Gee
Rebirth
- Joined
- Dec 7, 2011
- Messages
- 13,866
- Reaction score
- 4,685
- Points
- 103
Don't like that cover. For me, it's either the theatrical poster or the tank one. I'd be okay if they go with the first poster.
Is that another Mondo poster?
Damn, a few of those are so much better than the Mondo one, imo.Nope.
https://***********/PosterPosse
Damn, a few of those are so much better than the Mondo one, imo.
From an action POV, yes there are more impressive sequences. However, the strength of the No Man's Land sequence is in it's emotional beats.No Mans Land wasn't that great. The beach, village and climax were much more impressive.
That's probably my 2nd fave after the vase one.
From an action POV, yes there are more impressive sequences. However, the strength of the No Man's Land sequence is in it's emotional beats.
They're trudging towards the front. Diana wants to help with some horses. She's told no. She wants to help a wounded soldier. She's again told no. They get in the trenches, only for Diana to learn that the village across the way is being held hostage. When she once again vocalizes her desire to help, she is told that she cannot cross No Man's Land. She is told that men have spent the last year stuck in the exact same spots killing each other with no end in sight. She's told to let it drop, because it's a helpless and hopeless situation.
And without missing a beat, she basically tells Steve off, ascends from the trench, and marches her way forward. She gives hope in a hopeless situation, and help in a helpless situation. She had enough with standing by and did something when she was told there was nothing she could do.
This sequence was one of the film's most euphoric moments.
From an action POV, yes there are more impressive sequences. However, the strength of the No Man's Land sequence is in it's emotional beats.
They're trudging towards the front. Diana wants to help with some horses. She's told no. She wants to help a wounded soldier. She's again told no. They get in the trenches, only for Diana to learn that the village across the way is being held hostage. When she once again vocalizes her desire to help, she is told that she cannot cross No Man's Land. She is told that men have spent the last year stuck in the exact same spots killing each other with no end in sight. She's told to let it drop, because it's a helpless and hopeless situation.
And without missing a beat, she basically tells Steve off, ascends from the trench, and marches her way forward. She gives hope in a hopeless situation, and help in a helpless situation. She had enough with standing by and did something when she was told there was nothing she could do.
This sequence was one of the film's most euphoric moments.
From an action POV, yes there are more impressive sequences. However, the strength of the No Man's Land sequence is in it's emotional beats.
They're trudging towards the front. Diana wants to help with some horses. She's told no. She wants to help a wounded soldier. She's again told no. They get in the trenches, only for Diana to learn that the village across the way is being held hostage. When she once again vocalizes her desire to help, she is told that she cannot cross No Man's Land. She is told that men have spent the last year stuck in the exact same spots killing each other with no end in sight. She's told to let it drop, because it's a helpless and hopeless situation.
And without missing a beat, she basically tells Steve off, ascends from the trench, and marches her way forward. She gives hope in a hopeless situation, and help in a helpless situation. She had enough with standing by and did something when she was told there was nothing she could do.
This sequence was one of the film's most euphoric moments.
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https://***********/JamesGunn/status/870859409013981185
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https://***********/perlmutations/status/871372877639151616
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https://***********/BryceDHoward/status/871386812404596736
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https://***********/mang0ld/status/871433876119240704
You should add Tessa Thompson from IG to the list.
I grinned like an idiot during the No Man's Land sequence.
Steve: "You can't go out there."
Diana: "**** that."
*Music swells*