spideyboy_1111
Young Avenger
- Joined
- Sep 14, 2001
- Messages
- 66,458
- Reaction score
- 11
- Points
- 33
Colbert took a great shot at the film tonight
[YT]WLyxUmVFpEM[/YT]
[YT]WLyxUmVFpEM[/YT]
Colbert took a great shot at the film tonight
[YT]WLyxUmVFpEM[/YT]

Colbert took a great shot at the film tonight
[YT]WLyxUmVFpEM[/YT]
Like Manos: the Hands of Fate, Batman and Robin can be enjoyable in a "so bad it's good" kind of way. Catwoman and Fant4stic are not enjoyable at all.
I can watch Batman and Robin and have an enjoyable time watching it just because it is so completely over the top and silly. I can watch and laugh at it and make fun of it and get entertainment that way. If nothing else, it isn't boring.
I watched B&R recently and I'd put it slightly ahead of this nightmare. As everyone else has pointed out, it at least knew what it wanted to be. It was a cartoon from start to finish.
FFINO, on the other hand, had no idea what it was.
Hey, remember how dozens of us here saw all the warning signs? And yet we had to put up with months of people arguing that it was all fine and dandy, some even going so far as to predicting it'd be at a 90% on RT? Good times, good times.
I don't know if Batman and Robin was seeming like complete crap months before its release and before anyone had seen any footage of it. I certainly don't recall thinking that this seems awful and a complete bastardisation of the source material.
And Schumacher certainly didn't tell fans that they'll see it anyway, as if we'd just swallow up any crap that came along.
But Schumacher did go on twitter to tell people that the version that he made is way better.
We can discuss how the final products of Catwoman, Batman and Robin and FF compare, but I think FF stands clearly and uniquely alone as an act of aggression directed at fans. I don't think either Catwoman or B & R were trying to reinvent the characters in the same way FF did.
In the case of B & R, Schumacher was trying to do something that borrowed elements from the popular but campy 1960's film and TV show, and it just didn't work as either a serious or campy film. In the case of Catwoman, they basically just put the character into a weak, poorly executed action flick.
In the case FF, they started with a blank slate and almost seemed to ask "how can we alter and change these characters so they are offensively contradictory to any popular interpretation of the characters in the past?" FF was so bad and so counter to what we wanted, it seemed almost willful. It almost seemed like Josh Trank and Simon Kinberg had gotten beaten up by FF fans when they were in Jr. high and used this as a way to get back at them.