having a less sensitive spider-sense is not that big a leap to take
But it isn't less sensitive. In the comics there a numerous instances where the spider sense doesn't go off. Or fails for some inexplicable reason. Gerry Conway even tried to explain that it didn't work if a FRIEND was attacking him
works the same way yes, but can you truelly verify that it is just as sensitive?
That's just not possible since we've rarely seen Movie-Spidey in the same situations as Comic-Spidey with the exception of the Glider attack in Spidey 1.
that's why i say we have to treat the pieces of medium separately and only use intra-medium examples to help explain problems within. referring back to the comics isn't going to help because there is a relative difference between the two characters even (initially) down to how they got their powers and how they worked (organics??).
The differences are minimal at best. He has the same powers, gained by the same basic origin concept. Even the organics still work the same way as the mechs. And yes, I still wish Sam had went with the mechs, but they've become a very minor sticking point.
as far as we know from what we see in the films, it doesn't or hasn't constantly gone off about any instance so far.
Just because there's been no exposition about it? Sam probably doesn't have it explained just because the explanation is pretty obvious, or the source material is available for anyone to research.
there is nothing to say that they can't edit the spidey sense to make it seem different. A faster paced cut scene to go better with the scene, these are talented directors, one's which decided how the sense was going to be showcased in the first place, i'm sure they could re-edit.
There's a clear reason for the edit presented. Again, in the shot, WE SEE the car barrelling toward Peter. WE KNOW he's in danger. The spider sense effect would be sledge hammering the point. There are times in film when conveying the "reality" is unnecessary. such as hearing footsteps or breathing sounds when you want to focus on a single sound that takes precedence.
in teh second film, if parker hadn't turned round, potentially he would have gotten run over but it was the noise that got his attention and not his spidey sense
Not really. Looking at the scene again, you can barely hear the car accelerating until it's almost on top of Peter. And when he turns, he doesn't really look behind him. He doesn't have time for more than a peripheral glance. That's why the Spider sense effect wouldn't have helped. Taking the second to run the sound effect would've taken too long.
shock factor was pretty much it but harry definitely got the jump on peter because his sense didn't work
i'm not completely sure if absent mindedness is enough because i'm pretty sure when it first went off, spidey was too busy worrying about his webbing on the tray to notice flash's fist.
But we know that just as they fail in the movies at times, so too do they fail in the comics. E.G. in ASM #122, when while pounding on the Goblin, he doesn't see a cable on the bridge and crashes into it.
To Quote Spidey:
"Didn't see that cable.. Till it was too late! Spider senses.. All knocked out by my anger!"
Raimi isn't pulling these things out of nowhere, due to a lack of knowledge. He's drawing this stuff from the source material. He doesn't have time or caption boxes to explain why Spidey's senses fail him.
As for the scene with Flash, he'd had sufficient time to disconnect himself from the web incident. And honestly, Flash's punch wasn't much of a danger anyway. With his strength, even if Flash had landed that punch it wouldn't have hurt Peter. But it was a first opportunity to display the spider sense.
I'm a firm believer in taking what you get as evidence and not filling in the gaps with ideas. I feel you may be trying to extrapolate to much.
I agree with you totally there. But in this case, we do have evidence. It's in the comics and not on the screen.