BOUGHT/THOUGHT "Nobody cares about MLK Jr apparently" 1/17

i haven't bought an issue of this comic in years, but i randomly picked up Fantastic Four 542 today

Reed apparently
has discovered/invented and has been using psychohistory from Foundation (one of my all-time favorites in any genre) to predict the future and knows nothing good can possibly come from opposing the SHR act

certainly gives depth to Reed's actions, as he states that only in a fraction of occurrences do the ends justify the means, but this is one of those times
 
It's good apart from seeing spidey's shriveled penis :mad:

Borrows heavily from dark night returns and basically reads like a MAX spider-man. It's nice to see a darker spidey for a change as it provides a good contrast to his usual schtick

You mean dark and depressing. Yup, real different.:whatever: :o
 
You might have some trouble tracking down the first issue, but yeah I'm thinking it's pretty good so far for a darker future for Spidey.

MaskedManJRK said:
Yeah, it was pretty good, if not just because of
the return of Hypno-Hustler! :D

And then his short, violent, demise. :(
 
Another week, and INVINCIBLE once again is set to come out a week after originally solicted (DIAMOND marks it for 2 weeks, and it always ships the latest one). That's a major shame because that was one of the few books this week where I was expecting excellance. There's good and bad this week, and some mediocrity. But Slott delivers again.

And ULTIMATE SPIDER-MAN #104 is so bad, not even the EMUSIC insert could stand to be near it.

DREAD'S BOUGHT/THOUGHT for 1/17/07, Part One:

52 WEEK #37:
Now we seem to be cruising to the home stretch with 15 weeks to go, and the stories are showing it. That's good, because a month or so back 52 seemed to be middling a little. The cover gives away the big reveal of the issue; Supernova is Booster Gold. This was something many fans have guessed a good 20 weeks ago, even after BG seemingly died in that explosion and his body was revealed. That said, it still works, if you're a fan of time-conveluted stuff, and Mike should stick with being Supernova because it was much cooler than his Booster identity, and with less baggage to boot. Booster Gold's origins are in time travel so this fits him better than it would fit, say, Batman or something. It turns out him and Rip Hunter teamed up, raided the Fortress of Solitude and strip-mined the Phantom Zone Projector to make the tech for Supernova, and some time-trickery allowed Booster to fight himself as Supernova and fake his death with his own future body. Wiggy. Of course, the concept of a cute sidekick floating football like Skeets becoming a power-mad serial killer is the sort of laughable, mid-90's plot points that leads to, well, Marvel imitating that angstiness with CIVIL WAR and Emoball. However, he is a POWERFUL nasty little football, as he literally absorbs the Phantom Zone into himself, forcing Booster & Hunter to flee. Elsewhere, Ollie talks to Canary about being mayor and Lobo, Strange and Starfire have a funeral for Animal Man, and the idea of Lobo in a pop hat is priceless; hell, his whole religious schtick is a quirky and unique angle for him. It works because we've seen far too many examples in real life of "horrible bastiches" who have much blood on their hands suddenly "finding God" and suddenly the slate is clean in their eyes. They have a good reason for leaving him behind (his body may have been contaminated with the bug that killed him), but predictably he's alive, and met by two aliens who I can honestly say look exactly like the Impossible Man, only are yellow instead of green. Not something I tremble at. Firestorm gets the origin and DiDio hints that his text page is the secret of 52. Maybe he's just been watching too much LOST when even the amount of eyeblinks an episode is some clue, creating an entire legion of conspiracy buffs. Anyway, I am glad that 52 is finding a second wind in it's home stretch, because that usually produces reliable reads. It'll be over by summer, but the ride's been good so far.

JLA CLASSIFIED #32: Not a mistake! I bought it because of two words; DAN SLOTT. Saw his name on the cover and thought, "Oh, these are the issues he's doing" and lapped it up. Dan Jurgens & Trevor Scott do the artwork and it looks as classic as you'd expect. Kind of a shame that Marvel's not interested in Slott enough to sign him exclusively to Marvel yet, but if THE INITATIVE sells like gangbusters I am sure they will, so DC fans should enjoy him while he lasts over there. Naturally, I guess JLA CLASSIFIED is sort of like a spinoff of JLA (but isn't there a JLA SECRET FILES too?), kind of like the X-Men have a million side titles and whatnot. It allows writers to tell stories with whatever JLA roster they want, as this is the roster from before INFINITE CRISIS, when John Stewart hopped on after gaining fame in the JUSTICE LEAGUE cartoon, and Plastic Man is still there. Naturally, Slott's style works well in the DC universe, which, while re-establishing the trend of emo-gritty-angst with IDENTITY CRISIS, isn't as afraid of that traditional superhero style as Marvel is, sometimes to the point of being stuck with it. The JLA are fighting a gigantic Dr. Destiny as he taps into the dreamscapes of everyone on Earth and it's all just dandy. Slott's not afraid of having Batman say lines that border on ridiculous or letting out a "Great Hera!" from Diana, whereas across the pond, superhero battles cause the death of innocent babies so no one even THINKS of making light of it anymore. They use team tactics to shatter Destiny's gemstone to beat him, utilizing J'onn and Stewart's willpower (Batman doesn't instantly save the day here, folks). Then the story shifts to Slott's new villian, Darrin Profitt, who is your enjoyable "average schlub" with a hint of malice and fantasy in his dreams who stumbles upon Destiny's shattered gem, and then exploits that power for the personal gain he's never had. He doesn't start out really malicious and just out to create a "perfect" life for himself with this new power, not terribly unrealistic. But then when he has it all he becomes bored with it, and Dr. Destiny tempts him with the "world takeover" plot, which entails fighting the JLA. Darrin accepts and becomes "the Red King", a sort of corny armored design, but again, Slott makes it work because he embraces it, keeps the story light enough that he can wink but plays it straight so you know he's not outfight mocking (unlike Ellis in NEXTWAVE). Apparently Destiny's gem allowed him to take into the dreams of everyone on Earth, some 6.5 billion, but now can alter reality, but as it has been shattered, thus it creates 6.5 billion alternate realities that he needs to annihilate to be free. Profitt traps Destiny and uses those realities to "play the odds", eliminating any in which he fails to create a perfect one, and then takes knowledge from a dozen to create his ultimate armor for Red King, in which he has only 3 realities left to play with (and one Destiny knows he is hiding). It's a little complicated but it works if you are willing to play with it like Slott is. And it provides some laugh-out-loud laughs. Definately a highlight of the week and I'll be looking for #33 in a couple weeks. It's double sized at $3.99, but it's continuity free and you barely need much knowledge of Dr. Destiny or the JLA to enjoy it. Give it a try. Especially if CRISES and WARS have made you weary.

FANTASTIC FOUR #542: The lone CW tie in this week, and it's a readable, efficient issue in itself. Naturally Millar and the CW proper title are too packed to try to pretend Mr. Fantastic is a character, so JMS is left to pick at the pieces with this tie-in and attempt to justify it. However, while his attempts make Reed seem less evil, they make him look more naive and inept. But there is a sense that JMS knows what he is doing, because at one point Johnny tells Reed, "The three of us have LITERALLY WALKED INTO HELL FOR YOU and we don't back you this time, doesn't that say something?", or words to that effect. Much like Cap & Tony, Reed & Johnny meet between CW battles to try to talk over some things, and as they're Marvel's First Family you buy it, in fact you wish they could still be one. Before, Reed came off like a weenie when he said he was "doing this to protect his family" while it was CAUSING his family to break apart and be placed in more danger. He also knows the SHRA has produced fatal side effects and stands up for it anyway, in the name of his precious calculations. In this issue we get to see them, as well as have JMS use another writer's tool, the retcon. Apparently Reed was stoked by the fictional science of "psychohistory" at 12 when he read a book, so he literally INVENTED a science theory that attempts to chart and predict the course of history. So, of course, this is JMS saying, "Reed has been secretly at this forever, conviently never mentioned this "secret room" across maybe 2-4 past headquarters, and it only comes up now because CW is here and we want to make it seem as if Mr. Fantastic was destined for this. Johnny used Reed's past to try to reason why he is in this, including stealing their rocket and otherthrowing no end of cosmic governments, but Reed apparently is fixed because his theory says the SHRA is the lessor of many evils. The Mad Thinker is brought in to check on Reed's facts because he's the only one capable, and it's a nice conversation if you forget the fact that Reed is bargaining with an outright criminal who he KNOWS teamed with Puppet Master to create an explosion that killed a Yancy Street kid a few issues back. Hey, so, let me get this straight; Speedball and the New Warriors are demons because they "incited" Nitro to blow up and kill 600 people, including dozens of kids, but Mad Thinker & Puppet Master get a pass because they only killed one with a planned explosion and Reed needs a MathCheck? Ugh. CIVIL WAR has worn many heroes into the ground by removing villians from the stage in the name of "realism" and having them at best be pawns of overreaching heroes. It also has a bit of "Ultimate Clone Saga"-syndrome in that it is a story where JMS has heaped past "motivations" for Reed, but finally here is the "real" one, making the last few almost a waste of time to have read and debated. Reed isn't behind the law because it's the law, or because he learned the absolute backward ass lesson from his uncle's plight, it's because math tells him that the SHRA is worth supporting because the alternative will be worse; pretty much Iron Man's arguement in the too little, too late CASUALTIES OF WAR. Mad Thinker also, again, sets up the dilemma for the pro-SHRA's for the upteenth time; they're spending so much time looking ahead into the future or at aggregates, they overlook the present, or individuals (or "common sense" as Thinker puts it), when Sue is revealed to have been eavesdropping. Only whereas Tony is honest with himself that performing "evils" is required, Reed seems to deny that fact and that leads him to do worse evils. Such as, oh, working with and not arresting villians whose actions have killed someone. Or creating Clor and siccing him on the Secret Avengers, killing Goliath. The best bit is Thing and Anias tangling with some HYDRA agents in France and Johnny offering Thing a spot on the Secret Avengers should he change his mind (and also wanting to check on his pal), and Franklin & Valeria popping people with blocks. It's a readable issue and JMS addresses some issues that other writers have ignored, but Mr. Fantastic is just all wrong here and he's become more of a demon in CW than Iron Man has, who at least had some past *****ebag status. You want to just smack Reed upside the head until he gets it, and that can make stories like these annoying to read. But this is Marvel for CW; they don't want you smiling as you grab an issue, but recoiling, as if bracing for a blow. It makes fans "excited". Sure. If I was being chased by muggers, you bet your arse my adrenaline would be pumping. But you eventually get weary of it, and that is where I am with CW and especially with Reed. Just cut it out, Stretcho. Really. The rest of the Four figured out The Brute took your place once for being HALF as nefarious. The only character coming out worse is Speedball, and that at least was unexpected going into FRONTLINE #10, whereas Reed has been wrung through for half a year now. So, at this point I just want to deal with the over-the-top final slugfest, their sacrificial lamb deaths, and move on to the aftermath and recovery. It's like those ASM issues where Spider-Man would do the wrong thing despite angsting about it and you just want to get it over with. Least Spider-Man wised up and did what should have been obvious. Marvel thinks that "a supervillian out" is so "outdated", but fellas, the "I did bad because the math told me too" is even lamer, especially coming from a guy who was one of Silver Age Marvel's first superheroes (coming out in 1961, the Four outdated many of modern Marvels including Spidey, Hulk, the X-Men, Thor, Dr. Strange, etc). Being a superhero involves morality over logic and laws, and in trying to be realistic I think Marvel is forgetting that, or thinks it's outdated, and that means their characters are losing it. CIVIL WAR is much better than HOM was and should produce fodder for jazzed up B-Listers, new characters and whatnot, but I just want to brace for that final shot and call it a day with it.

GHOST RIDER #7: As I say every month, a readable, enjoyable relaunch mired by a pointless retcon. There was no purpose to retcon in Lucifer over Mephisto, none, especially as Ghost Rider's continuity has had previous flubs from half-thought out relaunches before. Corben does the art and it's still choppy and suckier than the last artist, as Ghost Rider offs one of the Devil's bodies and we go over how Blaze died and went to Hell. Basically, he was set up by a demon posing as, what else, a lawyer. I'd mark it as clever, but it's been so overdone that it's generic. The action at the end is nice and the story is readable, but I just can't stand the retcon here, even if a bloody movie is coming out. When you do glaring retcons to service a movie, you are basically saying, "The Fans of 30 years ago mean jack to us compared to potential new fans now", and that poses a unique dilemma because logically, if a new fans sees how easily the old can be discarded for the new fix, how long do they expect to last? For chrissakes, they could have just swapped names in the story and kept Mephisto with Lucifer's design; I mean he's a demon and can change his appearence whenever he wants. So this is an awkward title. I can't get past the retcon but aside for that the stories and readable and enjoyable. But it's a big elephant in the room. May give it another issue or so, not sure on the rest.

More to go...

USM #104
Ult. XM #78
XM: FIRST CLASS #5
 
Dread's gonna rip USM a new one.

I plan to. So bad it gets it's own seperate post, to keep it away from other books I talk about.

DREAD'S BOUGHT/THOUGHT for 1/17/07: Part Number Two (and I mean "Number Two")

TURD WITH STAPLES (sold in the States as ULTIMATE SPIDER-MAN) #104: There once was a time where I would read this book in trade and anxiously count the weeks before I could pluck down a twenty for another 6 issues or so. Then by the time I hopped on monthly for SABLE, the series still had enough hits that I did look forward to issues, even if they were repetitive, regurgitated the same mistakes from past arcs, and underwhelmed. After all, I felt, this was Spider-Man at his roots, reinvented for the 21st century. The book balenced and intertwined his superhero life with his soap opera of a civilian one, and that is essential to Spider-Man. Even when he hangs out with the Four or dates Shadowcat of the X-Men, that essence was there. I mean I'd abandoned ASM and most other Spider-books for over a decade before CW, but USM I stuck with, after deciding to give the trades a try after it'd been around a year or so. But then CLONE SAGA happened, and it's so bad that I'm venting all of my frustrations that I had with the title, even when I liked it, onto this buffalo crapfest of a story. Quite frankly the best thing about it is the cover. What a dynamic cover. Spider-Man, with Spider-Woman behind him, facing a tech-ier looking Dr. Octopus, with their placement revealing quietly that they're all standing sideways on the wall of a building, overlooking the city. What a shame that inside, you get Peter in torn civvies and Jessica fighting Ock in a sandstorm of inked pencil swurls. Maybe Bags was trying for manga, and failed. NOW, when I pick up an issue of USM, I look forward not to the contents, but on trashing it at SHH. I look forward to hating it. I read half of it on the bus ride over here and once I sat down again I honestly considered not bothering and giving ULTIMATE X-MEN a try. Even the title on the cover is draining; CLONE SAGA, PART 8. Part EIGHT! And NINE is next month! Holy horse-****, who on god's green earth believes this warrented 3 quarters of a year's worth of issues (including a double sized, increased priced, shamelessly padded out with ads and recaps issue #100)? This is an age where all of Whedon's stories move slowly at 6 parts and this is 50% longer! Even if it was decent I might be tiring of it by now, as I am with CIVIL WAR sometimes (and that is a mere 7 issues). Heaven knows HOUSE OF M was 8 issues and a good 4 went nowhere. But this is Bendis' longest yet and it's just not worth anyone's time. It's not even worth printing; how I pity that poor, poor printer having to vomit up maybe 80,000+ issues of this. If industrial printers had voices, it would scream and beg for death after printing these for 7- 8 months.

And what makes it MORE infuriating is that Bendis brought this upon himself. The last CLONE SAGA dragged on for 2 years and was the definition of a crappy Spider-Man story, reaching the apex of bad 90's stuff, but at least their excuse was they had no hindsight in the beginning. The writers had no idea how hostile the fanbase would get and they got bogged down by editorial blunders to stretch it out. And as it was a crossover I am sure it had a lot of "too many cooks" syndrome, much like THE OTHER. But this was maybe 8 years later. Bendis has the knowledge of hindsight. Even if he didn't, he had Bagley aboard to tell him horror stories as he was still drawing ASM back then, since we know that getting Bendis to read back issues is like expecting a whale to grow legs. He had a solo title and a fresher, newer universe for his hero (and, if you want to go there, an unmarried one). And despite all that Bendis STILL dove us headfirst into a storyline that is a Spider-fan's DEFINITION of what NOT TO DO with Spider-Man anymore, and he sent it to hell in a 3rd of the time. Why? Because apparently no idea has ever been done unless Bendis himself has done it, and he's like King Midas where even his feces is supposed to be golden, apparently. And I used Midas on purpose because like him, Bendis' gift has become a curse. He does have some good ideas, but he's struggled many a time on executing them, and he has an ego bigger than the moon when, combined with coddling editors, doesn't force him to grow as a writer but remain trapped in his schtick. The past 4-5 arcs of USM were repetitive enough and CLONE SAGA is almost a nightmarish rehash of all of them. Bendis will never admit this story is flawed, no matter who brings the flaws to his face.

MJ becomes the Demon Were-Gerbil again before the 5th page, usually a sad indicator. Nick Fury and Trask, along with a small army of nameless soldiers, bark back and forth about who is arresting whom in a rehash of the past 2 issues. And Peter & Spider-Woman get ready to face down Ockneto and his Tentacles of Doom. Okay, okay, last month I claimed that Ultimate Ock having magnetic powers had some originality to it, and I stand by that. This is Ultimate and if you can't make some changes here and there, it's no fun. Lord knows BKV made some dramatic changes to some characters in his ULTIMATE X-MEN run (Mr. Sinister is the biggest, but he also made Longshot a killer, Spiral merely a six armed warrior with zero mystical powers, et al). It's the nature of Ultimate. The problem is that it makes utterly no sense why Ock didn't reveal this before and use it to kick ass and save himself from being arrested, sometimes by far more powerful adversaries. He didn't bother with this in HOLLYWOOD, when Spider-Man beat his ass a second time and threw him behind bars. And he didn't reveal this in ULTIMATE SIX, when only the Ultimates, his universe's most powerful team, were beating him down to return him to jail. Both of those written by Bendis. No, he reveals it now, when attacked by some clones that are able to be killed within a page if he concentrates, as Six-Arms showed. It comes across as an idea that Bendis just thought of and threw in, like a lot of what happened in Clone Saga. Such as why if they were making Parker-clone soldiers, did they clone an older version just to pretend to be his father, or remake Carnage in a clone of GWEN and not Parker? It makes no damned sense but to swing to the whims of a flawed story. This is supposed to be the dramatic showdown, but it's ruined because Bagley's art gets very sketchy. Obviously the inkers and colorists needed to do a lot of work on some panels that resemble a sandstorm. Some panels look great but others look rushed and I wonder if the Clone Rehash is inciting some PTSD in Bagley. One panel has Peter's leg looking like rubber as he jumps over a tentacle. Maybe after 8 issues Bagley is tired of the story, too. As expected, Peter doesn't beat Ock here, but needs Spider-Woman to basically carry him through the fight and at best acts as her sidekick. In itself that's not so bad as Peter's beaten Ock twice on his own, cleanly, but this is coming after several arcs in a row where Spider-Man has utterly failed to beat the main villian, and/or needed to be carried by a far more competant, female fighter. It gets ridiculous that this title has become so predictable, and that simply means Bendis is burnt out, understandably after over 95 issues, and needs to go, or hire a co-writer and check his ego enough to listen. SABLE: Needed Sable to beat Vulture. DEADPOOL: needed Kitty to beat Deadpool. MORBUIS: Needed Morbius to beat the Vampires. ULTIMATE ANNUAL #2 (which was good, BTW): needed Daredevil to beat people. Even the beginning of CS, needed Kitty to beat the Ringer, an Ultimate version of an Z-List hoser. Sue and Richard Clone talk on a roof about the revelation, and it's supposed to be potent, but it's mired when several panels are wasted on Bendis' easilly-spoofed-by-fans "repeato-dialogue" where every line is repeating something the last one just said. And I would like to note this is the 5th issue where Spider-Man has been nowhere near his costume. Maybe that doesn't matter to Bendis, but it is one of thoss pesky superhero genre expectations that he bucks out of arrogance or spite. And it's also the 5th issue WITHIN THE SAME SCENE, for F's sake! They'll throw the "it reads better in trade" garbage, but you can't ignore the viewing reality of the 85,000+ readers who read this monthly. But this story needed to be rejected at the editting board. It was a corpse that didn't need resurrecting. It ends where MJ is cured of the Oz formula, because Dr. Storm had been working on a cure, although Fury never bothered to ask it be used on Norman Osborn back when SHIELD and the Four were chummier. And I STILL don't understand why if Fury at least knew Parker had been cloned, he wanted to arrest HIM. Shouldn't he have informed Parker, insisted on his help with the Spider-Slayers in tracking them down and going from there? No, he has to go overkill on the *****e thing just for story purposes. Reed then offers to cure Peter of his powers. Obviously after all this, this is meant to be a tough decision. If I was Peter I'd just kill myself, or steal one of Reed's machines and take my chances with the Marvel Zombies world. Nevermind that it was the CIA that cloned Peter, and it was their bad ideas that caused this, much like Conners and Rielly's created Carnage; had Peter no powers, he'd never have been able to at least try to stop them. And then all of the villians he has beaten would have gone unstopped, like Osborn (who was making Oz anyway) and so on. And then after breaking up with MJ because his life was too dangerousn for her and she was too dumb to stay out of it, after her life has been in the worst danger yet, he gets back with her, figuring that she'll be in danger even if they are broken up, so they should get back together. Plus, it's the 616 status quo, and she can't upstage him in front of villians like Kitty does. Since Bendis has already done the "Spidey quits" storyline, it's time to do the "Spidey tries to erase his powers" storyline, or at least visit it. I know I'm probably nitpicking to death here, but I am just so damned tired of this storyline. AND IT STILL HAS AN ISSUE TO GO!

Right now, USM is like drugs to me. I don't like it, it gives me nothing but agita, and it takes money from my wallet. But I just keep finding more excuses to stay on it, and can't stop. The latest excuse is, "ULTIMATE KNIGHTS looks good", until I saw that ULTIMATE RONIN, yet ANOTHER failed plot point that Bendis just won't let die ("The 3rd time's the charm, tuchas-heads!") is coming up here. On some other sagging Ultimate titles with new writers I can at least reasonably hope for improvement; Kirkman's been on maybe a year and Carey not even half of one. But Bendis is the writer for the forseeable future and as the misses start to outweight the hit's I really need to consider how vital this title is. I'd hate to miss a good story, but is that possible from Bendis, unaided, on USM after 95 issues? BKV at least had the heart to leave his beloved RUNAWAYS while it was in it's prime and before he started writing stories like, well, THIS, when the well is dry and you're sucking on rocks for the moisture. Even Bagley has called it day soon. It's insanity to expect more goodness from Bendis after this TURD WITH STAPLES storyline. But, sadly, I probably am a bit insane.

But to everyone else out there? STAY AWAY! I cannot recommend USM in any sense of the fashion right now, or next arc, or maybe ever again. If you are tempted to buy an issue, or a trade after DEADPOOL, don't even bother. I don't care if you want to be a completist, or want to see if it really is as bad as I say. If you do buy it, set it on fire and wipe it's atoms from the earth. Lord knows if Bendis was offering cash refunds for this like he was on DISASSEMBLED, I'd take him up on it. In fact, I wouldn't even want money, I'd ask for him to invent a flipping time machine like Mr. Peabody and give me back the hours I've spent reading, reviewing, and buying this mess. This and FRONTLINE #10 are standing neck in neck for "Why People Don't Read Comics, Evidence A" for the past 30 days. Bart Simpson is wrong, it IS possible to "suck and blow at the same time", and it's Ultimate Clone Saga. Run, save your children, and never look back. It stinks so bad that in a million years when alien archeologists dig through our bones, they'll mistake it for toilet paper. It makes anything written by Austen or Zimmerman look like the land of milk & honey. It's so bad that in comparison I'd give Howard Mackie the Lifetime Achievement with Spider-Man award.

And there still is a Part Nine. Even the apocalypse only had four horsemen. It's almost an excerise in how bad a story Bendis can write and still be given untouchable A-List status by Marvel. It's just...poopy. I guess the Ultimate line needed a story that was the embodiment of crap, and this serves that role. Now that it exists, all writers have something they know to avoid. Thanks for reviving this dross, Bendis. Thanks a lot. You EARNED baldness for this one.
 
52 WEEK #37:[/b] Firestorm gets the origin and DiDio hints that his text page is the secret of 52. Maybe he's just been watching too much LOST when even the amount of eyeblinks an episode is some clue, creating an entire legion of conspiracy buffs. Anyway, I am glad that 52 is finding a second wind in it's home stretch, because that usually produces reliable reads. It'll be over by summer, but the ride's been good so far.

We figured it out already.
 
Dread, your review of USM is so awesome :D :up:
 
FANTASTIC FOUR #542: But there is a sense that JMS knows what he is doing, because at one point Johnny tells Reed, "The three of us have LITERALLY WALKED INTO HELL FOR YOU and we don't back you this time, doesn't that say something?", or words to that effect. Much like Cap & Tony, Reed & Johnny meet between CW battles to try to talk over some things, and as they're Marvel's First Family you buy it, in fact you wish they could still be one. Before, Reed came off like a weenie when he said he was "doing this to protect his family" while it was CAUSING his family to break apart and be placed in more danger. He also knows the SHRA has produced fatal side effects and stands up for it anyway, in the name of his precious calculations. In this issue we get to see them, as well as have JMS use another writer's tool, the retcon. Apparently Reed was stoked by the fictional science of "psychohistory" at 12 when he read a book, so he literally INVENTED a science theory that attempts to chart and predict the course of history. So, of course, this is JMS saying, "Reed has been secretly at this forever, conviently never mentioned this "secret room" across maybe 2-4 past headquarters, and it only comes up now because CW is here and we want to make it seem as if Mr. Fantastic was destined for this.
This issue was actually written by Dwayne MacDuffie, the new regular writer.
 
:eek:Dread, I thought the FF review was long... I can't even read the USM one until later. Damn you have a lot of hate.
 
Hold up!! What?? Repeat explain!

:hyper:

The story is about a futuristic New York where the government's oppresing the people's freedoms and will soon keep them confined in a net-like prison surrounding the city for their "protection." There is a resistence, lead by so-old-it's-not-even-funny JJ Jameson and a bunch of little kids. They have Hypno-Hustler destract the cops--or Reign as they're called--while the resistence taps into the TV's and internet and such, call the people to action, and lure Spider-Man to become their champion.
 
Exiles 90 - Claremont actually didn't make me wanna kill myself, him, or Psylocke. I thought it was a typical issue, on par with Bedard.

Cable/Deadpool 36 - Deadpool beat Tasky a tad too easily for my tastes and I with he'd go back to the costume w/ the hoody. Good issue though.
 
I plan to. So bad it gets it's own seperate post, to keep it away from other books I talk about.

DREAD'S BOUGHT/THOUGHT for 1/17/07: Part Number Two (and I mean "Number Two")

TURD WITH STAPLES (sold in the States as ULTIMATE SPIDER-MAN) #104:
But to everyone else out there? STAY AWAY! I cannot recommend USM in any sense of the fashion right now, or next arc, or maybe ever again. If you are tempted to buy an issue, or a trade after DEADPOOL, don't even bother. I don't care if you want to be a completist, or want to see if it really is as bad as I say. If you do buy it, set it on fire and wipe it's atoms from the earth. Lord knows if Bendis was offering cash refunds for this like he was on DISASSEMBLED, I'd take him up on it. In fact, I wouldn't even want money, I'd ask for him to invent a flipping time machine like Mr. Peabody and give me back the hours I've spent reading, reviewing, and buying this mess. This and FRONTLINE #10 are standing neck in neck for "Why People Don't Read Comics, Evidence A" for the past 30 days. Bart Simpson is wrong, it IS possible to "suck and blow at the same time", and it's Ultimate Clone Saga. Run, save your children, and never look back. It stinks so bad that in a million years when alien archeologists dig through our bones, they'll mistake it for toilet paper. It makes anything written by Austen or Zimmerman look like the land of milk & honey. It's so bad that in comparison I'd give Howard Mackie the Lifetime Achievement with Spider-Man award.


Damn :eek:
 
Dread, your review of USM is so awesome :D :up:

It's like Shakespeare, but SOOO much better:woot:

Thanks!

This issue was actually written by Dwayne MacDuffie, the new regular writer.

It was? Yep, I didn't read the cover because it's one of those generic CW ones. You're right. Well, it certainly does explain the umpteenth "Reed's reason" and some rehashing.

He does on everything he writes.

Really? Hmm, to send this back to him, or to simply CGC some of the issues and sell them for more bucks to suckers on eBay. Or to find a video cam and burn them in a campfire on YouTube.

Colossal Spoons said:
Cable/Deadpool 36 - Deadpool beat Tasky a tad too easily for my tastes and I with he'd go back to the costume w/ the hoody. Good issue though.

I flipped through this at the store, just to see if Taskmaster would lose, and he did. It's great that he's popping up again after years in limbo, but CRIPES, he's become akin to the Juggernaut during the 90's; a baddie with a lot of past rep who gets spanked to show how tough someone is. First Moon Knight turns him into a whimpering wuss and now Deadpool, who can't even beat the GLA, jolly-stomps him. It's just hard to accept him as the guy who routinely could stop Iron Man and half the Avengers anymore, or as even Marvel's answer to Deathstroke (who may have debuted first). Unless he puts up a decent showing in CIVIL WAR #7 or FRONTLINE #11 somewhere, Taskie's going downhill. And that is a shame because in the right hands he's a terrific combatant.
 
I agree about Taskmaster. Fabian shouldn't be allowed to write him ever again. He should totally be in New Thunderbolts instead of Swordsman. :up:
 
Wow, boooooooooooy am I glad I dropped ult Spidey, this crap stinks all the way up here in Canada. :dry:
 
dread, you know, i read that whole review of usm, and i'm thinking to myself, "this must literally be the absolute worst thing to ever be put on a comic book page".

and then i'm thinking, "but dread's gonna buy the next issue."

seriously, man. i'm pretty sure you hand back your credibility card when you continue to support drivel on a monthly basis.

it literally is like if i, everyday, ate **** just to see if tomorrow's **** will be any better. and then asked to be taken seriously.
 
Dread just takes one for the team(us). Somebody has to go outside after a nuclear fallout to make sure the air is clean to breathe :up:
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"