Oh Super Jim... Oh Vid... like two extremes when it comes to MJ...completely at the opposite ends of the spectrum. Don't even know what to say.
@ WarriorDreamer
Well, if they end up using her and she says the Jackpot line, I'm hoping/optimistic that she can do it justice. Although, if 616 MJ isn't what they were going for (and none of us really know for certain), I don't see the point of her using that line. Raimi got rid of it, and that made sense. It clearly wouldn't have worked with his version of the character.
doesn't peter call mj "the girl next door" several times over the years? if shailene fits the criteria (whatever that is) of a girl next door, what would be so bad about that, since it's literally canon, and lord knows some people are adamant about adaptations not straying too far from it?
Thought we were done discussing this, but I guess not. There's nothing wrong with "the girl next door".
However...
Mary Jane Watson (in the 616 universe) technically lived next door, but she isn't the "girl next door" in the traditional sense. Mary Jane living next door to Peter Parker was meant to be ironic/humorous. Aunt may tries to introduce him to the nice "girl next door", Peter gets the wrong impression, and when he finally meets her he is blown away because she is the complete antithesis of the "girl next door" in personality, looks, interests, relationships, occupation, etc.
The “girl next door” archetype has been recognized in modern culture for a century. You know the type: friendly, admirable, attractive, but not to the extent that she is an automatic object of desire. She’s typically bright, a bit of a tomboy, and often overlooked for a more, ahem, seductive female by male protagonists before they eventually come to their senses.
https://www.archetypes.com/timeline/hollywood-archetypes-girl-next-door
Peter came to his senses and chose Gwen over MJ. That is until the writers (Conway in particular) realized that MJ was a character that had potential for better storytelling, whereas they'd written themselves into a corner with Gwen. Eventually, the writers interwove the "bombshell party girl" characterization into MJ's insecurities and tumultuous childhood/adolescence , taking what (I could see under normal circumstances) would have been a flat/simple archetype created for the sake of some lighthearted teenage drama (ala Archie comics) and twisting it to build (imo) a fully developed 3-dimensional relatable character. Again, some (vocal) people like what they did with MJ's arc and some (equally vocal) people don't, but still it's very much apart of this particular character.
Imo, the way that the writers handled the Peter/MJ relationship in the 616 universe was great- slowly developed over the course of multiple decades. You can really see Peter and MJ growing, learning, and coming to terms with their own inner demons before they are able to commit, which I believe is why people tend to lean towards that version of the character in terms of a personal preference apart from having a firecracker personality and good looks. At least, that's the case for me. You can kind of see (if you squint) that Raimi was trying to go for that angle in his franchise (in very broad strokes), but IMO failed with the Pete/MJ relationship, creating a character that was just unlikable, unrelatable, nothing like the 616 version (apart from some VERY basic characteristics), and a relationship that was difficult for me and others to root for. He took many liberties with the relationship, and (again imo), they didn't pay off.
616 aside, the ultimate Mary Jane Watson fits more of the "girl next door" mold. So, I suppose it's canon in the ultimate universe.