Maybe the reporter that slept with Tony in the beginning; I just found her annoying after a while.
"Nice Coat"....Nope, sorry it isn't. I feel like comic fans still miss this subtle problem time and again. Tone does not determine substance. By all rights, Batman Begins is written for an immature audience. It spells out it's theme and context in exposition, using very one dimensional characters and often resorts to sarcastic, campy humor to break tension...that's a teenagers/early twenties film if I ever saw one.Well obviously, Iron Man is practically a kid's movie next to BB. BB is intended for a mature audience; everyone can watch IM and get into it.
Question:
Is there any acting in Iron Man bad enough to compare to the tripe delivered by Katie Holmes?
Didn't think sot:
I think Batman Begins presented its themes perfectly"Nice Coat"....Nope, sorry it isn't. I feel like comic fans still miss this subtle problem time and again. Tone does not determine substance. By all rights, Batman Begins is written for an immature audience. It spells out it's theme and context in exposition, using very one dimensional characters and often resorts to sarcastic, campy humor to break tension...that's a teenagers/early twenties film if I ever saw one.
Watch The Godfather and then watch Batman Begins. Which one uses minimalist dialogue? Which one never actually verbalizes it's own theme? Which tries to use the camera, and not the script, to tell the story? Which one has characters that actually talk and act like real human beings? If you answered Batman Begins in any of these categories, you're wrong.
It's like people who say "Oh, The Matrix is so smart"...well, actually, no it isn't. It's pop philosophy. It takes things that are typically discussed in highbrow art and literature, and boils them down to where "da masses" can access them...and ultimately renders them into simple, often generalized terms. "It's not who I am underneath, but what I do that defines me" for example sounds smart, but in fact it's bullsh**, it's back up with nothing, it's never expanded upon, and in a movie like Begins it's verbalized and repeated so many times it actually starts to lose the little meaning it had.
While Batman takes itself quite seriously, it isn't any more serious than Spider-Man, and still lacks the subtly of X2 which was able to develop it's themes without making them so transparent.
That's not true. Watchman is as deep and profound as most modern literature gets, as for Batman...true, his ongoing usually isn't amazing writing (at least when Grant Morrison isn't writing him), but he's certainly had his fair share of amazing stories. "Arkham Asylum", "The Killing Joke", "The Demon's Head", and "Dark Knight Returns" are all fairly weighted stories, some of them as well written as Oscar winning films.I think Batman Begins presented its themes perfectly
Sure it isn't rich and profound as some oscar contenders or classic masterpieces such as The Godfather but than again its a superhero film based on subject material that is not literature by any means so who expected it to be? Thats how 'deep' its going to get for a comic book film. Also, a film's quality is not only determined by its theme but by numerous other factors which I felt Batman Begins delivered.
It's not as subtle as The Godfather, but it was able to advance it's plot and theme with the character's actions rather than their words. You had Bobby sit down and "come out" to his parents, without it seeming out of step with the story. You had Logan's relationship with Stryker handled quite well, and it managed to remain relatively light on the philosophical dialogue, certainly when compared to it's predecessor. I'd say if you can give X2 any crap, it's Halle Berry, who sucks ass no matter what she does...I also can't believe you just said that X2's themes were subtle ()but thats for another thread.
I've never read Watchmen (I really want to) so I can't comment on that but I've read The Killing Joke and I wouldn't say its as well written as oscar winning films but to each his own.That's not true. Watchman is as deep and profound as most modern literature gets, as for Batman...true, his ongoing usually isn't amazing writing (at least when Grant Morrison isn't writing him), but he's certainly had his fair share of amazing stories. "Arkham Asylum", "The Killing Joke", "The Demon's Head", and "Dark Knight Returns" are all fairly weighted stories, some of them as well written as Oscar winning films.
Charecterization is key for these kind of films because as I've mentioned I don't think these films are able to hold heavily thematic plots. That being said I think BB delivered in terms of charecterizationIt's not as subtle as The Godfather, but it was able to advance it's plot and theme with the character's actions rather than their words. You had Bobby sit down and "come out" to his parents, without it seeming out of step with the story. You had Logan's relationship with Stryker handled quite well, and it managed to remain relatively light on the philosophical dialogue, certainly when compared to it's predecessor. I'd say if you can give X2 any crap, it's Halle Berry, who sucks ass no matter what she does...
Iron Man is the next big franchise, Batman is in trouble after TDK with Nolan threatening to leave. Iron Man did better for what it was.
"Nice Coat"....Nope, sorry it isn't. I feel like comic fans still miss this subtle problem time and again. Tone does not determine substance. By all rights, Batman Begins is written for an immature audience. It spells out it's theme and context in exposition, using very one dimensional characters and often resorts to sarcastic, campy humor to break tension...that's a teenagers/early twenties film if I ever saw one.
Watch The Godfather and then watch Batman Begins. Which one uses minimalist dialogue? Which one never actually verbalizes it's own theme? Which tries to use the camera, and not the script, to tell the story? Which one has characters that actually talk and act like real human beings? If you answered Batman Begins in any of these categories, you're wrong.
It's like people who say "Oh, The Matrix is so smart"...well, actually, no it isn't. It's pop philosophy. It takes things that are typically discussed in highbrow art and literature, and boils them down to where "da masses" can access them...and ultimately renders them into simple, often generalized terms. "It's not who I am underneath, but what I do that defines me" for example sounds smart, but in fact it's bullsh**, it's back up with nothing, it's never expanded upon, and in a movie like Begins it's verbalized and repeated so many times it actually starts to lose the little meaning it had.
While Batman takes itself quite seriously, it isn't any more serious than Spider-Man, and still lacks the subtly of X2 which was able to develop it's themes without making them so transparent.
I'm a bigger Batman fan.
But personally i found Iron Man to be the better film.