You Have My Permission To Lounge - Part 10

I'm not sure how canonical that book actually is, but I like the idea. There was always some ambiguity there with Joker's line, but then there are things like Wayne Manor still not being complete that don't necessarily line up. Had Batman's career been longer I think some people wouldn't have had a problem with Bruce's retirement(s) in Rises. I think the sticking point for some wasn't that Bruce retired, but that he did after only being Batman continuously for two years at most.
Yes agree. I"ve never really looked into the books that closely and basically just considered what was on film as being 'canon'. Just thought it was an interesting point to bring forth.
 
I just saw The Dark Knight on 4K and it's a damn revelation. I can't believe how much they perverted Wally's intended color grade in the original blu-ray. The blues are really, deeply blue, instead of the weird purple tone it takes in the blu-ray. And the yellows in the blu-ray are actually closer to being goldish bronze in the 4k. Which gives the picture a moving painting quality. The black levels are impressively deep. In an era of brightly lit Marvel movies, Wally isn't afraid to almost swallow faces in darkness.

The image quality is staggering.
 
I love those Batman 66 movies, both the original one and the new animated features. I really should watch more of the show itself.
One of my favorite bits about the original movie is how the assembly in the U.N people rely on for the safety of the world keep repeating the same lines, refuse to speak in a unified language, and nobody listens to the rest. That stuff is properly hilarious.
 
'The Dark Knight' Trilogy Returning to IMAX Screens in 70mm for Special Engagement

All three of Christopher Nolan’s Batman films starring Christian Bale, a.k.a. “The Dark Knight” trilogy, are returning to IMAX screens and on 70mm film for a five-city, special engagement starting at the end of the month, Warner Bros.’ president of domestic distribution Jeff Goldstein announced Tuesday.

The first stop on the tour will take place on March 30 at the Universal Cinema AMC at CityWalk Hollywood. Warner Bros. will screen 2005’s “Batman Begins,” 2008’s “The Dark Knight” and 2012’s “The Dark Knight Rises” back-to-back-to-back. Then between the second and third films, Nolan will join the audience for a moderated Q&A discussion on the movies.

On April 13, the trilogy will screen at AMC Lincoln Square in New York City and AMC Metreon in San Francisco, followed by Cinesphere Ontario Place, Toronto, and IMAX Theatre at the Indiana State Museum, Indianapolis, on April 20. Each of the subsequent screenings will be accompanied by the footage of Nolan’s Los Angeles Q&A.


The films will screen on IMAX 70mm in all five cities. Nolan used IMAX cameras to shoot both “The Dark Knight” and “The Dark Knight Rises.”

“Christopher Nolan broke new ground with the ‘Dark Knight’ trilogy, and this is a rare chance for today’s audiences to experience these extraordinary films as they were meant to be seen,” Goldstein said in a statement. “To have the added privilege of hearing Chris’s insights firsthand makes this a once-in-a-lifetime opportunity.”

Tickets for all events will go on sale Wednesday at 9 a.m. PT, and moviegoers who acquire tickets for all three films will receive a lanyard and special “Dark Knight” trilogy collectible.
 
'The Dark Knight' Trilogy IMAX Engagement Sold Out in LA and NYC

Christopher Nolan’s upcoming “The Dark Knight” trilogy IMAX engagement in Los Angeles sold out in less than a minute after tickets went on sale, TheWrap has exclusively learned. AMC Lincoln Square (IMAX) in New York City sold out almost immediately as well.

Tickets are still available for AMC Metreon in San Francisco, Cinesphere Ontario Place in Toronto and Indiana State Museum in Indianapolis.
 
On April 13, the trilogy will screen at AMC Lincoln Square in New York City and AMC Metreon in San Francisco, followed by Cinesphere Ontario Place, Toronto, and IMAX Theatre at the Indiana State Museum, Indianapolis, on April 20. Each of the subsequent screenings will be accompanied by the footage of Nolan’s Los Angeles Q&A.
This is one of those events I kinda regret not being unable to attend.
 
What's everyone's favorite Batman across all media? Like for me..

Comics: Earth One, Year One, Whatever Happened To The Capped Crusader?, Black and White

Film: Batman(1989)

TV: The Animated Series

Video Game: Arkham Asylum
 
Comics: Year One and Mad Love. Live action: TDK and BR. Animated: Phantasm. Games: Arkham series is amazing, but I also love Adventures from Sega Genesis. Played it a lot as a kid with friends. Plus that soundtrack... But this is cream crop, I like much more Batman-related stuff.
 
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Comics: The Killing Joke

Film: The Dark Knight/Batman Returns

TV: BTAS

Video Game: Not a gamer, sorry
 
Comics: Year One and Mad Love. Live action: TDK and BR. Animated: Phantasm. Games: Arkham series is amazing, but I also love Adventures from Sega Genesis. Played it a lot as a kid with friends. Plus that soundtrack... But this is cream crop, I like much more Batman-related stuff.
Mad Love is fantastic. It's my all-time #3 GN :up:
 
Mad Love is great.

Awesome to see Batman Returns as a favorite since it's always been a hit or miss with people. It's my 2nd or third favorite live action bat film
 
Comics - The Dark Knight Returns, as cliched an answer as that is

Film - is it cheating if I just say the entire Dark Knight Trilogy?

TV - has to be The Animated Series

Game - Telltale's Batman. I love the Arkham series, but the writing in Telltale's game is so far beyond anything else that's been done in the medium. It might be one of my favorite Batman stories ever, actually.
 
Anybody celebrating Batman tomorrow?
 
^ I remember that Dominos trailer back in the day. Good times.
 
Christopher Nolan on 'Dark Knight' Oscar Snub and the 'Superman' Fib He Told the Studio

Christopher Nolan rang in Batman's 80th birthday in style on Saturday.

The filmmaker joined fans for a Dark Knighttrilogy marathon at the Universal Cinema AMC at CityWalk in Hollywood Saturday for a back-to-back IMAX 70mm screenings. Nolan sat for a Q&A in between 2008's The Dark Knight and 2012's The Dark Knight Rises, sporting a blazer and holding a thermos of what was surely tea.

By the time Nolan came out, the crowd was already amped up, having burst into applause multiple times during The Dark Knight. The director soon delivered a treat, sharing a never-before-revealed trick he used for the film, for the intense car chase after Harvey Dent (Aaron Eckhart) turns himself in as Batman. The real Dark Knight (Christian Bale) shows up in the Batmobile and smashes into a garbage truck driven by a Joker henchman.

“It’s a miniature,” Nolan said, sounding amused. “I don’t think anyone’s ever noticed it’s a miniature.”

Nolan spoke about casting Bale as Batman, and shared a tidbit about his now-frequent collaborator Cillian Murphy auditioning for the lead instead.

"Christian was actually the first actor I met for the role. And so I think I had a pretty strong sense from there," said Nolan. "Cillian Murphy was somebody who I had seen in Danny Boyle’s film, 28 Days Later, and he screen tested for Batman, actually, and gave an extraordinary test. And so we wound up casting him as Scarecrow based on that."

Though Nolan's Dark Knight trilogy clocks in at just over seven-and-a-half hours, the event itself was a nearly an 11-hour affair when taking into account the Q&A as well as breaks of more than 90 minutes each between films, as loading and unloading IMAX 70mm prints is a lengthy, complicated process, and the projector doesn’t see much use beyond Nolan’s own films.

Watching the three films in a row is an undertaking Nolan himself has never taken on.

“Christ, no,” the director said to laughs from the crowd. The most he’s seen of the trilogy in a single day, he explained, was Batman Begins and The Dark Knight with production designer Nathan Crowley during early preparation for The Dark Knight Rises — which might remain the most. “I’ve seen the films plenty,” he said with a chuckle. “Maybe one day, I’ll convince my kids to do that with me.”

The audience was a diehard group dedicated to Nolan. Before Batman Begins kicked off, a fan approached theater staff and asked where the Q&A would take place. After the staff member said it would be in the theater, the fan clarified the question: where exactly in the theater would Nolan be?

Not only did the group clap at many big moments, including when Bruce Wayne returns at the end of The Dark Knight Rises, at almost exactly the ten-hour mark of the event, but they also knew Nolan’s history intimately. As Nolan ran through the different influences on the three Batman films, he reached The Dark Knight. “I was thinking very much the films of...” Nolan started. A fan quickly whispered “Michael Mann” just before Nolan said the same name. “He’s a huge influence on The Dark Knight.”

Though Nolan is credited with elevating the superhero genre, he initially shied away from the superhero tag, even though one of the biggest influences on his first film being Richard Donner’s Superman, specifically that film's sprawling, talented cast.

“We tried to put together that kind of cast for Batman Begins just to give it that weight of event cinema and not let it be dismissed as what, at the time, we felt as a dismissal, which is a comic book movie," Nolan said. "We didn’t want to view it as that. Of course, now, comic book movies are a very different thing and they’re the biggest films being made now, so the world’s changed in that regard.”

It was Donner’s film that allowed Nolan to get away with spending the first hour of Batman Begins with Bruce Wayne — sans cape and cowl. To prepare for that film, Nolan analyzed statistics of action films, from car chases — “They’re all a little shorter than you’d expect” — to when heroes put on their capes. When the studio came to him nervous about when Batman shows up, Nolan had receipts. “I was able to say ‘Well, Christopher Reeve didn’t put on the suit until 53 minutes in.’” And as the audience sat back impressed, Nolan revealed a little of his wit. “That statistic is not true by the way. It’s actually a little earlier.”

Despite Nolan making little eye contact with the audience, he didn’t hold his humor back. Toward the end of the Q&A, Nolan addressed how The Dark Knight's best picture snub has been partially credited for the Academy expanding the best picture field from five to 10 the following year.

"Yeah, which is a kind of cool consolation prize, I guess,” Nolan remarked, earning the loudest laughs and applause from the crowd.

As expected with IMAX and theater enthusiast Nolan, the conversation hit on film presentation and the theatrical experience.

“We’ve gone through an intense period of innovation in the digital realm and it’s transformed distribution,” Nolan said, with Netflix looming in the subtext. “It’s transformed movies in a lot of ways, mostly good. But we’re now in a period where, particularly looking at film history, it’s important that we go back and we look at, OK, how were these films originally intended to be shown? How were they meant to be seen?”

Whatever the conversation is, Nolan sees it as about something simple. “It all adds up to the same thing, which is a respect for the creators of the past and opportunities for the filmmakers of the future, so that they get to make films however they want, whether it’s using older methods.”

After Nolan's exit, The Dark Knight Rises played, and things got a little bumpy from there. When Bruce Wayne finds himself locked out of his mansion in the rain, the speakers began to blast grey noise.

The projector quickly shut off, and after some murmurs from the crowd and a few minutes, the film was restarted and rewound back to shortly before the scene that broke. This was odd, as a 2016 YouTube video by projectionists at the IMAX Dome Theater in San Jose, California, explaining how IMAX 70mm projection works, states, “Once the film is threaded, it cannot be rewound as the projector only plays in one direction.”

When it came time for the next IMAX sequence, specifically the sewer fight between Batman and Bane (Tom Hardy), the image stopped short of filling the entire screen, still leaving black bars at the top and bottom. The full IMAX aspect ratio would never return. In the scenes that replayed, the color was noticeably more muted. And at one point, a seemingly digital green line briefly appeared in the black bar above the top of the image.

Peering through the projection booth were two separate rays of light from two different projection lenses, likely indicating that the theater had swiftly shifted to IMAX’s dual laser projection system, which CityWalk has. Either that, or the film projector wasn’t fixed properly in the aftermath.

No matter, the fans persevered and seemed to enjoy the rest of the show. After all, they'd gotten to spend hour after hour in Nolan's world.

Earlier, when Nolan was asked if he truly was down with Batman, he joked, “I think it’s more that Batman’s done with me.” But in essence, it wasn’t a joke, as Nolan saw him and his team as “custodians of the character,” a job, at least in film, that passed onto Zack Snyder in 2016 with Batman v. Superman: Dawn of Justice and will pass on to Matt Reeves in 2021 with The Batman.

“He’s a character who will never die, never go away, never wither,” Nolan said, moving on to quote from Charles Dickens’ A Tale of Two Cities, which was a major influence on The Dark Knight Rises — part of the same quote Nolan used at the end of that film. “I mean, ‘generations hence’ are going to reinterpret this character, I think, in all kinds of ways and I’ll be excited to see that.”
 

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