Which is the better political allegory? TDKR vs IM3

The better political allegory?

  • The Dark Knight Rises

    Votes: 22 84.6%
  • Iron Man 3

    Votes: 4 15.4%

  • Total voters
    26

MessiahDecoy123

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Both these films tackled political themes. Which did a better job?

The Dark Knight Rises or Iron Man 3?
 
TDKR is vastly superior to IM3. Give me Bane over Killian and Slattery any day. Honestly, I still don't know what exactly Killian's plan in that movie was. He wants to "own the War on Terror". What the hell is he talking about?

TDKR certainly has its share of problems (Talia, yikes), but it ultimately isn't anywhere near as frustrating as IM3 and it at least delivers an emotionally satisfying conclusion to the trilogy.
 
Ummmm what was the political theme of IM 3 ?

I thought the underlying message was " Don't piss of nerds because it may come back to bite you."

So TDKR which takes a few pot shots at capitalistic greedand the failure of social institutions like the police, how the powerful can pass laws that subvert due process and then reminds us that Revolutions can bring about even worse problems than existed before.

Both films' villains plots are equally ridiculous, but TDKR at least has recognizable political themes, so TDKR.
 
Ummmm what was the political theme of IM 3 ?

I thought the underlying message was " Don't piss of nerds because it may come back to bite you."

So TDKR which takes a few pot shots at capitalistic greedand the failure of social institutions like the police, how the powerful can pass laws that subvert due process and then reminds us that Revolutions can bring about even worse problems than existed before.

Both films' villains plots are equally ridiculous, but TDKR at least has recognizable political themes, so TDKR.

Lmao IM3 is a subversive criticism of America's questionable motives and strategy regarding the War on Terror.

It's not very subtle about it either.

All the IM movies scrutinize the War on Terror but IM3 takes it to another level.

I can't be the only one who noticed this.
 
Lmao IM3 is a subversive criticism of America's questionable motives and strategy regarding the War on Terror.

How? Killian's whole motivation is based around him hating Tony because he didn't go up to the roof of that hotel in Switzerland on New Year's Eve 1999 to talk to him. Sure, he does use fear of terrorism to deflect attention away from the actual cause of the "Mandarin bombings", but this is just a cynical ploy on his part. As he admits at the end of the movie, he doesn't have any high ideals. He's just a greedy businessman no different than Obadiah Stane or Justin Hammer. And frankly, that's boring.

I have also never understood why he thought that murdering the President of the United States on live TV would be a good idea. That sh*t is gonna bring some serious heat down on top of you. I get that he hates Tony (even if his motivation is pathetically weak), but why target POTUS? It almost feels like Shane knew that the stakes needed to be elevated for this third (and possibly final) Iron Man movie and so therefore it wouldn't be enough for just Pepper's life to be in danger. Nope, we needed to have POTUS in the firing line as well, regardless of whether it made any sense or not.
 
How? Killian's whole motivation is based around him hating Tony because he didn't go up to the roof of that hotel in Switzerland on New Year's Eve 1999 to talk to him. Sure, he does use fear of terrorism to deflect attention away from the actual cause of the "Mandarin bombings", but this is just a cynical ploy on his part. As he admits at the end of the movie, he doesn't have any high ideals. He's just a greedy businessman no different than Obadiah Stane or Justin Hammer. And frankly, that's boring.

I have also never understood why he thought that murdering the President of the United States on live TV would be a good idea. That sh*t is gonna bring some serious heat down on top of you. I get that he hates Tony (even if his motivation is pathetically weak), but why target POTUS? It almost feels like Shane knew that the stakes needed to be elevated for this third (and possibly final) Iron Man movie and so therefore it wouldn't be enough for just Pepper's life to be in danger. Nope, we needed to have POTUS in the firing line as well, regardless of whether it made any sense or not.

Well when critiquing the US government's War on Terror complete with a Bin Laden stand in who turns out to be an actor and false flag you might want to step away from the ledge a bit considering it's a family film.

Why would the industrial military complex gun for the president? Well obstruction for one according to some spectators of history.

Overall I think the subject matter has more depth than Bane's cultural revolution being a cover for his puppy love for a lame version of Talia Al Ghul (way to lay waste to two classic villains in one swoop).

I mean this was a sequel to arguably the greatest comic book movie in history yet you pretend like they stuck the landing somehow.
 
Lmao IM3 is a subversive criticism of America's questionable motives and strategy regarding the War on Terror.

It's not very subtle about it either.

All the IM movies scrutinize the War on Terror but IM3 takes it to another level.

I can't be the only one who noticed this.


To be honest, given what a terrible job Iron Man 3 does in general, with almost everything that happens, what you call a critique comes across as just a goofy twist on a tired old terrorism trope, with a ridiculous OTT terrorist stereotype which is then subverted by an even more ridiculous bait and switch, which turns out to be another moustache twirling supervillain behind the curtain anyway who wants to take over the world.

I guess if it had been handled in a cleverer way then I might have thought of it as Shane Black trying to make a point- but give his other movies I don't think that's likely.

The closest the MCU has come to saying something mildly clever about terrorism and the war on terror was in Falcon and the Winter Soldier' Flag-Smashers and even that wasn't all that smart.
 
To be honest, given what a terrible job Iron Man 3 does in general, with almost everything that happens, what you call a critique comes across as just a goofy twist on a tired old terrorism trope, with a ridiculous OTT terrorist stereotype which is then subverted by an even more ridiculous bait and switch, which turns out to be another moustache twirling supervillain behind the curtain anyway who wants to take over the world.

I guess if it had been handled in a cleverer way then I might have thought of it as Shane Black trying to make a point- but give his other movies I don't think that's likely.

The closest the MCU has come to saying something mildly clever about terrorism and the war on terror was in Falcon and the Winter Soldier' Flag-Smashers and even that wasn't all that smart.

I disagree.

I think while IM3 could've been better executed (especially the third act), I think the false flag, Bin Laden/CIA stooge, the nefarious military industrial complex, the literal war machine becoming a public relations puppet (similar to USAgent in FAWS) were all subversive if not clever satire.

You want all of that with less mustache twirling then I think you're asking too much from a family Disney movie. I think they already had enough adult themes in there to chew on. I think trying to discredit the entire allegory because Killian was a bit over-the-top is both unfair and intellectually dishonest.

Then you have Winter Soldier which explores a neofascist plot to infiltrate every level of government and attempt to stage a coup possibly making Winter Soldier the most prophetic superhero film in history...

And to a lesser extent Civil War which asks what's more important? Security or autonomy?

You're telling me TDKR's forced and skin deep cultural revolution allegory is more relevant, deep and revelatory than all three MCU films and FAWS?
 
I disagree.

I think while IM3 could've been better executed (especially the third act), I think the false flag, Bin Laden/CIA stooge, the nefarious military industrial complex, the literal war machine becoming a public relations puppet (similar to USAgent in FAWS) were all subversive if not clever satire.

You want all of that with less mustache twirling then I think you're asking too much from a family Disney movie. I think they already had enough adult themes in there to chew on. I think trying to discredit the entire allegory because Killian was a bit over-the-top is both unfair and intellectually dishonest.

Then you have Winter Soldier which explores a neofascist plot to infiltrate every level of government and attempt to stage a coup possibly making Winter Soldier the most prophetic superhero film in history...

And to a lesser extent Civil War which asks what's more important? Security or autonomy?

You're telling me TDKR's forced and skin deep cultural revolution allegory is more relevant, deep and revelatory than all three MCU films and FAWS?

Well, how to respond to that ?

You see some of story elements of IM 3 as clever satire. Not sure those words have ever been applied to a Shane Black film.
So I can't agree with you there, I very honestly believe that IM 3 is not a clever film at all - and that whole Terrorism + false flag conspiracy thing well it wasn't subversive, just kind of silly in the way it was executed onscreen.

Fun fact, Shane Black has done the whole false flag + terrorism thing before and better, in the Long Kiss Goodnight, and that wasn't clever satire either.

It's just a plotline that's become a trope - James Bond has been doing it for decades.

The thing about satire is that it's best done with subtlety IMO, there was nothing subtle about the initial portrayal of the Mandarin, or the discovery that he was just a facade, or about Killian's character.

Now you've said that I have to expect some moustache twirling because it's a Disney family film. Fair enough.

I don't think being intellectually dishonest, because I honestly believe that IM3 isnt that smart a film. I just don't agree with you about it.

As for TDKR. It's pretty ott as well, and in my original post I noted that both films' villains' plots are ridiculous- especially the bomb plot, ugh.

However, the political elements it tackles are quite different - essentially it reenacts parts of Tale of Two Cities. There are 2 key themes that stand out to me.

1) The nature of revolution and class warfare. The central message seems to be that while revolution may appear to be a good thing, it often addresses past wrongs by committing wrongs, and can often be worse than what it replaced. Bane's revolution is of course built on a lie, but then isnt that a historical theme associated with revolutions ( e.g French, Russian and Chinese) although in reality revolutionary leaders become tyrants rather than try to blow up their entire counties ( although they often purge the population of enemies with show trials).


2)Due process: Bane's speech at Blackgate prison, while ott and delivered with possibly the worst masked voice in cinema history, is about due process. It is alluded to several times that the men there have been held without trial. The Harvey Dent angle, and Gordon's letter are pretty stupid - I mean who's really going to take Bane's word for what's on the page?

But, the underlying message, that a system which is designed to combat crime/injustice by perpetrating more injustice, and is built on lies, eventually crumbles.

The system of justice that "we" ( legal systems derived from the Anglo common law tradition) have is deeply flawed and subject to manipulation by the powerful, and by the institutions that enforce it. However, it prioritizes the presumption of innocence- which had essentially been done away with in Gotham city.

Where TDKR gets a little bit clever is that it then replaces the unjust system of imprisonment without trial, with a kangaroo court run by a lunatic - feeding back into the idea above that the revolution becomes worse than the previous system.

You may not agree with me, and I am fine with that.

As for the other MCU films:

I love the Captain America films, I really do, my favorite MCU films - especially TWS.

But let's be real here, IMO you cannot compare Hydra to the QAnon morons or the idiots who stormed the Capitol, and say that its prophetic, if that's what you're referring to.

Hydra is a secret, well organized, highly motivated and cleverly run fascist organisation that successfully infiltrates the government and Shield, it's only stopped from committing genocide at the last moment.

The real life proud boys and would-be insurrectionists and other idiots probably wouldn't make it through day 1 of Hydra's employee training program .
There's nothing secret or clever about them, and unlike Hydra they were unsuccessful - because other than a slightly extended self guided tour, they didn't last long in the building.

Or are you referring to a different group of neofacists trying to infiltrate government ? Infiltration involves getting inside something without anyone noticing.

As for Civil War, well I see the key political themes differently.

Security vs autonomy ? To me that's not the choice that's not really being offered - in fact it's not even a choice, the Avengers have to submit to the demands of government or accept retirement.

To me it's more about autonomy of the individual or small groups vs the authority of the state.

A key question is who can make better decisions for the greatest good ? The Avengers as individuals using their moral compass or the UN as a committee authorised representatives who have legally sanctioned decision making power.

Tied in with that is the relationship between power and accountability. At the start of the film the Avengers have enormous power, and almost no accountability. Ross is right about that.

We see the Avengers as imperfect, as their collateral damage toll mounts.

But Cap is the mouthpiece of autonomous decision making, pointing out that despite not being perfect the Avengers have a moral compass that allows them to act for the greatest good, because they are independent of governments and their agendas.

Who would you trust to act for the greatest good ? The UN or the Avengers ?
 
Well, how to respond to that ?

You see some of story elements of IM 3 as clever satire. Not sure those words have ever been applied to a Shane Black film.
So I can't agree with you there, I very honestly believe that IM 3 is not a clever film at all - and that whole Terrorism + false flag conspiracy thing well it wasn't subversive, just kind of silly in the way it was executed onscreen.

Fun fact, Shane Black has done the whole false flag + terrorism thing before and better, in the Long Kiss Goodnight, and that wasn't clever satire either.

It's just a plotline that's become a trope - James Bond has been doing it for decades.

The thing about satire is that it's best done with subtlety IMO, there was nothing subtle about the initial portrayal of the Mandarin, or the discovery that he was just a facade, or about Killian's character.

Now you've said that I have to expect some moustache twirling because it's a Disney family film. Fair enough.

I don't think being intellectually dishonest, because I honestly believe that IM3 isnt that smart a film. I just don't agree with you about it.

As for TDKR. It's pretty ott as well, and in my original post I noted that both films' villains' plots are ridiculous- especially the bomb plot, ugh.

However, the political elements it tackles are quite different - essentially it reenacts parts of Tale of Two Cities. There are 2 key themes that stand out to me.

1) The nature of revolution and class warfare. The central message seems to be that while revolution may appear to be a good thing, it often addresses past wrongs by committing wrongs, and can often be worse than what it replaced. Bane's revolution is of course built on a lie, but then isnt that a historical theme associated with revolutions ( e.g French, Russian and Chinese) although in reality revolutionary leaders become tyrants rather than try to blow up their entire counties ( although they often purge the population of enemies with show trials).


2)Due process: Bane's speech at Blackgate prison, while ott and delivered with possibly the worst masked voice in cinema history, is about due process. It is alluded to several times that the men there have been held without trial. The Harvey Dent angle, and Gordon's letter are pretty stupid - I mean who's really going to take Bane's word for what's on the page?

But, the underlying message, that a system which is designed to combat crime/injustice by perpetrating more injustice, and is built on lies, eventually crumbles.

The system of justice that "we" ( legal systems derived from the Anglo common law tradition) have is deeply flawed and subject to manipulation by the powerful, and by the institutions that enforce it. However, it prioritizes the presumption of innocence- which had essentially been done away with in Gotham city.

Where TDKR gets a little bit clever is that it then replaces the unjust system of imprisonment without trial, with a kangaroo court run by a lunatic - feeding back into the idea above that the revolution becomes worse than the previous system.

You may not agree with me, and I am fine with that.

As for the other MCU films:

I love the Captain America films, I really do, my favorite MCU films - especially TWS.

But let's be real here, IMO you cannot compare Hydra to the QAnon morons or the idiots who stormed the Capitol, and say that its prophetic, if that's what you're referring to.

Hydra is a secret, well organized, highly motivated and cleverly run fascist organisation that successfully infiltrates the government and Shield, it's only stopped from committing genocide at the last moment.

The real life proud boys and would-be insurrectionists and other idiots probably wouldn't make it through day 1 of Hydra's employee training program .
There's nothing secret or clever about them, and unlike Hydra they were unsuccessful - because other than a slightly extended self guided tour, they didn't last long in the building.

Or are you referring to a different group of neofacists trying to infiltrate government ? Infiltration involves getting inside something without anyone noticing.

As for Civil War, well I see the key political themes differently.

Security vs autonomy ? To me that's not the choice that's not really being offered - in fact it's not even a choice, the Avengers have to submit to the demands of government or accept retirement.

To me it's more about autonomy of the individual or small groups vs the authority of the state.

A key question is who can make better decisions for the greatest good ? The Avengers as individuals using their moral compass or the UN as a committee authorised representatives who have legally sanctioned decision making power.

Tied in with that is the relationship between power and accountability. At the start of the film the Avengers have enormous power, and almost no accountability. Ross is right about that.

We see the Avengers as imperfect, as their collateral damage toll mounts.

But Cap is the mouthpiece of autonomous decision making, pointing out that despite not being perfect the Avengers have a moral compass that allows them to act for the greatest good, because they are independent of governments and their agendas.

Who would you trust to act for the greatest good ? The UN or the Avengers ?

Well something can be subversion despite poor execution. Simply implying that Bin Laden was a puppet for the military industrial complex and used for a false flag is pretty subversive because it goes against the mainstream narrative that we should see 9-11 as a one sided affair and fully support the resulting wars. And to put it into a Disney blockbuster? Yeah I'd call that subversive.

Now I know neither IM3 nor TDKR are high art but juggling something that fits the MCU storyline, critiques the War on Terror, is a megablockbuster, screams Bin Laden was an actor for the CIA and still get warm reviews is not the easiest task. It's a miracle such a movie made it through every corporate committee and didn't flop or get panned by critics.

I also disagree that The Long Kiss Goodnight or Bond films explore the same false flag narrative in the same way. Usually that stuff is just tacked on as the villain explains his scheme in the third act. They usually don't directly indict the US government in false flag conspiracies and 9-11 is often a minefield Hollywood avoids with blockbusters especially.

I also disagree that satire has to be subtle to be effective. Many sci fi fans would agree that the movie Starship Troopers is effective satire and that film beats you over the head that fascism is a modern reality.

QAnon are not the only ones trying to stage a coup. There were people on the highest levels government like within the Pentagon and congress who either help plan January 6th or aided and abetted. Even arguable the former president. Then you had actual stand off's where you had off duty police and active military flash ID to gain entry or who threatened violence against fellow cops/military. To say only a bunch of QAnon wackos were involved is simply not true.

There are straight up fascist in the police, military, congress, homeland security, the FBI, the NSA/CIA, etc who have avoided outing themselves until now. They want to to end democracy and overthrow the so-called Deep State. You say this in no way resembles Hydra, I disagree.

Once democracy is gone you'll need a police state to keep the public under control. Due process, free speech, free assembly, right to privacy, banned torture, etc will become relics. To rule out genocide would also be a mistake. Most authoritarian regimes don't advertise their plans to commit mass genocide. It's usually a biproduct of a draconian police state.
 
I don't think I'd automatically jump to either film for political allegory. I don't think either film is particularly focused on that, and I don't think either have anything especially biting or note-worthy in them.

That said, I'd give the edge to Iron Man 3. Manufacturing terror for the sake of power is a little more relevant than whatever it is TDKR thinks it's doing. That film has a faux revolution sure, but it's actually just a hostage situation; and Nolan didn't give two s**ts about the regular people of Gotham so it's very difficult to discern anything meaningful from it.
 
Well when critiquing the US government's War on Terror complete with a Bin Laden stand in who turns out to be an actor and false flag you might want to step away from the ledge a bit considering it's a family film.

Its still a dumb twist that wastes the chance of giving us a potentially great villain to replace him with fiery Syndrome and it makes zero sense that the NSA/CIA wouldn't have been able to quickly identify the "Mandarin" as an English actor using public records that would be easily accessible.

Why would the industrial military complex gun for the president? Well obstruction for one according to some spectators of history.

Perhaps, but the movie doesn't really give us anything to go on here. It just seems like we're supposed to go along with "Operation: Kill POTUS" because Killian is a bad guy and that's just what bad guys do. It would have been better if they had given us a clearer explanation as to why Killian wants Ellis dead. Like, maybe AIM was about to get a major contract with the DoD to supply Extremis to the military and then Ellis canned it at the last second?

Overall I think the subject matter has more depth than Bane's cultural revolution being a cover for his puppy love for a lame version of Talia Al Ghul (way to lay waste to two classic villains in one swoop).

For sure, the Talia twist is the weakest part of TDKR and Cotillard's performance is dreadful. However, it doesn't ruin the movie for me.
 
Come to think of it, the films are quite comparable for being 3rd entries with unpopular twists. With that lens I'd give Iron Man 3 the win again but by an even wider margin. The Mandarin twist was great because they took a pretty stereotypical character and kept him a stereotypical character, with the villain exploiting the nation's fear of foreign threats by creating one. It's subversive but more-or-less true to life that the whole thing is a work for an egomaniac to acquire power. The Talia twist on the other hand is only a surprise in the sense that the twist comes super late, is pretty poorly set up, adds nothing, convolutes everything, and nerfs Bane completely.
 
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Come to think of it, the films are quite comparable for being 3rd entries with unpopular twists. With that lens I'd give Iron Man 3 the win again but by an even wider margin. The Mandarin twist was great because they took a pretty stereotypical character and kept him a stereotypical character, with the villain exploiting the nation's fear of foreign threats by creating one. It's subversive but more-or-less true to life that the whole thing is a work for an egomaniac to acquire power. The Talia twist on the other hand is only a surprise in the sense that the twist comes super late, is pretty poorly set up, adds nothing, convolutes everything, and nerfs Bane completely.

The Talia twist is surprisingly badly executed for Nolan. It feels rushed and contrived, like a lot of things in TDKR. It's terrible.

As for the Mandarin twist- well some people enjoyed it, I wasn't one of them.
The MCU has made significant character changes to certain well established characters and they've worked well, and been widely well received E.g. Baron Zemo.
Here they made a significant change to the Mandarin and it was quite a divisive choice.

Personally I didn't find the parody of OBL particularly funny or clever. If the film is trying to suggest that OBL was working for the CIA, or at least had their support, well that theory had been floating around for a while. You can argue that putting it in a mainstream superhero film is clever and subversive, but it comes down to a personal interpretation of the film. For me, the film is executed so poorly that it doesn't look particularly clever - guess it worked for some.
 
I'd say TDKR only because it explored it more than IM3 did, but if I'm telling the truth, The Dark Knight was a better political allegory than either of them. It was even ahead of its time. Without getting too into it since this isn't the Politics forum, Alfred's line "In their desperation, they turned to a man they didn't fully understand" totally applies to a certain ex-President.
 
The Talia twist is surprisingly badly executed for Nolan. It feels rushed and contrived, like a lot of things in TDKR. It's terrible.

It's a really lame move that seems well below Nolan. I can't remember where I saw it, but I watched a reviewer convinced that TDKR has the issues it does because at that point, Nolan's heart just wasn't in it. I have to say I feel the same way on that.

As for the Mandarin twist- well some people enjoyed it, I wasn't one of them.
The MCU has made significant character changes to certain well established characters and they've worked well, and been widely well received E.g. Baron Zemo.
Here they made a significant change to the Mandarin and it was quite a divisive choice.

Personally I didn't find the parody of OBL particularly funny or clever. If the film is trying to suggest that OBL was working for the CIA, or at least had their support, well that theory had been floating around for a while. You can argue that putting it in a mainstream superhero film is clever and subversive, but it comes down to a personal interpretation of the film. For me, the film is executed so poorly that it doesn't look particularly clever - guess it worked for some.

I don't think the Mandarin twist was meant as a parody of Bin Laden specifically. I really don't think it was trying to lean into conspiracy theories about inside jobs either. That said, it has been painfully apparent in the years since that the US used the threat of terrorism as an excuse to go to war for the country's 'interests'. Bin Laden was both a terrible person and mythical boogieman.
 
I feel like TDKR handles it's themes better, but I do agree there is some strong political allegory with IM3. The biggest issue for me, is it is kind of played as an after thought even as it is more intriguing, unlike TWS or Civil War.

It's a really lame move that seems well below Nolan. I can't remember where I saw it, but I watched a reviewer convinced that TDKR has the issues it does because at that point, Nolan's heart just wasn't in it. I have to say I feel the same way on that.
IMO the issue was Nolan trying to get a 4 hour movie down to what was possible in IMAX theaters at the time. And no way Nolan was going to do 2 flicks, just not his style. I think you really see the issue in the Talia story and the general "No Man's Land" feel.
 
The trouble with the 'Talia' twist was the pre-released on set pictures that were 'released' weeks ahead of the film, with her in LoS kit & costume on top of one of the stolen Batmobile's. Everything was telegraphed from there onwards.....
 
TDKR is not really a political allegory, at least not a contemporary one. Nolan was drawing from A Tale of Two Cities, a fictionalized narrative of the French revolution. Bane exemplifies demagoguery, and though that does have a lot of unfortunate parallels to our current world, it is not at all restricted to this time and place. I will say though that there have been several really weird and often uncomfortable similarities in the movie to what's gone on in the U.S. last year and a bit into the new one. The empty streets, the civil unrest involving police forces and insurgency. You'll even find people comparing the Gamestop r/WallstreetBets thing in January to Bane's stock exchange hit. I don't know what to make of it exactly. It's weird, and I've deliberately not watched the film in a while because of it.
 
TDKR is not really a political allegory, at least not a contemporary one. Nolan was drawing from A Tale of Two Cities, a fictionalized narrative of the French revolution. Bane exemplifies demagoguery,

So I guess that makes him... Maximilien de Banespierre?
 
*cough* Actually, while history casts him as a villainous role, Robespierre was not a demagogue in the slightest. If anything he was hostile to the general mob ( primarily the Sans Culottes ), and was a voice of reason on the Committee for Public Safety until the very end.

( Arguably, he *still was* a voice of reason, the problem was that the reasonable solution by that point was "Paris has got to go". . . )
 
Easily tdkr. Better movie and allegory. It’s probably the most relevant superhero movie last decade for what’s happening in America
 
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