Primal Slayer
How lucky are WW fans?
- Joined
- Jun 30, 2005
- Messages
- 28,762
- Reaction score
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Doesn't matter, Santana has had sex with both of them so I still win in the end
"I didn’t know anything about it when I started off. It was just another audition, and I knew that I had to sing. So I had to drive to go buy sheet music and pick out a song to sing, but other than that I didn’t know anything. Santana didn’t have any lines in the pilot, so I had to read Mercedes lines. The whole bit about not being able to get stank ass out of polyester. I auditioned twice and booked the gig."
It's downright depressing to think back on Season 1 or 2 and reflect how far the show has deteriorated since then.
I'm sure it'll be bittersweet to me to finally see it end once and for all, and part of me is a little sad about it just because I've stuck with it so long, but honestly a bigger part of me is glad it's ending, because it's gotten so stupid that I don't know how much longer I could have stuck with it.
The writers just blatantly ran out of ****s to give a while ago and aren't even trying to give any of the main characters we've followed for years any kind of properly-developed send-off. Because nope, spending half an episode on a random tween twink's Bar Mitzvah, or 2/3 of an episode on Geraldo Rivera trashing Sue is more important than actually concluding anybody's story in more than 2 minutes of a flashforward epilogue where of course everyone will be magically uber-successful and living happily ever after.
They're really giving the few loyal fans they still have a big fat middle finger at this point, and I don't care what you think about Glee or its fans, as a showrunner, you owe them more than this.
I don't even know how the show got worse going from 3 writers to like 6 or 7. Did they pick them up off from the street?
1. Santana Lopez
While Rachel exerts all of her energy trying to emulate divas of old see exhibit B(arbra Streisand) Santana unapologetically lives her life as the kind of diva that young girls and gays will someday aspire to be. People look to her for honesty, albeit brutal, because she's earned the right to tell it like it is. And let's never forget the time she took on Ms. Berry's signature song, Funny Girl's "Don't Rain on My Parade," not only making it her own, but basically blowing Rachel out of the water. Santana is the future.
2. Rachel Berry
On paper, Rachel should be the show's No. 1 diva. Not only was she New Directions' go-to girl for competition-crushing ballads, but she's one of the few characters who actually achieved her dreams, becoming a star on Broadway. Where she falls short, frankly, is attitude. A true diva doesn't care what other people think of her, which is something Rachel never managed to master, despite her countless successes over the years. From the time she choked at her NYADA audition to the months she hid from society after starring in that horrendously offensive sitcom pilot, Rachel has turned sweating her haters into a full-time job.
3. Mercedes Jones
Mercedes officially threw down her diva gauntlet with Season 1's "Bust Your Windows," and she's remained a force to be reckoned with ever since. Unwaveringly true to herself, when society told Ms. Jones she didn't fit its standards of beauty, she flipped it off and downed another plate of tots. Additionally, she never let a man put her second and when they tried, she chewed them up, spit them out and left the mess for someone else to sweep up. (Bye, Shane!)
"In the pilot it was really one off to me, in my mind. I figured I would play her as a *****y sidekick. But after that, when I was sitting in a choir room with a ton of people, I would think, “ How will I stand out without having any lines.” I told my husband the other day, I was like rolling my eyes and popping my neck for every joke. I wanted that camera on me."
"I met Ryan when he was directing the pilot. At that point I didn’t know if I would be coming back at all. Ryan just walked up to Dianna and I at one point and said, “You need to learn “Say A Little Prayer.” And I go, “Hi, I’m Naya, what is that?” And he says, “It’s a song by so-and-so, and you might be singing it the next episode.” And then he walked away, just like that."
Glee Pilot Oral History, Part 3: Let's Go to School | Out Magazine"The first person that I met was Dianna, because we were sharing a trailer. We had the really small trailers that had the divider in the middle, so we met and opened it up so we could have more space. We became really fast friends because we did our scenes together, and her character wasn’t yet in the glee club either. So she hadn’t met all the other kids who had already been in rehearsals for a week together. It felt kind of like a clique right off the bat. Like, “who are these originals, they don’t want to talk to us!” But that all changed quickly as we got into the series."
Jenna Ushkowitz (Tina Cohen-Chang): I came out to L.A. and Lea had taken me to dinner the first night. I had rehearsal the next day with Kevin, Amber, and Chris. For some reason Lea wasn’t there, and Cory hadn’t been cast yet. So she goes, “tell me everything about them, and tell me who we like and who we don’t.” [Laughs]
It's not bad but it is exactly how I picture him. Straight to the point then just walks away.
I was 18 but my dad was still driving me because I was too afraid to drive in LA at the time. I will never forget – Lea Michele, who I’d never met before, was in a Mini Cooper in front of us pulling onto the lot. I recognized her instantly because I was obsessed with Spring Awakening when I was like 14. We both got turned away because we weren’t allowed to park on the lot. She was in the callback with me and I could hear her singing in the next room over. I went in, and the rest was history. There’s a whole story about how Ryan [Murphy] saw me and said, “Why do I have a feeling you’ve been in The Sound of Music?” I sang and made a joke about my hometown, and the rest is history.
“Defying Gravity” I think will always stand out just because that storyline to the character was something I had lived through. That was super special. To this day, I think one of the best things the show has done is portrayed the relationship between me and Mike O’Malley – the Kurt and Burt relationship. I’ll never forget, when I first got the script and I saw that he accepted Kurt for who he was, I got so mad because I was an actor and I was like, “No! I want a scene where I get kicked out and I’m crying! And I’m so emotionally distraught! That is what I want!” Little did I know it was something good for mankind.
Do you have a favorite memory of Cory Monteith?
He really was the big brother I never had. I have to say – I hope I don’t get emotional – I always felt so respected by Cory, and I think being a young gay kid, I’ve never really felt respected very much by older straight types, I guess. But with Cory, I think we just respected each other so much and we respected working with each other so much. I think that’s what I’ll always remember – the abundant respect that he gave everyone. I think that’s why it was such a hard loss. It was so hard to see betrayed when he passed away in his life – that didn’t represent who he was.