How can I put into words something that was entirely an emotional response? Its difficult. Trying to parse out the experience in segments would likely not do the film justice (no pun intended). Instead it might just be better to go through the film as it came to me, and my experiences with it. To preface this, I found I was able to stay away from a vast majority of the spoilers. There were only a couple I knew about (primarily the cameos from the future members of the Justice League), and even then there was no context associated with it so I was free to experience it firsthand.
I thoroughly enjoyed the whole of the first act. The opening sequences were great to show the origins of Batman as his perspective of the Black Zero event. I immediately felt the rush from the end of Man of Steels climactic battle return. I loved seeing a very human side to Bruce Wayne. Ben Affleck very much had me sold on his Bruce from the jump, and I believed the world he was experiencing and how it was changing right then and there. I felt that Snyders direction recreated the previous films tone impeccably and immediately tied both films together.
A side note, so I dont have to mention it repeatedly: I believe that Zack Snyder delivered on this film. In the directors chair, in the editing room, from the visuals and the story, I think he nailed it. Is he a genius visionary director? Well no I dont think so but I also dont think that he should be getting the wave of negative criticism thats being leveled at him. He did a fine job keeping me engaged the whole way through and there wasnt anything that felt rushed. He gets an A from me.
From Metropolis we continue through a number of scenes that give us a sense of who Clark is when hes not Superman, a sense that Lois still cant keep from being in trouble, and the machinations of Lexs budding plans. Lex Luthor in this movie was a frenetic beast in the slender guise of Jesse Eisenberg. His energy and internal motor gave me the impression that not only does he not sleep much, but that he finds very little stimulation in sitting on his laurels. It became clear very quickly that Lex could see the chessboard and its pieces before the actual players knew they was a game to be had.
Lexs motivation is explored through his commentary to the public eye, his conversations with Holly Hunters Sen. Finch, and his physicality. It was not readily apparent that he had any kind of persona to hide behind and that was the most fascinating aspect of this characterization: he felt genuine the entire time. Much the same as other characters in this world such as Alfred, Lois, even Ma Kent and Perry White, everything and everyone felt like they belonged in the world on the screen.
During the middle part of the film, we are treated to a series of events that lays blame squarely on Supermans shoulders. This becomes the defining arc for Clark in this movie, how he deals with criticism and perceived failure. In the comics, Superman is perfect. He never fails, always saves everyone, never kills, is supremely confident, etc. In this movie, Clark is unsure of himself. He questions whether or not he actually is doing the right thing, something that felt natural and organic to the character at this point. Towards the end of this act he has a moment on the mountain that had me in tears, a call back to a connection in Man of Steel that I felt absolutely worked.
Bruce by this point is becoming further enraged at Superman for his actions, in wake of a tragedy that comes almost precisely at the middle of the film. He resolves to acquire the means to end Superman and it reflects a vision, a dream sequence he had of a desolate future shortly beforehand. Bruce is convinced that Superman has to be stopped in any way he can. Batman comes off almost as a villain in these segments, plotting his own attacks on The Last Son of Krypton while keeping his body in top condition. Affleck really sells this drive. The stage ultimately gets set for the Main Event, cape vs. cape, in the rainy dank confines of Gotham.
The big fight between the two doesnt disappoint. Batman is clearly out to control the pace of the battle. Clark goes to the fight under different pretenses and tries to talk, but Bruce is having none of it. With his hand forced, Superman goes headlong into the battle. It is brutal. Once Clark is weakened, he is outmatched by Bats technology and raw combat prowess. One of the best moments comes though when the weakening effect begins to wear off and Clark regains the upper hand temporarily. Its nearly imperceptible, but Bruces swagger gets dented very quickly as he tries to get things back on his side. The fight ends in typical comic book fashion with a physical and moral victor. Its not extremely hard to figure out who won what and why, nor to have much problem with it. The demands of the plot at that point keep the film rocketing towards the third act and the larger battle at hand.
The action-packed finale is chock full of special effects, high levels of tension and stakes, and a cacophony of comic panel-inspired images. One that particularly was jarring was ripped straight from Frank Millers The Dark Knight Returns and it involves a very large, very damaging explosion for one of our heroes. One of the small confusions I had was during this act however, as Lois becomes somewhat tangential to the story. Her interactions up until that point had been to drive the meta-narrative of the film, the uncovering of Lexs intentions and her own journalistic endeavors, and for a brief time there is nothing for her to do. So she does something that invariably will need to be undone and saved in the process. Its setup for the finishing blow, I know, but its probably the one creative choice I would have differed on.
The resolution of the film brings the tone back to echo the intro of the film, an examination of the consequences of these battles. Whether or not these will be cheapened in later films, obviously, has yet to be seen. Its in this quiet moment that I feel that the film, while involving a number of characters to include Batman of all people, really solidly became Supermans story. He is the heart of this film and Henry Cavill continues to play the character with depth and expression. The subtlety of his reactions, the timbre of his voice, it echoes throughout all two and a half hours of this film even when not onscreen. Though Bats does get to send off Lex with one last fright before the credits roll.
Overall, I felt the acting was superb in this film. Cavill and Affleck are made for their roles and are well on their ways to being the definitive iterations of these characters in this generation. Gal Gadot is incredibly strong as Diana Prince/Wonder Woman in what time she has on-screen. Jeremy Irons Alfred is just as indelible as Amy Adams Lois in terms of superhero sidekick. Eisenbergs performance I felt was mesmerizing, a truly fresh take that still felt like Lex Luthor. Characterization is a big sticking point for people now, particularly with Batman and Superman and how they deal with the criminal element. For me, it was simply a matter of Nothing I havent seen before. These things didnt bother me then and they dont now. These are not 100% accurate incarnations of their comic book counterparts, and Im thankful. These adaptations give a very clear window into how well Snyder and company understand what makes Batman and Superman great in their own ways.
Im ready for Justice League: Part 1, a new solo Superman film and solo Batman film. And Im ready for Zack Snyder to finish this trilogy on his terms, in his way. I want to see the seven unite and fight the forces of Darkseid, and all with the Trinity leading the way.
9/10