You know I will.
That's funny, because I thought damn-near the entire original Spider-Man score was out of place. To the point where I didn't know whether I was watching Beetle-Juice or Batman, both actually, being they sound the same. A so-so score would be Elfman's work on Spider-Man, that usually never enhance a scene, but makes you wonder was the composer blind, and just didn't see what was being shown on the screen.
Danny Elfman's train sequence was horrible, it's no wonder it didn't make the final cut, it was just more regurgitated Elfman music, as usual, that's all over the place and not focused on what's on the screen. And it was Sam Raimi's idea to put the Hell Raiser's cue in there, not Young's.
And even when Elfman was scoring the Hulk, can you imagine a director telling you, "I don't want to hear YOUR STYLE of music." As to say, it isn't good enough and I'm damn angry that the studio chose you as the composer. Why, because Ang Lee knew he going to get the same regurgitated sh:t that Elfman always delivers.
t:.
But I love it! 
