BvS David S. Goyer IS the Script Writer! - Part 1

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The plot doesn't really revolve around the codex, though it is certainly part of it.

That's what Zod wants, and its what draws him to Earth. But what Zod wants isn't the plot of this movie. It's a subplot, just as Jor-El sending the codex to Earth with Kal, and all of the "Rebirth of Krypton" stuff is part of a subplot, and not one that is really resolved, which suggests that it may well be part of future films in the franchise.

The plot of this movie is focused on Kal-El/Clark Kent's struggles and his evolution into Superman.
 
But the codex basically sets the plot in motion. It's very much a Mcguffin, just like the tesseract in The Avengers.
 
The plot absolutely relies on a McGuffin and its the most ludicrous one ever conceived, the goddamned codex. WHO thought of THAT?

exactly...who would base a whole movie on a silly device that doesn't exist and we are not told what it's capable of doing? **cough, cough Avengers, cough, cough**
 
But the codex basically sets the plot in motion. It's very much a Mcguffin, just like the tesseract in The Avengers.

No it doesn't. The demise of Krypton and Jor-El sending Superman to Earth sets the plot in motion. The codex itself doesn't do much of anything, isn't focused on much, and doesn't show up in the plot again until quite a bit later in the film. It is a motivational tool for Zod, but it is not, in itself, what drives the plot of the film.
 
No. I advocate no such thing. If you read my original post (in response to DA Champion) as well as my following replies you will see that I am speaking about individuals who have been trained and practiced in their respective fields who have accumulated knowledge and wisdom far beyond your own breadth of understanding- and how it is important to take this kind into consideration and allow it to help inform your own opinion.
I agree to an extent, but this isn't the same thing as having Einstein himself give you informed advice on your science fair project of Da Vinci's thoughts on your portraiture, I get it..However this is the reality of the situation, him saying stuff like this:

...if I wanted to see Boy of Steel I would have seen Boy of Steel –and that slips into the category of personal preference rather than intelligent critique. It’s more just to the storyteller. I understand that you want growth and development and stuff, but I just want a little more pay off to that...
We thought we were getting a Superman movie, and we got a Superman in training movie, and maybe that’s part of my disappointment, too; maybe my expectations were forwarded that way..

the first and last words out of my mouth were, before we walked in that theater, was I turned to my girlfriend and said, “Look, my expectations are moderate, I’m good, as long as he doesn’t kill anybody.” I swear to God I said that, but in jest, because who would have thought?

And lastly this: As a writer, and I could be wrong, I don’t think Superman is built for that kind of story. I don’t think Superman is built as a character to fail the Kobayashi Maru. Superman was created specifically to do the impossible, and I don’t mean that just in the philosophical sense, I don’t mean that in an abstract sense, I mean literally – two 17 year olds from Cleveland created this character specifically to do the impossible.

Informed opinion or not, it's simply boils down to his feelings on Joe and Jerry's work/character. Sorry but I don't subscribe to his idea of superman vs the impossible at the end there, that makes for a product that is disconnect with the modern audience. Funny enough, I prefer the traditional "guideline" of fallible heroes and not omnipotent gods as protagonists.

It just reads largely like a bunch of what he wants from superman...unlike Thor, this production has been facing that since release. Here we have just another one of those persons that just so happens to have written a few good stories telling us what he wanted from this else worlds. And other fans hoisting up his opinion due to his position. This would be no different if it was Waid talking about the Gladiator movie. I'd take that with more value to be honest given the lack of bias.

This is exactly my point. Goyer was playing by the rules (three act structure/classic hero's journey, in a straightforward action adventure movie, inundated with all the tropes, cliches and trappings that generally accompany, etc...) and he failed within those established confines.
Ironically, his failure to meet said rules, is up for debate. Opinion.

How do you think Goyer compares to Mozart? lol.
Goyers been responsible for some of my favorite adaptations. Growing up I must have burned though my blade vhs like 700 times, it really spoke to me. Mozarts artistic contributions do nothing for me personally. That's how they compare to me. How they compare in another comparison is something else and will no doubt differ to the opinion of others...
 
No it doesn't. The demise of Krypton and Jor-El sending Superman to Earth sets the plot in motion. The codex itself doesn't do much of anything. It is a motivational tool, but it is not, in itself, what drives the plot of the film.

But the codex is central to the events moving forward, from start to finish. Jor-El implanted it into Clark, Krypton's new hope, and died for his efforts shielding his child from Zod who was looking for it.

Zod came to earth seeking the codex from Clark is the next act. Zod wanting to kill Clark to "harvest the codex" brings the movie to the penultimate act in Metropolis.

"The codex itself doesn't do much of anything." -- pretty much describes a Mcguffin right there.
 
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Supposedly I'm on ignore, but...

How does the plot rely on a McGuffin, exactly?

How can you watch this movie and claim that Superman has no arc? He clearly does have one. The whole origin story. The search for identity and purpose. The "hiding from humanity and believing he will be feared and misunderstood" evolving into "stepping into the light as a savior", the "going from a loner to trusting in and working with, even leading others" stuff? That's his arc. It's delineated pretty well within the film.
Not that the "rules" state characters need arcs but I figured the one in this was pretty darn clear.

While he doesn't make speeches like his father, I seriously doubt that Clark/Superman actually has fewer lines than Jor-El does. I haven't counted the lines he has or the decisions he makes lately, so I can't be sure. Though I don't see why the number of lines/decisions made is relevant to the quality of Superman's portrayal in the first place.
It's a numbers game, clearly.
 
But the codex is central to the events moving forward, from start to finish. Jor-El implanted it into Clark, Krypton's new hope, and died for his efforts shielding his child from Zod who was looking for it.

Zod came to earth seeking the codex from Clark is the next act. Zod wanted to kill Clark to "harvest the codex" brings the movie to the penultimate act in Metropolis.

"The codex itself doesn't do much of anything." -- pretty much describes a Mcguffin right there.

No, the codex is central to a couple of key events, at certain points in the film. Not all, or even most of the events in the film. In fact, it's mostly central to elements of the plot revolving around Krypton, which is, in itself, actually the subplot of this movie, not the main plot.

I never said it wasn't a McGuffin. It very clearly is. I said the plot doesn't revolve around it.

Some of the plot certainly involves the codex. Reading back, DA actually said "the plot relies on it". That's true, in the most literal sense of the phrase. But the plot always has to rely on something, or the movie would end. My point is: The majority of the plot, the overarching plot of this movie, does not rely on the codex.
 
Having a McGuffin in a film is not a bad thing....I felt like this needed to be clarified
 
Since we touched on the codex, anyone think the codex will be referenced in future movies? I thought it was contrived BUT if it's mined in the sequels could be a rich plot devicey source.
 
Having a McGuffin in a film is not a bad thing....I felt like this needed to be clarified

Yeah, a lot of the classic pop corn movies employed McGuffins. Just another storytelling device.
 
Yeah, I don't think they would introduce something like that and just forget about it. I think it was hinted that something was going on with the Codex and Superman during the Phantom Drive singularity sequence toward the end of the movie. My guess is this is how they are going to incorporate Braniac into the franchise.
 
No, the codex is central to a couple of key events, at certain points in the film. Not all, or even most of the events in the film. In fact, it's mostly central to elements of the plot revolving around Krypton, which is, in itself, actually the subplot of this movie, not the main plot.

I never said it wasn't a McGuffin. It very clearly is. I said the plot doesn't revolve around it.

Some of the plot certainly involves the codex. Reading back, DA actually said "the plot relies on it". That's true, in the most literal sense of the phrase. But the plot always has to rely on something, or the movie would end. My point is: The majority of the plot, the overarching plot of this movie, does not rely on the codex.

Oh ok.
 
Yeah, I don't think they would introduce something like that and just forget about it. I think it was hinted that something was going on with the Codex and Superman during the Phantom Drive singularity sequence toward the end of the movie. My guess is this is how they are going to incorporate Braniac into the franchise.

Sounds cool.
 
I agree to an extent, but this isn't the same thing as having Einstein himself give you informed advice on your science fair project of Da Vinci's thoughts on your portraiture, I get it..However this is the reality of the situation, him saying stuff like this:

...if I wanted to see Boy of Steel I would have seen Boy of Steel –and that slips into the category of personal preference rather than intelligent critique. It’s more just to the storyteller. I understand that you want growth and development and stuff, but I just want a little more pay off to that...
We thought we were getting a Superman movie, and we got a Superman in training movie, and maybe that’s part of my disappointment, too; maybe my expectations were forwarded that way..
the first and last words out of my mouth were, before we walked in that theater, was I turned to my girlfriend and said, “Look, my expectations are moderate, I’m good, as long as he doesn’t kill anybody.” I swear to God I said that, but in jest, because who would have thought?

And lastly this: As a writer, and I could be wrong, I don’t think Superman is built for that kind of story. I don’t think Superman is built as a character to fail the Kobayashi Maru. Superman was created specifically to do the impossible, and I don’t mean that just in the philosophical sense, I don’t mean that in an abstract sense, I mean literally – two 17 year olds from Cleveland created this character specifically to do the impossible.

Informed opinion or not, it's simply boils down to his feelings on Joe and Jerry's work/character. Sorry but I don't subscribe to his idea of superman vs the impossible at the end there, that makes for a product that is disconnect with the modern audience. Funny enough, I prefer the traditional "guideline" of fallible heroes and not omnipotent gods as protagonists.

It just reads largely like a bunch of what he wants from superman...unlike Thor, this production has been facing that since release. Here we have just another one of those persons that just so happens to have written a few good stories telling us what he wanted from this else worlds. And other fans hoisting up his opinion due to his position. This would be no different if it was Waid talking about the Gladiator movie. I'd take that with more value to be honest given the lack of bias.


See, I don't wholly agree with what he has to say on the matter, but I do understand where he's coming from and find his insight to be valuable in understanding certain aspects of the character. Again, this instance in particular isn't the greatest example of what I was getting at.


Ironically, his failure to meet said rules, is up for debate. Opinion.

Yes, and there are those that believe evolution is a fantasy even though science proves that it is fact.

Goyers been responsible for some of my favorite adaptations. Growing up I must have burned though my blade vhs like 700 times, it really spoke to me. Mozarts artistic contributions do nothing for me personally. That's how they compare to me. How they compare in another comparison is something else and will no doubt differ to the opinion of others...

Illuminating.
 
Didn't anyone else find likes like "I have uploaded the codex", "I have downloaded the codex", "I put it on the ship's harddrive" remarkably silly and just off putting.

This was a pseudo medieval society which was very advanced nonetheless and had a different display technology (that 3D screens ****). Wouldn't they have different information sharing mechanism rather than pen drives and uploading and downloading. It all sounded very silly.
 
I didn't find it any sillier than aliens speaking English. It's just film shorthand...making concepts accessible to general audiences.
 
But what is the codex? Is it a skull shaped object? It is a cell structure? Is it data on a hardisk? What is it? How did Jor-El convert that skull into some cell structure of Kal-El? Honestly I don't even wanna know. :D I ain't interested.
 
Didn't anyone else find likes like "I have uploaded the codex", "I have downloaded the codex", "I put it on the ship's harddrive" remarkably silly and just off putting.

This was a pseudo medieval society which was very advanced nonetheless and had a different display technology (that 3D screens ****). Wouldn't they have different information sharing mechanism rather than pen drives and uploading and downloading. It all sounded very silly.

It didn't bother me but I thought it was a pity they didn't play up the pseudo medievalism, the coat of arms etc.
 
See, I don't wholly agree with what he has to say on the matter, but I do understand where he's coming from and find his insight to be valuable in understanding certain aspects of the character. Again, this instance in particular isn't the greatest example of what I was getting at.
It's one thing to see where he's coming from, it's another for people to suggest that disagreeing with Waid is wrong on the basis that his opinion is more valuable than yours.

Waid not liking a superman that can lose isn't indicative of some greater understanding of character and writing. It's what happens when you get the opinion of a fan with an idealized framing of a character, not to different from asking a boy about Bo Jackson in the 90's.
Where was this waid when he wrote KingdomCome I keep asking.

Yes, and there are those that believe evolution is a fantasy even though science proves that it is fact.
Well, until science proves mos fails at character development and all that stuff as fact, comparing people that disagree with your reading, to creationists will continue to look silly.

Illuminating.
If only.
 
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It's one thing to see where he's coming form, it's another for people to suggest that disagreeing with Waid is wrong on the basis that his opinion is more valuable than yours.

Waid not liking a superman that can lose isn't indicative some greater understanding of character and writing. It's what happens when you get the opinion of a fan with an idealized framing of a character, not to different from asking a boy about Bo Jackson in the 90's.
Where was this waid when he wrote KingdomCome I keep asking.

We'll, until science proves mos fails at character development and all that stuff as fact, comparing people that disagree with your reading, to creationists will continue to look silly.

this plus 100000
 
It's one thing to see where he's coming form, it's another for people to suggest that disagreeing with Waid is wrong on the basis that his opinion is more valuable than yours.

Absurd in this instance, agreed.

Waid not liking a superman that can lose isn't indicative some greater understanding of character and writing. It's what happens when you get the opinion of a fan with an idealized framing of a character, not to different from asking a boy about Bo Jackson in the 90's.
Where was this waid when he wrote KingdomCome I keep asking.

I'm not sure that this is exactly what he's getting at. He understands that as a writer, your character must make difficult decisions and be beaten down. Spot on with the Kingdom Come example btw.

We'll, until science proves mos fails at character development and all that stuff as fact, comparing people that disagree with your reading, to creationists will continue to look silly.

It's a parallel, and one that's not entirely without merit. The established guidelines and structures of 3 act storytelling, etc... (which Goyer is working well within the confines of) is where MoS fails.

This might well be a result of the direction or editing though (as Snyder revised the ending). I haven't read the script. Is it available online?


:woot:
 
How can his opinion be "completely erroneous" if there's "certain truth to his complaint"?

Because I'm a woman and I contradict myself at the same time?

His statement is one of fact: Superman doesn't kill.

This is false. It is erroneous. But there is a tinge of truth if you take his statement in a broader view. At any rate, have a little mercy on me, since I'm dreadfully sick (ok, ok, it's just a stomach bug, but let me whine about it).

I'm not arguing the morality; in fact, I agree with the ones you bring up here! Superman should kill in the right circumstances -- that works for me.

Aww, look at us agreeing! It's so much fun! :fhm:

The death makes complete sense in the movie. Zod had to be taken out, no questions asked. But Waid wasn't questioning the movie logic, he was questioning the storytelling, the lack of buildup, the lack of execution of the death.

I don't remember much of Waid's review, but I do think he was literally complaining about Superman killing Zod, mainly because he feels that Superman isn't that kind of character.

It had nothing to do with plot, or buildup, or execution, which were all fine. The only real issue with Zod's death was that the fight sequence was a little too long.

This isn't true, as you yourself said his complaint had "certain truth". His initial review was a tad overdramatic, I give you that, but he clarified his points in an interview with Voices For Krypton. So a lot of the recent stuff quoted from Waid is from this, rather than his original review.

A tad over-dramatic? That's like saying I play well with others. ;p And his current criticisms of MOS may be legitimate, or they may just be more fanwanking wrapped in intelligent discourse. And yes, I do mark a difference between fanwank and discourse, because fanwank is driven entirely from emotion, and disregards the facts. Discourse is emotional as well, but it relies on fact as well.

Like your recent interactions with The_Guard. :D

His opinion is that Superman always finds a way not to kill, an opinion based on how Superman is portrayed in comics. Your opinion is "Superman has killed, and more importantly, has shown that he is willing to kill if he needs to", which is also evidenced by the comics. In other words, both are valid starting points of discussion.

Except his is wrong, because Superman doesn't always find a way to not kill. If Waid approached it from the view point of "Well, Superman tries not to kill, and I think they could have gone a different direction", then this wouldn't even be a point of contention with me.

But the original statement, and one he seems to cling to, is that Superman doesn't kill. I know that the distinction is small, but if we're going to hold Waid up as a source of direction on how to feel about the movie, he has to be held to a higher standard in whether he is actually correct or not.

Finally, how can an emotional reaction be held against his opinion of the movie? Isn't it like saying if somebody cried in the theatre when Superman killed Zod, his or her opinion can't be taken seriously?

It's not the emotion, it's that he continues to hammer his idea home with the idea that Superman does not kill. That's a statement of emotion, not fact. So it does dilute the weight I would give to that opinion.

A good (but over-the-top) example is jury duty. You can be emotionally involved in a case, but you still have to rely on the facts of the evidence. The emotions cannot and should not override the facts, even if the facts don't mesh with what you want to happen on an emotional level.

To dislike Superman killing is one thing. To say that he has never killed, or won't kill, or doesn't kill is not a fact, and no amount of passion or emotion is going to change that.

Mark Waid was wrong about Superman, either on purpose, or by employing the use of fanon amnesia to forget about the inconvenient stories he didn't like. Wherever the confusion comes from, his opinion is clearly biased, and is of no use in the discourse about MOS.

Of course, that's just my opinion. ;) And we all know about opinions by now on this thread, don't we? :D :D :D

Since we touched on the codex, anyone think the codex will be referenced in future movies? I thought it was contrived BUT if it's mined in the sequels could be a rich plot devicey source.

I do think it will be brought up again. It's possible Lex, or some other Bad Guy will use the codex to try to create a Kryptonian to control, or some other nonsense.

The comics are full of silly things like clones and weird creations that go terribly awry, so I'm fully prepared for some sort of idiocy involving the codex later on down the line.

Didn't anyone else find likes like "I have uploaded the codex", "I have downloaded the codex", "I put it on the ship's harddrive" remarkably silly and just off putting.

This was a pseudo medieval society which was very advanced nonetheless and had a different display technology (that 3D screens ****). Wouldn't they have different information sharing mechanism rather than pen drives and uploading and downloading. It all sounded very silly.

I don't remember the codex being uploaded or downloaded into the computer. It was embedded in Clark's cells. He's literally the Codex now. He's such a special Kryptonian.

Marty Stu, thy name is Clark Kent. I love Superman and Batman, but seriously, their pasts, abilities, and all the other stuff are seriously silly if you think too hard on them. And that's without taking into account the movies.
 
It didn't bother me but I thought it was a pity they didn't play up the pseudo medievalism, the coat of arms etc.

I like the raised surface holograms. I heard that Zack came up with it (which hints that he had some input in the script).
 
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