Marvin
Avenger
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- Jun 22, 2003
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BB did a pretty great job captivating its audience. It got mostly great reviews, only slightly less than what TDK would later get and that was mostly because a lot of critics felt initially turned off by a "serious Batman movie." It opened small because most of the GA was just not interested in another Batman movie after they had 4 in the previous 15 or so years, the last two of which sucked. But BB had amazing legs. It opened ridiculously small for a superhero movie ($41 million, I think?) and went on to have very small drops and crossed $200 million. People were writing off a sequel to it as impossible it's OW, but by the end of its run a Joker-sequel was all but inevitable.
I also think it helped contribute to the hype for TDK given that BB was so well received on DVD by those who skipped "another Batman movie" in the theater. Personally, I remember being ind of blown away by it. I still preferred other superhero movies (like SM2), but I didn't realize Batman could be don so well on the screen and that I could see a superhero movie break away from the clichés so easily. I honestly think that if the Schumaucher films didn't exist, it would have crossed $300 million that year.
I recall begins doing moderate sales upon it's DVD release, somewhere in the 12million range that quarter as far as rental revenue. Compare that to say the first Spidermans supposed $190 million (in 3days), I say great. More power to the people that discovered it, I'm happy for them. Whenever it was that people started grabbing copies of BBegins it definitely wasn't when it was made available to them.
That being said, when they re-released it with(the proper) TDK, I recall sales of bb going through the roof. That may very well be the number you are reporting and if so, it only serves to further my point somewhat.
wow...Hah. Apparently Marvin was more wrong than even I thought. Thank God for film school.![]()
anyways, apparently a film doing strong numbers(which isn't exactly how I would describe begins) warrants some sort of lack in film academia? If I had only figured out this argument back in the days.
You're right, it almost certainly means I'm strict with others.Well, that's nice. But just because you're forgiving with some things, doesn't mean you aren't strict with others.

I've heard plenty bad, for example Katie homes...I'm not a massive fan of BB, but I've never heard anything but positive things about it from the GA. Aside from the people who thought it was a B89 prequel, of course.![]()
Anyways, what is said about a film coming after a genuinely disappointing installment from a different age will always have some positive adjectives involved. That doesn't change how the film measures up to it's stronger contemporaries. Nor does it effect how it performs.
The fact that he still had the rubber suit, I'm very curious what fan reviews said about such a thing, considering how much they hated it in previous installments.
I used that to illustrate an example of BB's short comings. BB represents a lot of potential never reached imo, and a lot of that potential in present in TDK.Okay, that makes sense. Maybe you were just being heavy handed with your original comments. BB doesn't have the explosiveness of TDK, "falls short of viewable".
I could go into such things, but this is hardly the thread.
It means exactly what it sounds like. I hit play, I don't have a good experience and I turn it off. If there was a film made about a Superman that accidently at a bowl of kryptonite and he spent the entire film powerless and rocking in a blanket I'd say the exact same thing. I really couldn't care less how many fundamentals of film making were intact.What the hell does an unwatchable experience mean?
Takes more than pretty pictures and technicalities for me personally. But hey, film school right...I totally agree it had issues story-wise, but it was a beautifully shot filmed, with strong set design, costuming, and production value. I've always appreciated the film for those reasons alone.