton's eyes. The Returns version was a huge improvement.
Since we're on the subject of lighting; I always thought Batman looked beast when they made Batman's eyes glow while the rest of the face was remained hidden in the darkness. Much like what they did with Bela Lugosi's Dracula.
I think the thickness of the cowl makes Batman look beastly.
The 89 cowl is probably my favorite a slight bit above the BR cowl because it is so large, thick and clunky it is more beastly and gave Batman a more animalistic look when partly covered in shadows.
On a side note I have been thinking about designing a small line of 89 related Batman shirts, do you guys have any input or interest? I have been on the hunt for many years for 89 related Batman shirts but have come up mostly empty handed except for the overpriced usually XL sized stuff on Ebay. I was thinking with the Hot Toys stuff doing well and the 66 Batman gettin new shirts 89 would be cool too.