It won't!I hope it gets a good backing of the Disney PR machine behind it.
It won't!
Even if the X-Men remained at Fox, there’s no guarantee that a sequel to DP would happen or that it would continue the DP storyline.
For instance, if DP massively underperforms or if Sophie’s performance was savaged by critics, then Fox would not carry on with the story. They would just move on to the spinoffs they were planning.
Well technically Disney will own the film. although probably with a few other layers of how that works.
Although i suppose Disney will also own a dozen other upcoming FOX projects too, but doesn't mean they will all get the same PR machine.
But then Disney treating DP with weak interest would just be biased sense, and biased sense isn't good business sense in this regard
Dark Phoenix is in a bit of a tough spot since it will be an "orphan" by next week. The folks remaining at 20th Century Fox Studios will no longer control the character license, so this film won't be a top priority. And the team at Disney and Marvel Studio don't have a compelling interest to invest much in a film that they weren't involved in producing. And is poised for a reboot regardless of whether the film succeeds or fails.
We're probably looking at a very modest Dark Phoenix promotional campaign in the hopes that the film breaks even.
"What if the earth is attacked by actual aliens so no DP2?"
"What if all the trees die off and all life on our planet before production starts on the supposed movie?"
"What if all the cast get food poisoning and their diarrhea is too great for them to appear so they scrap the movie?"
Clearly she was talking about if all things turn out right. Not every horrible thing that could happen to oppose her views...
Yes Disney didn't greenlight this movie, but they have it now, FOX is part of them now. so do they just accept breaking even or put in abit of effort that some money may be made from the movie?
It kinda falls into that same area of oh Disney have no faith in Fox X-Men because...well its Disney (studio wars and all that), so they will wanna let just this animal just die. but again thats very poor business sense for a series that is probably being just as underestimated as many felt with Venom for Sony
What is biased sense?But then Disney treating DP with weak interest would just be biased sense, and biased sense isn't good business sense in this regard
I don’t think the 2-parter narrative was anything other than a line Kinberg used to get certain cast members (Munn) on board. Remember Fan thinking she will be back for the sequel to DOFP?
Fox has never done a back-to-back production, not for any of their X-men properties. Planning ahead of time is not something they do.
What is biased sense?
It's funny how three actresses thought/think they were/are all coming back: Fan for DOFP's sequel; Olivia for Apocalypse's 2-parter sequel; and Alexandra for Dark Phoenix's sequel.Fan only thought that because she was contracted for multiple movies. i doubt she was told straight up that she was coming back.
Nothing but a pipe-dream.Well that depends on how its done. if you wanna do one story across 2 movies them no FOX probably wouldn't havd done that. but you can do one story and another story thats a close connected sequel to that story.
"Biased sense" is nonsense. That's called an oxymoron.Making decisions based on bias.
It's funny how three actresses thought/think they were/are all coming back: Fan for DOFP's sequel; Olivia for Apocalypse's 2-parter sequel; and Alexandra for Dark Phoenix's sequel.
But I digress. That’s a story for another thread about how these big Hollywood studios take advantage of people's naïveté. Or perhaps that's actually on-topic in a forum of the movie from the writer (and now director) who purports himself to be pro-women?
Nothing but a pipe-dream.
I was referring to the battle sequences, Endzo. Read. The problem obviously is with Singer's visual direction since the sequences look like they were shot on sound stages with a bunch of CGI put in around them because they confine the area and camera. And some of the Egypt shots that are meant to be outside were on sound stage in-doors, which you can clearly see in blooper reels. Both Apocalypse end battle and DOFP White House lawn sequence have that same look. Whereas films like Logan, the camera is not as confined. They're moving around outside. They're running and fighting throughout the woods. It feels dynamic. It looks natural.The Apocalypse final battle was outdoors, in an open lot, about 20 mins away from MELS. It wasn’t in a soundstage.
This idea that Kinberg made an open set "to get out into the open on the streets" for Dark Phoenix because he was unhappy with the previous movie is divorced from reality. This franchise has been doing this since at least DOFP. Do you guys not remember the ginormous White House lawn set?
From what I was told, the plan was a 2-parter (from story to production). That's why some of the cast members early on were speaking in a way that alluded to a sequel. But then changes were forced and the decision wasn't Kinberg's. It was tied to an anticipated acquisition (unannounced at the time & unknown to Kinberg), so certain things were scrapped early on. This altered plans moving forward while the film was currently in production (from characters to story). The script Kevin Feige was asked to review might have been based on what was originally planned before these changes had to be made.The original rumour was a 2 part movie for Dark Phoenix.
Why do you oh so love saying my name like that?I was referring to the battle sequences, Endzo. Read.
Is it supposed to be funny? Perhaps that should be reported so you will finally stop doing it?No you obviously thought the DOFP and Apocalypse scenes were shot indoors, in studio. You're changing your narrative that you "obviously" meant the problem is "Singer's visual direction," when your first narrative that Singer shot all his scenes indoors, in studio has been proven wrong.The problem obviously is with Singer's visual direction since the sequences look like they were shot on sound stages with a bunch of CGI put in around them because they confine the area and camera.
I thought you said "battle sequences" and now you're moving the goal posts to "some of the Egypt shots?"And some of the Egypt shots that are meant to be outside were on sound stage in-doors, which you can clearly see in blooper reels. Both Apocalypse end battle and DOFP White House lawn sequence have that same look. Whereas films like Logan, the camera is not as confined. They're moving around outside. They're running and fighting throughout the woods. It feels dynamic. It looks natural.
What's wrong with it? It's simply a shorten version of your profile name. You've done it to mine before. What's the problem?Why do you oh so love saying my name like that?Is it supposed to be funny? Perhaps that should be reported so you will finally stop doing it?

Oh. Let me cry a tear for you then. Since I've been "PROVEN" wrong. What's funny is, if you read back through my actual comment, I never claimed Apocalypse battle was shot on a sound stage...at all. I said Kinberg didn't want to be confined to sound stages when shooting Dark Phoenix. I never wrote "Singer shot all his scenes indoors"....you typed that claiming a false narrative. I said the final battle in Apocalypse didn't look believable, which is why Kinberg wanted to shoot in a way where he could move the camera around dynamically, like shooting out in streets (which are in some of the trailer shots). I never said anything about DOFP since I was talking about Apocalypse. I knew the White House set was built outside surrounded by green screen due to set pictures released before the film came out. When YOU brought up DOFP, I reiterated the fact that it STILL looks like it was shot indoors due to the way Singer shoots his scenes:No you obviously thought the DOFP and Apocalypse scenes were shot indoors, in studio. You're changing your narrative that you "obviously" meant the problem is "Singer's visual direction," when your first narrative that Singer shot all his scenes indoors, in studio has been proven wrong.
Both Apocalypse end battle and DOFP White House lawn sequence have that same look.
What I actually wrote:Rewatch those blooper reels that you're pointing at as your evidence, and oh would you look at that above a wired-up Storm or the one above Nixon...is that blue sky? Both coincidentally are the "battle sequences" you've previously said as shot indoors.
I didn't type anything inaccurate.And some of the Egypt shots that are meant to be outside were on sound stage in-doors, which you can clearly see in blooper reels.
I'm not throwing praise at Kinberg for building sets outside, but rather his direction in how the camera is used while shooting scenes outside. They look like they're shot outside and in a dynamic way. Stop being blindly triggered every time someone mentions "Kinberg".I'm all for dragging X-men: Apocalypse for all of its (many!) shortcomings, but you're so determined to throw praise at Kinberg for building sets outside that it blinded you to the fact that most of the previous movies have already done that.
Even if the X-Men remained at Fox, there’s no guarantee that a sequel to DP would happen or that it would continue the DP storyline.
For instance, if DP massively underperforms or if Sophie’s performance was savaged by critics, then Fox would not carry on with the story. They would just move on to the spinoffs they were planning.